Classics: A Very Merry Holiday TV Review By Lauren Ennis

The holiday rush is nearly over, but in the midst of all of the season’s hustle and bustle it can be all too easy to lose sight of just what it is that we’re celebrating. With all of the time spent preparing for the holidays we often miss out on the very thing that we should be celebrating; time with those closest to us. This year, take a break with your nearest and dearest for a crash course in the true meaning of the holidays courtesy of three holiday specials that are sure to entertain and enlighten the whole family.

Keep tissues handy for this one...

Hey Arnold-Arnold’s Christmas: This Nickelodeon series ran for five seasons but only featured one holiday episode. Thankfully, what this single episode lacks in quantity it more than makes up for in quality. Recalling holiday classics while relating a refreshingly unique and entirely heartwarming tale 1996’s “Arnold’s Christmas” is ideal holiday viewing for the young and young at heart. The episode cleverly juxtaposes idealist Arnold’s and bully Helga’s very different attempts to create the perfect Christmas. Unsurprisingly, materialistic Helga, who describes Christmas as an excuse to ‘shop like a barbarian’ and ‘get yours before the other guy gets his’ is fixated upon obtaining this year’s must have gift, a pair of Nancy Spumoni snow boots. Meanwhile, Arnold struggles to think of a gift to give neighbor Mr. Hyunh for the boarding house’s annual Secret Santa. While trying to coax ideas out of Mr. Hyunh, Arnold is shocked to learn that what his neighbor wants most is to be reunited with the daughter he sent to America in an effort to protect her during the fall of Saigon. After learning Mr. Hyunh’s wrenching backstory Arnold becomes determined to make a Christmas miracle come true and reunite Mr. Hyunh with his now grown daughter, Mai. Through a series of misadventures Arnold and Helga’s holidays intersect just in time to ensure that the Hyunh’s receive the ultimate gift. Through its equal parts mature and original approach “Arnold’s Christmas” stands apart from the myriad of derivative and surgery specials that are aired each holiday season. Although the episode reaches a happy conclusion it refuses to shy away from such harsh realities as war and loss and even takes pause to reflect upon the ways in which the holidays can be painful and lonely for many. In this way, the episode shows the true range of Christmas experiences along with the expected true meaning of Christmas. Even the episode’s depiction of the requisite humbugs contains nuance as Helga and private investigator Mr. Bailey are shown to be not villains but instead average people who find themselves caught up in the consumerism and stress of the season. Helga’s redemption at the end of the episode proves almost as rewarding as the Hyunh’s reunion as she learns that the most cherished gifts are those that don’t come in boxes and it is truly better to give than receive, even when it means giving without trying to receive any credit for it. For viewing that is guaranteed to warm your heart no matter how cold the winter winds blow tune in to Hey Arnold’s “Arnold’s Christmas”.

Please tell me these decorators are available for hire...

A Charlie Brown Christmas: The holiday season hasn't really started until this 1965 classic has aired. In the nearly fifty-five years since it first premiered this deceptively simple tale of lovable loser Charlie Brown and his unusual choice of a Christmas tree has worked its magic on several generations. The story follows the Peanuts gang as they eagerly prepare for Christmas. While his friends focus upon finding the most expensive presents and elaborate decorations Charlie Brown finds himself unable to muster much enthusiasm for what he sees as the commercialization of Christmas. When Lucy offers to let him direct their class' Christmas pageant he's thrilled at the opportunity and sets about creating an authentic nativity play. Unfortunately, his friends have other plans and he soon finds his 'by the book' production peppered with everything from pop culture references to randomly placed musical interludes that have nothing to do with the nativity. At the urging of his friends he reluctantly hands over his directorial duties to Lucy and resigns himself to his limited role of picking the pageant tree. Much to the rest of the gang's disappointment he passes over the elaborate aluminum trees and instead picks the smallest and least impressive tree that he can find. When he returns with his tree his friends laugh at the supposed failure. Frustrated, he demands to know if any of them knows or cares about the true meaning of Christmas, to which Linus famously replies by quoting the story of the nativity from the Gospel of Luke. The story functions as a series of character studies rather than an action packed plot of the sort that today's viewers are accustomed to. The animation was considered crude even upon the special's release in the early days of color television. The score seems more at home in a jazz club than in a holiday special. Even the amateur voice performances made up of a cast of untrained child actors seem out of place among today's polished and edited productions. So what then is it about this holiday special, which even its creators were certain would be a sure flop, that makes it so special? The answer is that the very quality which executives were certain would guarantee the special's failure, its unpretentious unassuming simplicity, is the very thing that continues to endear it to viewers and critics alike. Through its refusal to rely upon glossy production values, elaborate plots, or holiday tropes the special personifies its own message to embrace the true meaning of Christmas. In this way the special aptly reminds us to see flash of the mass marketing sensation that Christmas has become and take a closer look at just what it is that we're celebrating. While its focus upon the holiday's religious aspects tempted controversy even upon its 1965, release it is this emphasis that lends the film its emotional core as it hearkens back to the holy day's message of peace on earth and good will. Get your season started in classic fashion with the Peanuts gang in A Charlie Brown Christmas.

Eloise at Christmastime: Adapted from Kay Thompson's popular children's book, this 2004 made for TV movie follows that endearing scamp, Eloise, as she embarks upon a series of heart warming shenanigans during the holidays. Fortunately for parents, Eloise uses her mischievous tendencies for good as she does her best to brighten the holidays for everyone at the Plaza Hotel. Her main mission involves playing matchmaker to Plaza owner Mr. Peabody's recently engaged daughter, Rachel, and  Plaza waiter, Bill. Despite Rachel's pending nuptials to the seemingly perfect Brooks, Eloise is certain that Rachel's former flame, Bill, is the right man for Rachel and sets out to reunite the two in time for the holidays. Along the way, she exposes a con-artist, prevents her neighbor's eviction, and makes sure that everyone at the Plaza has something to smile and sing about. The film makes a striking departure from most holiday specials by refusing to idealize its characters, particularly its impish heroine. By keeping Eloise's famous flaws intact the film not only ensures that she is relateable, but also sends the message that all of us, however flawed, are capable of making the season a little brighter. The film also serves as an apt reminder of the importance of looking beyond appearances as curmudgeonly Mrs. Thornton, picture perfect Brooks, and even Eloise herself prove themselves to be more than they appear. In fact, Eloise is infused with such depth that she is able to transcend the somewhat cartoonish persona she is relegated to in the original books as she copes with difficult neighbors, longs for her absent mother, and struggles to make her voice heard in a world ruled by adults. The love story at the center of the plot is a winning touch that sweet without being saccharine as Rachel and Bill build a relationship based upon friendship and trust rather than a fairy tale instant attraction, and face plenty of real life obstacles along the way.  Even as the film serves up plenty of positive messages, however, it never loses sight of its audience and makes sure to include Thompson's signature wit and Eloise's infamous impish charm every step of the way. For charmed holiday be sure to book a stay at the Plaza Hotel and join Eloise at Christmastime.

Classics: A Review of Memoirs of a Geisha By Lauren Ennis

What is it that allows some to triumph over tragedy while others succumb to it? How are some able to rise above adverse circumstances while others remain oppressed by them? These questions lie at the heart of the 2005 drama Memoirs of a Geisha. Set against the tumultuous backdrop of 20th century Japan the film follows an ordinary girl as she struggles to maneuver the by turns glamorous and treacherous life of a geisha in an era of extraordinary change. Adapted from the 1997 bestselling novel of the same name the film takes viewers on an unforgettable journey into the elusive world of Japan's geishas while relating a timeless tale of resilience and reinvention.

