Thursday, March 19, 2026

Classics: A Review of Ponies By Lauren Ennis

"We're women. People only look at us if they want to have sex with us or marry us" embassy secretary Twila Hasbeck aptly notes. With that revelation begins a madcap adventure through the streets of 1970's Moscow where danger and secrets lurk around every corner. Blending dark comedy with Cold War spy drama to expert effect Ponies is one of the most original, exhilarating, and hilarious series on television today. For thriller that will have you gasping and laughing in equal get off to the races with Bea and Twila in Ponies.


The story begins in 1970's Moscow with Bea Grant and Twila Hasbeck working as secretaries at the American Embassy while their husbands are working operations for the CIA. Both women soon find their lives upended when their husbands are killed in a plane crash. As they learn about the unusual and mysterious circumstances surrounding the crash they become convinced that the tragedy was part of something more sinister. They then decide to conduct their own investigation and persuade their husband's former boss to hire them as agents. Despite his misgivings he eventually gives in because women are considered "persons of no interest" who the Soviets would never suspect. The unlikely duo are then thrust into a world of intrigue, danger, betrayal, and plenty of spyjinks. Can two CIA widows share a mission without driving each other crazy? Find out when you pay a visit to Moscow with Twila and Bea in Ponies.

Equal parts espionage thriller and buddy comedy Ponies is some of the best viewing this side of the Iron Curtain . The story offers a fresh twist the Cold War drama through its unique blend of breezy humor and gritty honesty. Rather than acting as a tired propaganda piece the series casts an equally critical eye to both the KGB and their CIA counterparts. Through its depiction of the crosses, double-crosses, and exploitation that both the US and USSR engaged in the series highlights the devastating lengths that both were willing to go to secure victory. In this way, the series sets itself apart from both classic and modern spy dramas by refusing to either sanitize or subvert history. Even as it rachets up the tension with each episode the series never loses its sense of humor. Through its depiction of two fish-out-of-water heroines who are in way over their heads the series highlights the outlandish nature of intelligence work. Similarly, its portrayal of Bea and Twila's efforts to maintain their cover showcases the terrifying absurdity of life in the USSR. Through its blend of humor, thrills, and history Ponies easily outruns its competition.  

The series takes viewers on a groovy journey to 1970's Moscow thanks to the stellar work of its cast. Harriet Walter blends maternal warmth and steely resolve as Bea's grandmother, Manya. Petro Ninovskyi imbues local asset Sasha with an endearing blend of moral uprightness and boyish charm. Vic Michaelis is deliciously devious as scheming secretary, Cheryl. Artom Gilz expertly balances charisma and menace as ruthless KGB agent, Andrei. Lila Walters infuses black market racketeer Ivanna with biting wit. Adrian Lester is no nonsense as Bea and Twila's put-upon boss, Dane. Nicholas Podany balances quirky humor with decency as CIA agent, Ray. Even in the midst of excellent supporting performances the series belongs to Emilia Clarke and Haley Lu Richardson as Bea and Twila. Clarke turns her Game of Thrones image on its head in a nuanced performance that sees Bea evolve from bookish good-girl to resilient, capable agent. Haley Lu Richardson steals each scene in which she appears in her magnetic turn as street-wise and wise-cracking Twila. The two play off of each other with a comedic timing and chemistry worthy of such classic duos as Lemon and Mathau. 

Alternating between thrills and laughs Ponies is a Valentine to Cold War thrillers and classic buddy comedies alike yet still manages to feel refreshingly original. The script expertly blends tension and hijinks to create a madcap caper that is certain to leave viewers on the edge of their seats. The performances transport viewers to the danger and absurdity of Cold War Moscow. For a guaranteed winner place your bets on Twila and Bea in Ponies.



