Confessions of a Film Junkie: A ‘Classics’ review of “The Mummy”
(1932)
By: Brian Cotnoir
I can’t tell you all
how much I enjoy the “Universal Horror Monsters”. They are one of the essential pillars of
great Horror films. Dracula,
Frankenstein, The Wolf Man, the list just goes on and on. I got into the Universal Horror Monsters
after watching Bela Lugosi in the original “Dracula” film (and I strangely
enough got interested in Bela Lugosi after watching Edward D. Wood Jr.’s “Glen
or Glenda”). So I’ve always had a soft
spot for Bela Lugosi, but to be honest I never was that into Boris
Karloff. Then I saw “The Black Cat” and
I became more interested in checking out his works. For those of you who live under a rock, Boris
Karloff is known most famously for being the actor who played the monster in the
original “Frankenstein” film. I was
going to review that, but one can be said about “Frankenstein” that hasn’t
already been said, so I decided to review one of his less-popular (shall we say) monster movie roles and I decided to
review “The Mummy”.
So
“The Mummy” Starts off Egypt in 1921 in Egypt.
Sir Joseph Whemple and one of his colleagues uncover the mummy of
Imhotep. What Sir Joseph and his
colleagues find most unsettling is that Imhotep does not have any surgeon scars
on his corpse, leaving them to suspect that he may have been embalmed and
entombed alive as a sort of punishment.
After Sir Joseph’s assistant reads from the forbidden “Scroll of Thoth”
Imhotep comes back from the dead and takes the Scroll of Thoth before
disappearing. Ten Years pass and Sir
Joseph’s son, Frank, has followed in his father’s footsteps and is on an
archeological dig of his own in Egypt. A
mysterious stranger by the name of Ardath Bey tells Frank and his colleagues of
a supposed un-opened tomb of the Egyptian Princess Ankh-es-en-amon. Frank and his colleagues discover the princesses’
tomb and have her body and other treasures brought to the Museum in Cairo. Ardath Bey (SPOILERS!)is actually the
resurrected mummy of Imhoteph and Ankh-es-amon was his lover over 3,700 years
ago who he tried to bring back from the dead, but is unable too. Imhotep comes across a woman, named Helen
Grosvenor, who is half-British and half-Egyptian, and bears a striking
resemblance to Ankh-es-en-amon. Imhotep
will stop at nothing to make Helen his bride, but Frank Whemple is willing to
fight him to the death to win the heart of the woman he (claims to) love.
Just look how bored they look |
So how would I describe this
film? Oh, I know. It’s
duuuuuull. When you compare this film to other Universal
Horror greats like “Dracula”, “Frankenstein”, “The Wolf man”, and “Phantom of
the Opera”; yes, “The Mummy” is quite dull.
Most of the film was kind of mimicked after the same plot to
“Dracula”: There’s a pretty girl, the
monster attempts to seduce her, the hero comes in destroys the monster and
saves the girl. The End. The only real differences in “The Mummy” are
character names, and they replace the crucifix in “The Mummy” with an ankh to
ward of bad guy. I was actually falling
asleep in my seat trying to make it through this film, and it’s not even that
long; it’s only 73 minutes! That’s how
bored I got.
No really, he's the villain? I would've never guessed! |
Not to mention there’s no suspense. We already know that Karloff is playing the
mummy in the film, so when he appears as Ardath Bey, it’s not like it’s
revealed to be a huge twist-to-the-plot,
because you from the second that Ardath Bey introduces himself in the film that
it’s clearly Boris Karloff, and he’s clearly the bad guy.
He's such a tool! |
Also, can I
please talk about how much I hate the character Frank Whemple. Okay, so he’s supposedly an archeologist, and yet we never see him do any digging
(he hires the Egyptian locals to do that for him), and yet he get’s almost all
the credit for discovering Ahnk-es-en-amon’s tomb? Then he finds Miss Grovesnor trying to get
into the museum after closing (because she was under Imhotep’s spell) and he
decides that he is “in love” with her and wants to marry her. Oh My Osiris, he is a boring and awful
character. I don’t think it would be
fair to call him a “hero” because he doesn’t do anything. He doesn’t even save the girl! She has to save both of them from Imhotep’s
evil deeds. And I’m just going to come
out and say it: the ending is really
weak. Probably, one of the worst
ending’s I’ve ever seen to a film
Im just gonna take this...okay? |
My advice to you is that if you are fan
of Classic Horror Films and you want to see something good with Karloff in it
go see “The Black Cat” (1934) or “Frankenstein”, and whatever you do just skip
“The Mummy”.
Ha! So glad I wasn't the only one bored by this one! Good review, love how you included what aw shucks wimps the heroes in these movvies tend to be. But it is pretty cool that the possessed girl got to save the day.
ReplyDeleteWhile I respect the 1932 film, III have to admit I like the 1999 film more.
ReplyDeleteI actually thought the movie was pretty good, for what it was, the opening especially, but I do agree that the ending was pretty weak. Imhotep crumbles to dust, which we don't see, Helen wakes up, and cut to the credits, all in a span of 10 seconds. The perfect description for that ending is "Rushed".
ReplyDeleteI was half tempted to show this to my fiancée, but with that ending, I don't see her being that impressed, especially considering she's a fan of the 99 Mummy.