The story begins along the Japanese coast during the 1930's as nine year old Chiyo and her sister, Satsu, tend to their terminally ill mother. While bracing themselves for their mother's impending death, the girls are devastated to learn that their father has sold them in order to pay the family's debts. The siblings are then torn from everything that they've ever known, including each other, as they are taken to Kyoto where older, plainer, Satsu is sent to a brothel while prettier Chiyo enters a geisha house. Although she is spared the sexual abuse that Satsu is forced to endure Chiyo, suffers constant physical and psychological abuse at the geisha house, particularly at the hands of vindictive geisha Hatsumomo. After several failed attempts to reunite with her sister, all seems lost until fate intervenes and Chiyo is transformed into Sayuri, Kyoto's most celebrated geisha. She soon learns, however, that her success is not all that she had hoped for as she finds herself facing the pressures and constraints of life as a geisha. When World War II breaks out she is forced to reinvent herself once again as she struggles to find her voice and make her own way in a drastically changing world.

At first glance, Memoirs of a Geisha is a Japanese take on the familiar Cinderella story. As the story unfolds, however, the film evolves into a compelling exploration of resilience and self-discovery. While marketed as an exotic romance, the film's central focus is actually Sayuri's struggle to obtain her elusive goal; not to win a man's affections or earn status as a geisha, but to lead a life that is truly her own. It is this overarching desire that fuels her determination to make the most of the difficulties that life continually places within her path, and motivates her to forge ahead when others might accept defeat. Even when faced with the loss of her fortune, her career, or her loved ones she never loses her sense of self as she stubbornly presses on. Much like Scarlett O'Hara, Sayuri remains standing tall even as the world around her threatens to crumble in the rubble of war and reconstruction. Throughout her training she is told that the work of a geisha is an art. While she may succeed in all of the arts expected of a geisha her true art form is the art of survival as she rises from the devastation surrounding her again and again only to emerge stronger and more determined than when she started.  In this way, the story subverts audience expectations by providing its seemingly helpless heroine with an internal transformation that surpasses any make-over a fairy god-mother might provide. As a result, the film defies period piece tropes by relating an empowering and refreshingly modern story of  individuality and independence that will resonate in any culture or era.

While the film was subject to controversy due to its casting of several Chinese performers in Japanese roles, the cast bring Arthur Golden's novel to vivid life. Gong Li steals each scene in which she appears as the fiery Hatsumomo, expertly balancing seductive charm, cold cunning, and bitter desperation. Michelle Yeoh resonates warmth and maternal wisdom and makes for an excellent foil to Li's villain in her turn as Sayuri's mentor, celebrated geisha Mameha. Youki Kudoh is by turns endearing and heart breaking in her role as Sayuri's best-friend turned reluctant rival, Pumpkin. Ken Watanabe exudes charm in his role as Sayuri's love interest, while Koji Yakusho lends pathos and world-weariness to his role as her rejected suitor. Even in the midst of excellent supporting performances the film belongs to Suzuka Ohgo and Ziyi Zhang as they infuse their performances with an innocence, intelligence, and determination that brilliantly transfer Golden's complex heroine to the silver screen.

At the film's conclusion Sayuri describes her unconventional happy ending and reminds viewers that "these are not the memoirs of an empress, nor of a queen"; what they are are is something infinitely more moving and fascinating. At once a unique tale of a young woman coming of age in an era of cultural change and a universal story of resilience and redemption Memoirs of a Geisha is nothing short of inspiring. Through its intelligent script, enchanting visuals, and engaging performances the film not only transports viewers into the heart of the mysterious world of Japan's geishas, but also brings its alluring inhabitants to vibrant life. During her grueling training to become a geisha Mameha advises Sayuri that "to be a geisha is to be judged as a moving work of art", a task at which this film more than succeeds.

And as a bonus be sure to check out the skating program that inspired this review!

Classics: A Review of Coco By Lauren Ennis

Thanksgiving is a time that has become synonymous with food, festivities, and football. It is a time to gather together and give thanks for those most dear to us and reflect upon those we have lost. In keeping with the spirit of the season there is no better film to kick off Thanksgiving with your family with than 2017’s Coco. Set against the vibrant backdrop of Mexico’s Day of the Dead celebration, Coco tells a coming of age story about family, remembrance, and music that is guaranteed to get your toes tapping and your eyes welling up.

The story begins with aspiring musician Miguel relating the tale of how his family came to be “the only family in Mexico who hates music”. Several generations ago Miguel’s musician great great grandfather disappeared, abandoning his family to presumably pursue a musical career. Rather than despair, Miguel’s resilient great great grandmother, Mama Imelda, raised her young daughter, Coco, alone and built a successful shoe business that Miguel’s family continues to run. Her husband’s betrayal left Mama Imelda with a bitter contempt for music that carried down to all of her descendants, except of course for Miguel. Despite his family’s prohibition of all things musical, he longs to break with his family’s traditions and become a musician, just like his famous idol Ernesto De La Cruz. Family tensions reach a breaking point when Miguel refuses to take his place in the family business and finds a clue that may link his mysterious great great grandfather to De La Cruz. And so begins a journey that will take Miguel to the land of the dead where he meets both his ancestors and his idol and learns the importance of family and the power of music.

For a movie in which half of its characters are dead, Coco is surprisingly life-affirming.  Rather than focusing upon the grief or suffering of death the film instead keeps in the spirit of the Day of the Dead and celebrates the lives and afterlives of its characters. Through its depiction of Miguel’s journey to the land of the dead and back again the film assures viewers that death doesn’t have to be an ending and that the surest way to keep part of our loved ones alive is to remember and commemorate them. As a result, the film acts as a gentle introduction to the concept of death for young viewers and provides an excellent outlet for coping with loss that viewers of all ages can relate to. Simultaneously, the film’s focus upon the afterlife reminds us of just how limited our time on earth is, and of the importance of using what time we do have to devote ourselves to the people and things that matter most. In this way, the story encourages viewers to chase their dreams and passions, while also warning against the dangers of losing sight of our loved ones and responsibilities along the way. The film’s emphasis upon such weighty themes as life, death, family, and duty allows it to offer surprisingly adult lessons all while maintaining a warmth, wit, and tenderness that  ensures it remains entirely kid friendly.

Through a combination of dazzling animation, infectious songs, and engaging voice acting Coco brings both modern Mexico and the Day of the Dead to brilliant life. the animation marks a new high for Pixar as the lush scenery transports viewers from the streets of Mexico to the land of the dead. Even while surrounded by breathtaking visuals the expressiveness and realism of the character design ensures that the characters remain at center stage. This ode to all things music more than delivers on its score which combines Mexican classics with original songs. The unique score lends authenticity to the setting while propelling the story forward with an infectiousness that is guaranteed to leave viewers humming. The film's array of memorable characters are vividly realized by the talented voice performers with Anthony Gonzalez, Benjamin Bratt, and Gael Garcia Bernal earning particular note in their roles as Miguel, de la Cruz, and Hector.

By turns heart warming and heart breaking, Coco is a prime example of family entertainment at its finest. Through its captivating animation, enchanting score, and engaging performances the film casts a spell that is nothing short of cinematic magic. By its final reel Coco will have you laughing, singing, and even crying with its characters as it takes you on an epic journey that you are guaranteed to remember.

Classics: Three Stars Who Made Stellar Contributions to the War Effort By Lauren Ennis

Each year on the anniversary of the 1918 armistice that ended World War I the United States honors veterans past and present who served liberty in its most dire hours. These individuals worked, fought, and died in order to ensure that the freedom which we all too often take for granted continues to reign. In honor of Veterans Day this week I'll be turning the spotlight on three actors who made significant contributions to the Allied war effort during World War II both on and off of the battle field.

