1. GRETA GARBO: Known as “the Swedish Sphinx”, this star is today best remembered for
'wanting to be alone’. Throughout the 1920’s and into the early 1930’s,
however, Greta Garbo was the undisputed queen of the silver screen. Despite her
typecast start as a silent film vamp, Garbo was actually a versatile actress
whose subtle approach to her craft broke the melodramatic standards set by her
peers. She was nominated for an Academy Award for Best Actress on four occasions,
including once for her comeback role in her first comedy, the 1939 political satire Ninotchka. Despite all the work that she
put into her performances, Garbo never seemed to regret her Academy losses and
instead came to dismiss her star status and resent the toll that it took upon
her private life. She unofficially retired (she continued to review scripts and
made a final screentest in 1949) from film in 1941 following the critical and commercial
failure of her attempt at a follow-up comedic role in Two Faced Woman. She was awarded an Academy Honorary Award in
1955, which was accepted on her behalf by fellow actress Nancy Kelly as Garbo
declined to attend the ceremony. Today, Greta Garbo remains an enigmatic cinema icon
amongst classic film fans and was recently ranked fifth on the American Film
Institute’s list of Greatest Female Stars of All Time.
2. BARBARA STANWYCK: Domestic melodrama, screwball comedy, film noir, western; Brooklyn
gal Barbara Stanwyck proved her mettle in all these genres and more in a career
that spanned nearly six decades. After making a modest beginning as a Broadway
chorus girl, Stanwyck made her film debut in a silent bit part before quickly
working her way up to becoming one of the most versatile actresses of all time.
Never one to turn down a challenge, she used her chameleon-like skill to move
with the changing trends of several eras, playing women of diverse ages and
social classes with her trademark combination of street smarts and honest
emotion. She was nominated for an Academy Award for Best Actress on four occasions,
including her memorable turn as femme fatale Phyllis Dietrichson in the
1945 noir classic Double Indemnity. True
to her working class roots, Stanwyck was far more interested in continuing to
work than in receiving awards, saying “I’m a tough old broad from Brooklyn. I
intend to go on acting until I’m ninety”.
She finally won an Academy Honorary Award in 1982. Barbara Stanwyck remains a true cinema classic and a shining example of what
an actress can achieve if she possesses talent, a good work ethic, and the willingness to try something new.
3. CARY GRANT:
Suave, sophisticated, and endlessly entertaining are just a few ways that fans
would describe Cary Grant. After holding his own while starring opposite saucy
sexpot Mae West in a pair of films in the early 1930’s ,Grant went on to become the most in demand leading man of the
following three decades. Over the course of his career, he played a wide array
of parts ranging from conflicted dramatic heroes to hapless comedic foils with
equal skill. Unfortunately, Grant was and continues to be better known for his
leading man good looks than his dramatic depth, and was unfairly overlooked as
a mere ‘pretty face’ throughout his career. Beneath his debonair persona,
however, lay a deep internal torment as he spent his life battling a severe
case of depression, which led him to experiment with various forms of therapy
and mood altering drugs, including prescribed LSD. He was nominated for two
Academy Awards for Best Actor for his roles in the dramas Penny Serenade and Suspicion, and
was reportedly elated when he finally received an Academy Honorary Award in
1970. Today, Cary Grant is one of the
most easily recognizable actors of Hollywood’s Golden Era and was recently
ranked as the second greatest star on the American Film Institute’s list of Greatest
Male Stars of All Time. Oh, and for the record, he never did say, “Judy, Judy,
Judy”, although he did utter a slew of unforgettable lines throughout his
expansive career.
4.
ALFRED HITCHCOCK:
The ‘master of suspense’ is so famous that even his silhouette is instantly
recognizable. Between 1922 and 1976, Hitchcock directed over fifty full length
films as well as the pioneering suspense series Alfred Hitchcock Presents, which lasted ten seasons. Over the
course of his career, he debuted several stylistic techniques including
voyeuristic camera movements, false flashbacks, and decoy plot devices known as
‘MacGuffins’. Through his innovative style he brought a more complicated form
of suspense to cinema, which forced audiences to empathize with unsavory
protagonists and acknowledge their own hidden dark sides. His most recognizable
hits include Rear Window, Strangers on a
Train, The Man Who Knew Too Much, North by Northwest, Vertigo, Psycho, and The Birds. Despite the success of his
films today, many of his films were denounced by critics upon their release for
breaking the established rules of film. He was nominated for five Academy Awards
for Best Director, and although he did not win any of them, his 1941 film Rebecca won the Academy Award for Best
Picture and several actors won Oscars for their roles in his films. Over time,
Alfred Hitchcock has become synonymous with expert directing and the art of suspense
for his ability to demonstrate a skill and innovation that many have imitated
but none have equaled.
5. PETER O’TOOLE: From period pieces, to capers, to comedies, to biographies, to
musicals Peter O’Toole has proven himself to be an adept actor in nearly every film genre. O’Toole began his acting career not on the screen, but on the British stage as a Shakespearean actor with the English Stage Company. His breakout film was the epic Lawrence of Arabia in which he played the complicated and elusive WWI British army officer T. E. Lawrence. Following his successful introduction to American audiences in Lawrence, he starred in a series of successful films throughout the 1960’s and 1970’s, including the historical dramas Becket and Lion in Winter. In the late 1970’s O’Toole underwent surgery for a misdiagnosed case of pancreatic cancer, which included removing a large portion of his pancreas and stomach. The surgery led to insulin-dependent diabetes and ultimately forced him to give up his addiction to alcohol. He later survived a near fatal blood disorder in 1978, but continued working steadily throughout the next three decades. At eight Academy Award nominations for Best Actor, he currently holds the record for the largest number of Academy Award nominations without winning, but did receive an Academy Honorary Award in 2003.
3.
5. PETER O’TOOLE: From period pieces, to capers, to comedies, to biographies, to
musicals Peter O’Toole has proven himself to be an adept actor in nearly every film genre. O’Toole began his acting career not on the screen, but on the British stage as a Shakespearean actor with the English Stage Company. His breakout film was the epic Lawrence of Arabia in which he played the complicated and elusive WWI British army officer T. E. Lawrence. Following his successful introduction to American audiences in Lawrence, he starred in a series of successful films throughout the 1960’s and 1970’s, including the historical dramas Becket and Lion in Winter. In the late 1970’s O’Toole underwent surgery for a misdiagnosed case of pancreatic cancer, which included removing a large portion of his pancreas and stomach. The surgery led to insulin-dependent diabetes and ultimately forced him to give up his addiction to alcohol. He later survived a near fatal blood disorder in 1978, but continued working steadily throughout the next three decades. At eight Academy Award nominations for Best Actor, he currently holds the record for the largest number of Academy Award nominations without winning, but did receive an Academy Honorary Award in 2003.
Absolutely Flabbergasted by #4. And I still believe that the Academy refused to bestow the Best Actor Academy Award on Peter O' Toole because he appeared in "Caligula"
ReplyDeleteHa! Oh Hollywood so fair and balanced. I still maintain that Garbo never got one because she never kissed up to the studios or press. Cracked up when I read 2 Academy voters voted for 12 Years a Slave without ever watching it
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