Sunday, March 8, 2026

Classics: A Review of Death By Lightning By Lauren Ennis

 "Assassinations can be no more guarded against than death by lightning; it is best not to worry too much about either" President James Garfield infamously said. Tragically, he could not have been more wrong. 2025's Netflix drama Death By Lightning chronicles Garfield's unlikely meteoric rise from obscure congressman to president and his tragic fall to an assassin's bullet. At once a compelling portrait of a largely forgotten chapter of US history and an eerily prescient warning for the present, Death By Lightning truly captures lightning in a bottle.

"I have never had the presidential fever; not even for one day"

The story begins in the 1960's with National Archives employees discovering the brain of Charles Guiteau. The series then flashes back to 1880 with Guiteau drifting between jail, local communes, and his sister's sofa as he searches for his call to greatness. Meanwhile, congressman James Garfield resists his call to greatness when he is recruited to speak at the Republican National Convention. After a barn-burner speech the party turns its attention to the morally upright Garfield in hopes that he will rid the party of the corrupt spoils system. Guiteau witnesses Garfield's unlikely assent and does everything in his power to attach himself to the grassroots movement behind it. When Garfield ultimately wins the presidency Guiteau seeks what he believes is his rightful place in the new administration. Much to his dismay, he soon learns that there is no place for him in Washington. Meanwhile, Garfield struggles to fend off the rampant corruption in the capital and usher in the reforms that he promised voters. When the two cross paths the stage is set for an American tragedy.

In an era dominated by glamorized and sanitized portrayals of history Death By Lightning brings its tale to gritty, startlingly relevant, life. Rather than transporting viewers to a bygone era of polite manners and elegant costumes the series takes viewers on a journey into the darkest depths of American history. The series' portrait of the era's machine politics is at once fascinating and revolting. The blunt depiction of 'how the sausage gets made' in Washington proves to be both timeless and especially timely in today's political climate. Similarly, the depiction of Guiteau's grandeur-fueled descent into madness takes on an eerie resonance in the midst of influencer culture, as more people than ever desperately pursue their moment of fame. His turn from supporter to assassin proves especially visceral in a news cycle dominated by political violence. Even as it portrays some of the darkest aspects of American culture, however, the series still offers hope in its depiction of one man's efforts to make his country a better place. Experience American politics in all of its grit and glory in Death By Lightning.

"Mark my words, my name will be known one day all across this country"

The series transports viewers to the gritty streets of the 1880's America thanks to the work of its star-studded cast. Bradley Whitford blends charm with shrewdness as political kingmaker James Blaine. Betty Gilpin is a portrait of quiet strength as Garfield's wife, Lucretia. Nick Offerman expertly portrays Chester Arthur's evolution from corrupt, incompetent, congressman to reluctant leader. Shea Whigam makes for a villain viewers will love to hate as political boss Roscoe Conkling. Even in the midst of compelling supporting performances, however, the series belongs to Matthew Macfayden and Michael Shannon as Guiteau and Garfield. Shannon proves himself to be leading man material as he infuses Garfield with integrity, warmth, and unassuming charm. Macfayden steals each scene in which he appears in his manic depiction of Guiteau's delusional quest for greatness. What easily could have been a cartoonish caricature of a madman is in Macfayden's hands a nuanced and tragic portrayal of a man undone not only by mental illness but also by his all too relatable desire to be somebody.

Through its depiction of one of America's forgotten tragedies Death By Lightning delivers four of the most compelling hours of television in recent years. The script portrays the stranger than fiction history of the Garfield assassination with startling accuracy while keeping viewers on the edge of their seats. The performances bring the cast of historical characters to vivid, breathing, life. For truly electrifying viewing tune in to Death By Lightning.

"Here and only here, a man can be anyone"



Wednesday, March 4, 2026

Podcast with a Fellow Middle-Grade Author!

 Hello Readers,

I just couldn't resist sharing my latest podcast appearance with Isabelle Knight. She's a fellow middle-grade author and an emerging talent to be on the watch for!


https://www.youtube.com/@isabelleknightbooks