Charles Durning: Best known for an acting career that spanned fifty years and over two-hundred roles, off-screen Charles Durning played the role of decorated soldier during World War II. He was just twenty-one when his infantry unit stormed the beach at Normandy during the D-Day invasion of France. Despite sustaining both machine gun and shrapnel wounds he ultimately killed several German soldiers, and was the only member of his unit to survive that fateful day. He later faced another harrowing experience while fighting in Belgium where he was stabbed by a German soldier's bayonet, only to ultimately kill the soldier in hand to hand combat. After recovering from his injuries he resumed duty and fought in the Battle of the Bulge, where he was captured by enemy combatants. During his time in a Nazi POW camp he was one of only three men to survive the prisoner massacre at Malmedy, Belgium. Durning's heroism earned him a Silver Star and three Purple Hearts, but the trauma of his experiences took a severe physical and mental toll that led to his spending four years in and out of military hospitals as he struggled to readjust to civilian life. Although he generally preferred not to discuss his war-time experiences and once told an interviewer, "Too many bad memories, I don't want you to see me crying" he participated in the National Memorial Day Concert to commemorate the 60th anniversary of D-Day, and went on to make annual appearances at the event. Although he returned to civilian life to enjoy a long and varied acting career he never forgot his war-time experiences and participated in numerous events to honor veterans and raise awareness of the psychological wounds of war. Durning, like so many allied soldiers, displayed a courage and self-sacrifice that is truly daunting, and cannot possibly be encompassed in a simple blog entry. To learn more about this true American hero watch the man himself at work below as he describes his experiences during the 2007 National Memorial Day Concert.

Audrey Hepburn: Long before she was America's sweetheart Audrey Hepburn was leading a movie worthy double life as a school girl by day and Dutch Resistance member by night. Although her aristocratic parents initially supported the Axis as members of the British Union of Fascists, Hepburn's mother, Edda van Heemstra, drastically changed her political views after experiencing Nazi occupation firsthand in Holland. After her uncle was executed for suspected resistance activities, one of her half-brothers was deported to a German labor camp, and her other half-brother was forced into hiding, Hepburn and her mother took action and began  fighting against Nazi oppression. While the pair's activities started small with van Heemstra organizing and Hepburn performing in underground dance recitals to raise funds for resistance efforts, teenage Hepburn quickly graduated to distributing Resistance newspapers and transporting messages. The unlikely heroines even risked their own safety by relaying messages to, providing food for, and on at least one occasion secretly housing downed allied pilots. As the war dragged on enemy occupation took its toll as food shortages left young Hepburn, along with most of Holland on the brink of starvation. Her harrowing experiences during the war continued to impact her long after liberation and ultimately inspired her to become a UNICEF ambassador in an effort to help other children living in war and poverty. When asked about her war-time work later in life the ever modest Hepburn dismissed her efforts saying that she was only doing "What every loyal Dutch schoolgirl and boy did" and insisting that "Many were much more courageous than I was". Over twenty-five years after her death in 1993 Audrey Hepburn continues to remind us that, in her own words, "Nothing is impossible, the word itself says 'I'm possible!".

An even better spy off-screen than on

Hedy Lamarr: Austrian bombshell Hedy Lamarr spent her war years in Hollywood where she, like many actresses, sold war bonds, entertained the troops at the Hollywood Canteen, and developed cutting edge military technology. Actually, she might be the only Hollywood star who can make that last claim. It all started during her childhood in Vienna when her father exposed her to advanced mathematics and science and encouraged her to be an independent thinker. Years later, after escaping both an abusive marriage to a fascist arms dealer and the impending Nazi annexation of Austria, she arrived in Hollywood where she eventually used her scientific skill in service of her adopted country. In the early 1940’s, Lamarr began a friendship with her neighbor, avant-garde artist George Antheil, who was working with a series of experimental instruments, including a set of synchronized player pianos. While observing Antheil’s pianos, she noted how their programming caused each piano to ‘hop’ from one note to another in unison and began to wonder why the radio signals controlling allied  torpedoes couldn’t do the same. She theorized that synchronizing radio signals to jump from one frequency to another would make it much more difficult for the Axis to pinpoint the signal’s location and jam it with broadcast interference. After countless hours of work, Lamarr and Anthiel completed their invention and brought it before US naval intelligence. Unfortunately, the device was so advanced for its era that experts ultimately rejected it, and Frequency Hopping was not implemented until the Cuban Missile Crisis in 1962, after Lamarr and Anthiel had unfortunately let their patent expire. Frequency Hopping went on to become the basis for Spread-Spectrum Communication technology, which is utilized today in Blue Tooths, GPS systems, internet WiFi, and the majority of modern military technology. By using her intellectual gifts, Lamarr was able to defy the constraints of her era and create a truly innovative invention that has shaped modern technology, both military and civilian, as we know it.  Next time you use your Bluetooth, GPS, or cellphone, I hope you take a second to think of Hedy Lamarr, a woman who was truly ahead of her time.

Let's all raise a glass to Hedy Lamarr

Classics: Three More Halloween Films for the Faint of Heart By Lauren Ennis

For many moviegoers the thrills and chills of horror are the highlight of Halloween. For others, the menace and mayhem of real life is frightening enough without cinematic horrors. I have a confession to make, readers, my viewing tastes place me firmly in the latter category. This year, I'll be turning the spotlight on three more movies for viewers like me who want to shriek with delight rather than fear this Halloween.

Topper: Who knew that ghosts were such a good time? In this 1937 supernatural comedy Halloween gets the screwball treatment as a pair of sprightly spirits wreak havoc upon an unsuspecting couple. After a night of hard partying that ends with a car wreck the equal parts rich and reckless George and Marion wake up to find themselves no longer listed among the living. Making matters even worse, the pair find themselves firmly in limbo as over the course of their carefree lives they committed neither enough bad deeds to be banished to Hell or enough good deeds to earn their way into Heaven. In an effort to earn their wings the deceased duo set out to do the best deed that they can think of; helping their friend, Cosmo Topper, to break out of his repressed existence and start living life to the fullest. Supernatural shenanigans ensue when they land Topper into one blunder after another, which ultimately leave his career and marriage seemingly as doomed as George and Marion themselves. As the film progresses, however, hapless Topper falls under the couple's infectious influence and realizes that his ghostly mentors are ironically the ones truly living. In typical screwball fashion, Topper begins seizing each day as though it were his last just in time for George and Marion to earn a one-way ticket to Heaven. Cary Grant and Constance Bennett turn in performances that are nothing short of a comedic masterclass as George and Marion, while Roland Young and Billie Burke make for excellent foils as the uptight Topper and his social climbing wife. Otherworldly and outrageous, Topper proved itself to be one of the most successful and innovative comedies of the Depression era and remains a haunted hallmark of the screwball comedy genre. For a film that is guaranteed to leave you screaming with laughter join in the spirit of the season with Topper.

Not your typical guardian angels

Ghost: Combining mystery, romance, comedy, and the supernatural, this 1990 crowd-pleaser is a ghost story unlike any other. The film follows Sam and Molly, a young couple who seemingly have it all until one fatal night when both of their worlds are shattered. When walking home from a night out the couple are attacked in a mugging that leaves Sam dead. The end of Sam's life proves just the beginning of the film's tale of love lost and found as Sam learns that his death was a contract murder rather than a robbery gone wrong and that Molly is the killer's next target. He then resolves to devote his afterlife to protecting the woman that he loves and bringing his killer to justice. His plan, while admirable, contains a crucial flaw; while he can still observe the living they cannot see or hear him. As a result, he forced to find an intermediary to act for him in the form of Oda-Mae, a shameless scam artist who is unnerved to learn that she actually does possess psychic abilities. Through a series of by turns comedic and suspenseful adventures the unlikely team manages to save the day and Sam and Molly are able to briefly reunite before Sam makes his final journey to the other side. Today, this film is best known for its uncanny ability to make pottery look sexy and the word 'ditto' sound romantic, which is unfortunate considering how much more it has to offer. The murder mystery has been a popular subject for storytelling for centuries, but Ghost puts a fresh spin on the popular whodunnit by leaving it to the victim to act as detective and solve his own murder. This proves to be more than a ghoulish gimmick as the murder victim, a role that is too often relegated to that of plot device, is granted the opportunity to play an active role in the story. The focus upon Sam's ghost also serves to lend emotional weight to the story by acting as a poignant reminder of the devastation that remains in the wake of a violent crime, which most murder mysteries neglect to include. The film's supernatural subject also allows the script to explore grief as well as death by following Sam and Molly as they both struggle to cope with loss and attempt to rebuild their shattered worlds.The inclusion of comic relief via Whoopie Goldberg's Oda-Mae enlivens the proceedings with feisty humor that gives voice to viewers' own skepticism without detracting from the plot's weightier elements. Patrick Swayze's aching portrayal of Sam proves that the actor was more than just another Hollywood heart throb, while Demi Moore infuses Molly with an intelligence and vulnerability that elevates her role beyond what could have easily been a stock love interest. Together, the pair exude chemistry as they portray the sensuality or romance and yearning of grief with equal skill. Rounding out the cast, Whoopie Goldberg is at her comedic best in her Oscar winning turn as Oda-Mae. Through its multi-faceted script and engaging performances Ghost just might make a believer out of you.

Cue unchained melody

The Ghost and Mr. Chicken: This 1966 film proves that horror plus comedy can be a surprising recipe for family fun. The film follows loveable loser Luther Heggs as he strives to break out of his menial typsesetting job at a local paper and become a big time reporter. He finally seems to get his chance when the office janitor encourages him to write an article commemorating the anniversary of an infamous local murder. When the article proves to be a hit the paper decides to capitalize upon its success by having Luther write a follow-up article that will require him to spend one night in the house where the murder occurred and report back on his experiences. In an effort to impress both his boss and his crush, Luther reluctantly agrees to accept the assignment. While his night begins benignly enough, it quickly escalates into the stuff of nightmares, complete with a hidden staircase, a bleeding portrait, and a bloodstained piano that plays itself. His next article chronicling his horrifying experiences launches him into the status of a local celebrity until the house's owner sues him for libel. The ensuing civil trial forces him to return to the notorious house where he learns a shocking truth and ultimately solves a local cold case. This film is certainly not one for true horror fans, but it is just the thing for those looking to get the kids in their lives into the spirit of the season. The film contains a classic horror premise that will give young viewers plenty of chills, but a family friendly conclusion straight out of Scooby-Doo that won't leave them sleeping with the lights on. For adults, the film makes for a wholesome Halloween themed comedy that features Don Knotts in arguably his best performance since The Andy Griffith Show's Barney Fife. The script makes ample use of Knotts' nervous persona while still allowing enough distinction to keep the film from declining into a tired rehash of his more famous television role. For those too chicken for true horror (this reviewer included) there's no better company to spend an October evening with than The Ghost and Mr. Chicken.

I do believe in spooks, I do, I do, I do...

Classics: A Review of Coraline By Lauren Ennis

'Be careful what you wish for; it just might come true' is a warning that proves to be truly dire in the 2009 animated film Coraline. This adaptation of Neil Gaiman's novel combines dazzling visuals and a haunting narrative to create a dark modern day fable in the tradition of Alice in Wonderland and The Wizard of Oz. This journey into a land beyond your wildest dreams and into the darkest corners of the imagination is guaranteed to leave the whole family thinking that there's no place like home.

Because it just might come true...

The story begins with eleven year old Coraline Jones moving with her parents from Michigan to Oregon. While their new home proves as affordable and secluded as her parents had hoped, she remains homesick. Making matters even more difficult for her, the house's isolation leaves her with little opportunity to make new friends. In an attempt to keep herself entertained she explores the centuries old house and discovers a small locked door. When she finally locates the key, however, she is disappointed to find that the door only leads to a brick wall. Later that night, she opens the door again, but this time is amazed to find that it is the opening to a tunnel that leads back to her bedroom, which is somehow brighter and more colorful than when she left it. She continues through the house and learns that she is actually in an alternate, parallel version of her house, complete with an alternative version of her parents. This incarnation of her parents have no careers or worries to distract them from spending time with her and seem to anticipate her every whim. When she returns home to her real life, she cannot help but notice how it pales in comparison to her 'other life'. Eventually, her 'other parents' present her with the ultimate opportunity to remain in her 'other life' forever, but only at a terrible price. She then challenges her 'other mother' to the ultimate scavenger hunt that just might lead her home.

Through its stunning animation and excellent voice performances the film brings Gaiman's delightfully dark tale to life. The film marked a milestone in animation by utilizing 3D printing technology along with the work of thirty-five designers to create a colorful world the likes of which had never before been seen in animation. This cutting-edge animation combined with an eerie soundtrack combine to transport viewers to a world where anything is possible and nothing is as it seems. The excellent vocal performances in turn bring that world to vibrant life. Terry Hatcher perfectly captures the frustration and maternal affection that Coraline's stressed out mother is torn between and portrays the sickening sweetness of the ominous 'other mother' with equal skill. John Hodgman balances his dual roles as her overworked father and the overcompensating 'other father' with similar aplomb. Robert Bailey Jr. lends an endearing turn as her nerdy neighbor, Wybie. Keith David is purfect is his mysterious turn as the enigmatic cat who navigates both the real world and the 'other world'. Ian McShane, Dawn French, and Jennifer Saunders led essential comic relief in their bombastic portrayals of Coraline's few, eccentric, neighbors. Even in the midst of these outstanding performances, the film belongs to Dakota Fanning for her scene stealing turn as the fiery, strong willed, angst ridden, and all too relateable Coraline.

I have a feeling we aren't in Kansas, I mean Oregon, anymore

Equal parts innovative fantasy and classic cautionary tale Coraline proves that family entertainment can be so much more than mere child's play. The film's beginning lures viewers in to what initially seems to be a familiar story, only to then lead viewers through a plot with as many twists and turns as the tunnel to Coraline's 'other life'. Even in the midst of its winding narrative, perhaps the greatest twist of all is the film's refusal to talk down to its audience. While many family films carefully dilute their content in order to placate concerned parents Coraline relates its tale in all of its darkly imaginative splendor. While the film never veers into inappropriate or adult content, it does present viewers with a modern fairy tale that is nearly as macabre as the classic tales of the Brothers Grimm. This dark sensibility, while unusual in a children's film is never jarring or out of place as it effectively transports viewers into the The film's more frightening elements also serve to highlight the underlying theme of the dangers of getting what you wish for by juxtaposing the safety of Coraline's mundane life with the threats of the 'other world'. Thus, much like Alice and Dorothy before her, Coraline takes viewers on an unforgettable journey only to remind us that there is no place quite like home.

Classics: A Review of The Goonies By Lauren Ennis

When a small town comes under fire its up to a ragtag group of middle and high school misfits to save the day. With the help of a strange new friend can the kids come to the rescue and make it home before the streetlights come on? This is the strangely familiar summary of the cult classic adventure The Goonies. Before a certain Netflix phenomenon came on the scene this 1986 film defined adolescent adventure and taught us all to never say 'die'. For a guaranteed fix for your nostalgia craving pop in your VHS and hang out with The Goonies.

The film follows a group of friends living in the 'goon docks' neighborhood of Astoria, Oregon as they attempt to save their homes from foreclosure. The film begins with 'goonies' leader Mikey (Sean Astin) inviting his friends over to bid farewell to their beloved neighborhood. The story takes a turn for the adventurous, however, when he stumbles upon a treasure map belonging to seventeenth century pirate 'One-Eyed Willie'. The kids then take it upon themselves to follow the map in search of the lost treasure in hopes that it will provide them with the funds needed to stop the foreclosure. Meanwhile, local crime family the Fratellis set of in search of the treasure themselves setting the stage for one of cinema's most awesomely '80's adventures.

Combining adolescent drama with a classic sense of adventure The Goonies remains engaging entertainment for kids and parents alike thirty-three years after its release. With its swashbuckling action and menacing villains the film captures the thrills of a Saturday serial, while adding a decidedly modern sensibility. While these elements alone would ensure that the film provided solid entertainment to its target audience, its script also incorporates such real life threats as bullies, drifting friendships, and financial troubles. The inclusion of these everyday obstacles lends the proceedings a sense of grounding that ensures that the characters don't become lost in the midst of all of the booby traps and chase scenes. As a result, viewers become just as invested in the emotional journeys of each character as in their overarching treasure hunt. It is this surprising emotional weight that has allowed the film to endure as an ode to all things adolescence long after other family fare of its era has faded into obscurity. The multi-faceted script combined with the earnest performances of its cast weaves a spell of adventure that will have even the most cynical of young viewers ready to believe, while its '80's flair guarantees that it will appeal to nostalgic parents. For a guaranteed good time be sure to call The Goonies.

That truffle shuffle...

The story comes to thrilling life thanks to the work of its cast of unlikely heroes and memorable villains. Sean Astin conveys an infectious earnestness and sense of wonder as group leader Mikey. Josh Brolin infuses Mikey's older brother Brand with just the right mix of  adolescent angst and swagger. Corey Feldman captures both Mouth's knowing cynicism and insecurity. Jeff Cohen is uproarious in his comic turn as underestimated Chunk. Jonathan Ke Quan is endearing in his performance as the group's underappreciated inventor Data. Kerri Green and Martha Plimpton make the most of their limited roles as preppy cheerleader turned honorary goonie Andy and her smart-mouthed best friend, Stef. Robert Davi and Joe Pantoliano are strike an ideal balance between menacing and bumbling as Jake and Francis Fratelli while John Matuszak makes for a surprisingly sympathetic soul as ostracized third Fratelli brother Sloth. Anne Ramsey plays the formidable Ma Fratelli with a charisma and verve that make her one of the 80's most memorable villains.

The Goonies personifies friendship at its finest, adventure at its most thrilling, and cinema at its most enduring. Through its multi-faceted script and engaging performances the film remains a crowd pleaser guaranteed to satisfied the kids' thrill cravings and parents' need for nostalgia. Thirty-three years after its release The Goonies is still good enough for legions of fans and is more than good enough for this reviewer.

Classics: A Review of I Used To Be Normal: A Boyband Fangirl Story By Lauren Ennis

Music is more than an art form; its a means of communication, a vessel for inspiration, a method of self-expression, and a retreat from the trials of daily life. Regardless of your musical tastes everyone has a soundtrack to their lives which with just a few notes can instantly transport back them to a time, place, and state of mind that they had all but forgotten. With its ability to transcend generations, cultures, and languages, it is little wonder why so many feel a passion for music. What happens when this healthy enjoyment of and appreciation for music extends beyond the realms of the norm? What does is mean when you love a song, singer, or band so much that it hurts? Jessica Leski's 2018 documentary I Used To Be Normal: A Boyband Fangirl Story answers these questions and more as it explores the ways in which four women's lives are shaped by their love for boybands. Through its by turns comical and compelling look at four self-proclaimed 'fangirls' I Used To Be Normal serves as both a fascinating look at a specific sub-culture and an apt reminder of the basic need to connect with others through something larger than ourselves.

Normal is overrated

The film begins with familiar images of popular boybands across the decades and their legions of devoted fans. Even as the eras and bands in question change, however, the fans in these images remain eerily similar as they shriek, cheer, and cry in virtually identical displays of unabashed devotion. The film then subverts viewer expectations by shifting its focus from the nameless crowds of hysterical fans and introduces its four unlikely heroines. Despite their vast differences aspiring singer Elif, writer Sadia, athlete turned brand strategist Dara, and film producer Susan share a common bond through their mutual passion for boybands. Over the course of its ninety-three minute running time the film follows its subjects through four years in the life of a fangirl. With the passage of time each of the women grow and change, and their musical passions follow suit, evolving in surprising and profound ways. By the film's conclusion, each of the women has experienced a unique journey rife with trials and triumphs, but through it all they continue to find solace, connection, and inspiration in the bands of which they are such ardent fans

At first glance four women discussing their passion for boybands seems like the stuff of sketch comedy rather than documentary film making. As each of the women's stories unfold, however, it becomes difficult not to be drawn into the giddy world of fangirls. The film uses the diverse accounts of each of its subjects to reveal the positive role of fandom as a community and outlet while refusing to shy away from its darker aspects. For example, for teenage Elif her love of One Direction goes beyond a mere love of music to an idealization of the band members that borders on obsession. Her fixation upon 'the boys' (as she affectionately refers to them) has proved to be a source of both solace and strife. She explains that before her introduction to the band she was well rounded with flourishing social and academic lives. As a fangirl, however, her social and academic pursuits are neglected in favor of band related activities, leaving her isolated from her friends and constantly at odds with her parents and teachers. While her account begins as a cautionary tale of fandom gone too far her story ultimately proves to be an uplifting one as she learns to constructively channel her passion and becomes inspired to make her own music.

Two of the film's other subjects, Sadia and Dara express similarly mixed emotions about their respective fixations upon The Backstreet Boys and Take That. While Sadia's adoration for The Backstreet Boys was a source of contention between her and her conservative Muslim parents the band's music also lent her an essential outlet through which she could process the raging hormones and romantic longings that she could never reveal at home. Similarly, Dara's fascination with Take That helped her too grapple with her sexuality as she came to the realization that her obsession was rooted not in a physical attraction to the band's members, but instead in her desire to emulate them. Both Sadia and Dara acknowledge the toll that their love of boybands has taken upon their love lives, but they also proudly trace the origins of their successful careers to the inspiration and motivation that they found in their favorite pop songs.

Perhaps the most surprising aspect of the film is the way that boybands continue to play an essential role in each of its subject's lives even as they mature and age. This is especially true of die-hard Beatles fan Susan who credits her ability to weather her life's most devastating storms to the solace she found in the fab four's music. Much like Elif and Sadia Susan describes how her love of The Beatles allowed her a safe way to rebel against oppressive gender roles and overbearing parents. As she grew older her passion for the band became less of a girlish infatuation and more of a source of musical therapy and inspiration as she turned to the band's tunes when her friend was diagnosed with cancer and used Beatlemania as the backdrop for her first screenplay. For each of these women being a fangirl is not a phase, fad, or even a choice. Instead it is a lifestyle that continues to mold and shape each of their lives, and none of them would have it any other way. This extreme level of fandom may not be normal, but as Dara says, "a normal life is like a song without a big chorus, and what good is a song without a big chorus?".

Charming, compelling, and refreshingly self-aware I Used To Be Normal is a delightfully offbeat journey into the world of fandom. Through its empathetic approach the film allows viewers to get to know the names, faces, and unique stories behind the anonymous crowds of hysterical fans. At once a unique look at a specific subculture and a universal homage to the fanatic in us all I Used To Be Normal is both utterly original and entirely timeless. So put on your favorite band and rock out along with the silver screen's newest fab four in I Used To Be Normal.

TriCoast Entertainment will release the film onto digital platforms (Amazon, inDemand, DirecTV, Hoopla, Vimeo on Demand, AT&T, FlixFing, Vudu, FANDANGO, Sling/Dish) on Sept. 17th. 

Classics: A Review of Stranger Things Season Three By Lauren Ennis

The town of Hawkins is a great place to raise your family, attend school, and even walk your dog...until a certain gate reopens that is. This summer viewers returned to 1980's Indiana as Stranger Things and all of its inter-dimensional monsters came roaring back to Netflix for a third season. As the citizens of Hawkins continue to cope with the strange events that have besieged their town a new threat emerges which puts the town, the nation, and maybe even the entire world at risk. In this season the series ups the ante once again with new characters, bigger monsters, more bodies, and plenty of Cold War action while building upon the friendships, romance, and nostalgia that have made the franchise a household name. By turns hilarious, heartbreaking, thrilling, and of course strange, Stranger Things' third season is guaranteed to leave you longing to return to Hawkins for a fourth installment.

Something strange in the neighborhood, who you gonna call?

The story picks up roughly six months after the events of Season 2 with Hawkins residents preparing for the annual Fourth of July celebration. There's more than fun lurking under the summer sun, however, as the local animals and people begin exhibiting decidedly strange behavior. Meanwhile, the gang struggles with a range of growing pains with Will and Dustin are relegated to 'fifth wheels' as Eleven and Mike and Max and Lucas  pursue their tumultuous teen romances. The changes are not limited to the teen set, however, as Joyce and Hopper adjust to raising teenagers while Jonathan, Nancy, and Steve grapple with life in the working world. When a mysterious car accident occurs and Dustin accidentally intercepts a secret Russian radio transmission the stage is set for Hawkins' greatest battle yet as foes both old and new emerge to put the hometown heroes to the ultimate test.

It has been nearly two years since Stranger Things' last season premiered, but season three proves itself to be well worth the wait. Following its uneven second outing, the series returns to top form with some of the tightest pacing, most thrilling action, and richest characterizations this side of the Upside Down. Season two attempted to move the action out of Hawkins with Eleven's brief stay in the big city with mixed results. This season the writers again sought to expand the series' scope by taking the opposite approach and bringing the outside world to Hawkins in the form of a Soviet sleeper cell. This twist serves to aptly add a new layer of intrigue to the plot and capitalize upon the series 1980's setting. Rather than functioning as pure nostalgia as much of the series' pop culture homages do, the use of Soviet intrigue places the story within the greater context of Cold War America and raises the stakes by employing a real life adversary. This use of a real world enemy also serves as a fascinating bookend to the sleeper cell like activities of the series' returning fictional nemesis, the Mind Flayer. The series does experience the occasional stumble, however, as it struggles to remain true to its 1980's setting while appealing to modern sensibilities. For instance, while Nancy's toxic work environment captures the era's gender inequalities (in a nod to 1980 workplace comedy 9 to 5), Max's repetitive feminist rhetoric takes viewers out of 1980's Indiana and into today's #MeToo Movement.  Similarly, the recurring debate over Eleven's right to choose how she uses her powers proved heavy handed rather than empowering, and felt more at home on a modern blog than in a 1980's adventure.

Even in the midst of existential threats, however, the series thankfully remains true to the foundation that made its first season an unlikely hit. Refreshingly, this season marks a return to the humor and fun that helped make season one a fan favorite and was notably lacking from season two. More significantly, the series continues to build upon its ensemble cast and manages to put last season's underutilized newcomers Murray and Billy to ample use while also ushering in welcome new addition Robin. Rather than falling into the familiar pattern established by previous seasons, the script instead opts to take a fresh approach by re-teaming its heroes in new and surprising ways. This regrouping, combined with a series of new challenges, pushes the characters past their limits, allowing nearly every character to embark upon a unique emotional journey. As a result, the series ensures that even in the midst of inter-dimensional monsters and international espionage Stranger Things remains a small town story with a beating heart.

Introducing Starcourt Mall's dream team

The series brings 1980's Indiana to life thanks to the work of its stellar cast. Dacre Montgomery turns in a breakout performance as he infuses bad boy Billy with a smoldering magnetism and raw vulnerability even as he portrays Billy's disturbing downward spiral. New arrival Maya Hawke proves to be a season MVP as she brings a wit and offbeat charm worthy of a young Winona Ryder to her role as Steve's co-worker, Robin. Joe Keery proves himself to be an equally adept comedian and dramatic actor as he portrays slapstick humor and sincere emotion with equal skill as high school heartthrob turned working class hero Steve. Gaten Matarazzo continues to charm as group underdog Dustin, and his scenes with Hawke and Keery make for some of the series' most memorable moments. Finn Wolfhard convincingly portrays Mike's adolescent angst and nicely balances the courage and loyalty that defined Mike in previous seasons with an emerging teen insolence and insecurity. Sadie Sink is unfortunately wasted in this season as Max is largely relegated to a political symbol and afforded little opportunity for character development. Similarly, Caleb McLaughlin and Noah Schnapp are underused with Lucas left with little to do but argue with Max while Will spends the majority of the season lamenting his lost childhood. Priah Ferguson and Brett Gelman return with a vengeance in their scene-stealing turns as Lucas' snarky little sister, Erica, and eccentric private investigator Murray. Natalia Dyer and Charlie Heaton continue to make for a winning team in their portrayal of Nancy and Jonathan's efforts to navigate their budding romance while adjusting to their new status as co-workers. Winona Ryder continues to shine in her by turns hilarious and haunting portrayal of struggling single mother Joyce. David Harbour reminds viewers why you 'don't mess around with Jim' in his action-packed performance as Hawkins' most charismatic cop, hometown hero Jim Hopper. Millie Bobbi Brown more than earns her status as a fan favorite in her multi-faceted turn as enigmatic Eleven, dominating the screen even in the midst of the talented ensemble cast.

Stranger Things breaks the television mold by not only living up to, but surpassing audience expectations for its third season. The series continues to make us think, feel, and imagine as it takes viewers on an unforgettable journey through the friendship, laughs, love, and loss that define adolescence. Through its superb performances and out of this world script the series builds upon the story and characters that viewers have embraced while still offering bold twists and plenty of thrills along the way. After eight pulse pounding, side-splitting, and ultimately heartbreaking episodes this reviewer is already longing to return to the Hawkins, Indiana and the Upside Down.

And that is what you call a triple threat

Classics: A Review of While the City Sleeps By Lauren Ennis

Corporate corruption, sexual scandal, and murder are just as at home in the newspaper offices of Kyne, Inc. as in the headlines it distributes. In the 1956 thriller While the City Sleeps the staff of the fictional Kyne, Inc. media conglomerate use every industry trick at their disposal as they attempt to capitalize upon a series of gruesome murders while jockeying for position in the midst of office upheaval. This noir offers a fresh take on the traditional murder mystery by shifting its focus from the disturbed killer to the disturbing lengths at which the media will go to profit from his killings. Dismissed as a failed thriller upon its release, the film is now recognized as one of director Fritz Lang's best efforts and has earned a following as a revived classic.

Fake news...very fake news...

The story begins with a deranged delivery boy brutally murdering one of his pretty young customers. The plot then shifts to the offices of Kyne, Inc. where the staff learn of the death of their beloved boss. This blow is made even worse when they are informed that the business is to be taken over by their boss' notoriously incompetent playboy son, Walter (Vincent Price). Desperate to prove himself, Walter sets his sights on the story of the infamous 'Lipstick Killer' and offers the organization's top position to the staff member who can crack the case first. And so begins a race against time that pits the entire staff against one another i pursuit of the killer story. Through a series of underhanded maneuvers, three candidates emerge at the top of the competition. As the three men close in on the killer, however, they risk losing their integrity as journalists and people along the way.

At first glance, While the City Sleeps doesn't fit the bill as a noir, let alone a genre classic. From its brightly lit office setting to its one dimensional villain lacking the genre's requisite pathos the film seems to fall short of genre standards. Similarly, the film's early reveal of the killer's identity would disqualify it as a conventional thriller. As a result, it is little wonder that when critics first viewed the film they were unsure what to make of it. What contemporary critics failed to realize, however, was that the story's focus wasn't on the killer at all, but instead on the morally compromised men and women pursuing him. The story reverses the traditional thriller by revealing its protagonists to be every bit as self-serving and ruthless as the criminal that they are tracking. For example, head of wire service, Mark (George Sanders), attempts to prostitute his girlfriend, Mildred (Ida Lupino) to a reporter (Dana Andrews) in an effort to gain information about the case. Mildred readily accepts her assignment in hopes of humiliating the reporter's fiance (Sally Forrest) while making Mark jealous. Meanwhile, photo editor Harry (James Craig) avoids the entire hunt for the killer by focusing all of his efforts upon using his affair with Walter's young wife (Rhonda Fleming) to his advantage. In this midst of this rampant amorality the film's duo of supposedly honest reporters, Ed and John (Thomas Mitchell) fare worst of all as they scheme to use Ed's secretary fiancee, Nancy, to bait the killer. In true noir fashion the story ultimately sees each of its anti-heroes rewarded for their underhanded efforts with only the Lipstick Killer himself facing any consequences. While this cynical piece of storytelling may not have appealed to contemporary critics, it breathed fresh life into the tired noir genre by lifting noir out of the gutter and into the glaring light of the newsroom. Through its scathing portrayal of its fictional news staff the film offers a brutal critique of an industry that places profits over facts which remains bitingly relevant today.

Journalism at its finest

This caustic tale of the frenzy that marks the media industry is brilliantly brought to life by its cast. Sally Forrest adds a knowing maturity that lends depth and realism to her role as girl next door Nancy. James Craig exudes rakish charm in his sly turn as ambitious Harry. Rhonda Fleming is at her vampish best as Walter's wanton young wife. Vincent Price makes for a delightful dupe as the hapless Walter. George Sanders is endlessly engaging as he captures Mark's sophistication and ruthlessness with hypnotizing skill. Ida Lupino steals each scene in which she appears as tough talking Mildred. Thomas Mitchell is infectiously likeable in his turn as Jon Day Griffith, even as his character stoops ever lower in his race to the top. Dana Andrews lends an every man charm to his role as ace reporter Ed, in a typically noir turn that leaves viewers rooting for his success regardless of its moral implications.

While the City Sleeps leaves the cliche alleys and dives of noir behind, bringing the genre into the darkest corners of the media industry. Through its razor sharp script and uniformly superb performances this criminally underrated efforts remains one of noir's edgiest and most modern films. Through its critique of the news industry the film offers valid insight into the media circus of our own era. Rarely has journalism been as jaded and the newsroom as nefarious as in While the City Sleeps.

Pulitzer, here we come!

Classics: A Review of An Education By Lauren Ennis

After a summer of fun in the sun school is back in session For many students the start of the school year means the start of three hundred sixty five days in the classroom. Life offers another education, however, outside of the classroom, which is found in new experiences rather than books. In the 2009 hit An Education, sixteen year old Jenny finds herself torn between her formal education and the school of life when a handsome stranger upends her staid existence. By the film's conclusion, she has learned lessons both in and out of the classroom that ultimately prepare her to cross the threshold between childhood and all that lays beyond.

The story begins with Jenny (Carey Mulligan) enjoying the life of an average teen in early '60's London. She spends her days following her parents strict regimen of school, studying, and music lessons all while pursuing their dream for her to attend Oxford University. She becomes inevitably stifled by this repressed existence until life intervenes in the form of suave and worldly David. Although thirty something David (Peter Sarsgaard) is over twice her age the two begin a whirlwind romance that seems to promise all of the passion and excitement that she had been seeking. All is not as it seems, however, and she soon finds herself learning difficult lessons that call her relationship with David, her education, and her future into question.

This deceptively simple story proves itself to be one of the most unique and effective films about the value of education. Rather than resort to the familiar teacher movie trope of focusing upon a  students' inspiring time in the classroom, An Education highlights the importance of Jenny's education by showing her what her life would be like without it. At first she sees a school-free existence with her older beau to be an ideal. As time wears on, however, she realizes that the jet-set lifestyle that David and his friends enjoy is an entertaining but ultimately empty way of life. The vapid quality of Jenny's new lifestyle is perfectly personified in the character of David's friend, Helen, who relies upon the men in her life to finance her lavish spending while relegating herself to the role of a mere ornament. In this way, Helen acts as a bookend to Jenny's mother, Marjorie, who is also forced to rely upon the man in her life due to social constraints and her own lack of an education. These dual examples, combined with the inspiring influence of her self-sufficient single teacher, Miss Stubbs, show Jenny that a life without an education all too often means a life without independence. This basic truth is further highlighted when Jenny makes the painful discovery that David is a married man whose career is a series of con schemes, rather than the stable provider that he presented himself as. When their engagement ends she finds herself faced with the harsh reality that despite how 'hard and boring' she thought school was, a life without an education is infinitely more difficult. Through its poignant exploration of one teen's journey, An Education serves as an apt reminder that you're never too cool for school and a degree is the key to opening doors far beyond the classroom.

Lynne Barber's memoir is vividly brought to life by the film's talented cast. Cara Seymour aptly portrays Marjorie in a performance that captures her maternal desire to provider her daughter with a better life while hinting at the dreams she put aside along the away. Alfred Molina steals each scene in which he appears as Jenny's comically conservative father, Jack. Rosamund Pike exudes a girlish charm worthy of Marilyn Monroe as Helen. Dominic Cooper is magnetic in his grittily charming turn as David's friend and business partner, Danny. Emma Thompson personifies schoolmarm in her role as Jenny's brittle headmistress. Olivia Williams is nothing short of inspiring in her understated performance as Miss Stubbs. Peter Sarsgaard lends a dynamic and layered turn as the mysterious David, exuding con man charm even as he reveals David's darker side. Even in the midst of the film's stellar performances the film belongs to Cary Mulligan as Jenny as she strikes the ideal balance between maturity and naivete.

For its unusual approach to the school drama An Education earns a definite 'A'. Through its nuanced script the film relates a compelling tale of one girls' lessons in life and love while highlighting universal truths about the necessity and value of an education. The talented cast brings the story to vibrant life in a way that ensures that viewers remain invested and guessing until its final frame. Start this school year right; hit the books with Jenny in An Education.

Classics: A Review of Pretty in Pink By Lauren Ennis

'Do you want to go to the prom?' is a deceptively simple question that has been a source of anxiety, anticipation, hope, and heartbreak for generations of adolescents. Unsurprisingly, this same question lies at the heart of many a teen film. Few films, however, capture the full drama of prom season and adolescence at large with the depth and authenticity of 1986's Pretty in Pink. A retro hit that continues to resonate today, Pretty in Pink is a must see for anyone who ever felt like an outsider, and everyone who remembers their high school prom.

Who says redheads can't wear pink?!

This suburban Cinderella story begins with artsy outsider Andie (Molly Ringwald) determined that she will not attend her senior prom. When she begins an unlikely romance with her graduating class' answer to Prince Charming, Blane (Andrew McCarthy), however, she begins to rethink her stance on this 'stupid school tradition'. Complications ensue, however, when insecurities, miscommunications, and classroom cliques collide to threaten the couple's budding romance just as it begins.

Pretty in Pink was released in an era when teen film topped the box office, but unlike its awesomely '80's counterparts remains relevant and resonant today. The film has aged surprisingly well by avoiding genre cliches that have left other films of its era badly dated. Most significantly, the film seems to begin with an all-too familiar love triangle between underdog Andie, popular Blane, and Andie's geeky best friend, Duckie, but then subverts this cliche set-up by infusing the characters with complexity and offering fresh plot twists. Rather than simply waiting to see which beau Andie will choose, audiences are treated to three individual character arcs that see all three leads learning and growing over the course of prom season. As a result, what easily could have been a by the numbers teen romance is elevated to a poignant coming of age story. The film earns particular note for the way in which it presents each of its three leads as three-dimensional people with weaknesses as well as strengths. For example, while Andie's confidence, maturity, and creativity make her an excellent role model her vulnerability and bitterness towards the school's entitled elites make her both relateable and realistic. Similarly, although Blane possesses the requisite looks, charm, and wealth expected of a the 'in-crowd', he is revealed to be just as insecure as overcompensating Duckie. Blane's struggle to overcome his weaknesses and stand up to the toxic peer pressure surrounding him proves to be one of the film's most satisfying elements which lends emotional weight to the central love triangle and ultimately results in a more satisfying ending. Duckie undergoes an equally engaging transformation as he struggles to come to terms with Andie's rejection of his affections. At the film's start, his adoration of her is innocent and endearing. As the story progresses, however, he attempts to act on his feelings in all of the wrong ways including pettily insulting and attempting to manipulate her when she dares to date someone else. When he finally opts for an 'all or nothing' mentality and ends their friendship the film takes a surprising turn as it becomes apparent that the geek won't get the girl unless he does some serious growing up. Duckie's journey, while bittersweet, proves to be a scene stealer as he learns to put Andie's happiness before his own and finally sees the value of the friendship that never seemed to be enough. While the film concludes with an overall happy ending, the growth that each character undergoes ensures that it is a satisfying and earned resolution rather than an instance of idealized wish fulfillment. Pretty in Pink has earned its place sitting pretty as a modern classic not because it is a story of who gets the girl, but because it is a tale of discovering who we are and who we want to be, earning it a place

The film expertly captures the angst, awkwardness, and drama of the high school experience thanks to the work of its talented cast. James Spader oozes entitles smarm as Blane's scheming friend, Steff. Jon Cryer puts a fresh twist on the '80's nerd cliche by portraying Andie's friend Duckie with a mix of endearing earnestness and a desperation that hints at something darker. Annie Potts is a comedic delight as Andie's eccentric employer, Iona. Harry Dean Stanton lends humanity to his performance as Andie's beleaguered father and aptly portrays his struggle to cope with his divorce from Andie's mother. Andrew McCarthy personifies boyish charm while still lending intelligence and depth to conflicted golden boy Blane. Molly Ringwald is at her peak in her multifaceted turn as Andie, in which she exudes a maturity and nuance that surpasses her more famous performances in The Breakfast Club and Sixteen Candles. 

Through its nuanced script and mature performances Pretty in Pink takes the 'brat' out of the 'brat pack'. The film captures the chaos that is adolescence in all of its awkwardness, exhilaration, hope, and heartbreak with aching realism. The film's combination of romantic drama, slapstick comedy, and coming of age story ensure that it is far more than mere kids' stuff. For more than just another teen movie turn on the VHS player and tune into Pretty in Pink.

Classics: A Review of The Help By Lauren Ennis

It is often said that the pen is mightier than the sword. In the 2011 hit drama The Help, a group of Mississippi women learn just how powerful the pen can be when they take up their pens in the fight for civil rights. At once an indictment of the prejudices that tear us apart and a celebration of the bonds that unite us, The Help lends viewers an apt view into American history while relaying vital lessons that continue to resonate today. With its empowering script, inspiring characters, and engaging performances, it is little wonder that this film has become a crowd pleasing audience favorite.

The story begins in 1960's Jackson, Mississippi in the midst of the Civil Rights Movement. Recent college graduate Eugenia 'Skeeter' Phelan (Emma Stone) experiences culture shock upon returning home as she struggles to reconcile the modern ideas regarding racial and gender equality that she learned in school with the oppression that continues to dominate much of the American south. She eventually finds work writing a housekeeping column for a local paper, but longs to write something meaningful. In order to lend authenticity to her column she enlists the aid of local housekeeper, Aibileen (Viola Davis), and as the two get to know one another Skeeter realizes that the 'big story' she's been looking for has been right in front of her all along. She then sets out on an assignment of a very different sort; compiling a collection of the personal stories of the unique women whom those around her dismiss as 'the help'. Through this project, each of the women ultimately finds their voice as they use the power of storytelling to speak out against the injustice surrounding them.

While The Help is firmly set in 1960's Mississippi, its messages concerning the power of self-expression and community transcend both time and place. Throughout the film, characters from all walks of life struggle to find their own voice in a culture dominated by discrimination and conformity. Most obviously, the city's African American population are prohibited from exercising even their most basic of civil rights and are marginalized as second-class citizens. This discrimination is aptly shown in the depiction of long suffering Aibileen who poignantly states that "no one ever asked what it's like to be me". The film also highlights the consequences faced by those who spoke out against segregation in its depiction of Minnie, who is fired and blacklisted after defying her racist employer. Minnie's story also emphasizes the gender inequality that dominated the era as she struggles to escape her abusive marriage. Even such seemingly privileged characters as Skeeter and wealthy housewife Celia struggle against class and social barriers that leave them ostracized by their own community. While many films have depicted injustices past and present The Help stands out for its emphasis upon the ways in which its characters find and embrace their respective voices in order to rise above the various prejudices surrounding them. By focusing upon the characters' triumphs over bigotry and hatred the film presents a message of help and aptly reminds viewers that every effort, no matter how seemingly small, does make a difference. the film's depiction of its diverse heroines serves as an equally poignant reminder of the bonds that bring people together and the power that even the most seemingly powerless hold when they unite in a common cause. Even in the midst of portraying historical events The Help offers powerful messages that remain every bit as relevant, resonant, and helpful today as they would have been during the Civil Rights Movement.

The film transports viewers into the heart of the Civil Rights movement era south thanks to the stellar work of its cast. Bryce Dallas Howard is wonderfully wicked as local mean girl turned society maven Hilly. Jessica Chastain conveys an infectious charm and aching vulnerability worth of Marilyn Monroe as wrongfully maligned town bombshell Celia. Viola Davis personified dignity and resilience in her portrayal of persevering Aibileen. Octavia Spencer is at once inspiring and uproarious as Aibileen's best friend, straight-talking Minnie. Emma Stone makes for a heroine that viewers can relate to as well as root for as she portrays Skeeter's journey of self-discovery with depth, intelligence, and sincere emotion.

At the film's conclusion Aibileen notes, "God says that we have to love our enemies. It's hard, but we can start by telling the truth'. At its heart, The Help is a story about the truth; both facing it and sharing it with others. Through its intelligent script and engaging performances the film reminds viewers of some of the most difficult truths in our nation's past while also sharing how those truths continue to apply to us today. For a film that will have you laughing, crying, and maybe even reaching for your own pen, ring for The Help.