Classics: A Review of The Leopard by Lauren Ennis

"A man who doesn't spend time with his family can never be a real man" Don Vito Corleone famously declared in The Godfather. It is this same sentiment that lies at the heart of another tale of a Sicilian patriarch; The Leopard. Much like The Godfather, The Leopard follows Don Fabrizio Corbera as he struggles to guide his family through political unrest, personal turmoil, and sweeping change. At once an ode to a bygone era and a timeless story of family The Leopard is a series you cannot refuse.

The story begins in 1860 as Giuseppe Garibaldi and his redshirts enter Sicily in a political coup against the local monarchy. As members of the local aristocracy the Corbera family find their status, wealth, and very way of life upended. As head of the family Don Fabrizio struggles to keep the Corbera clan together even as their entire world threatens to crumble around them. Amidst this upheaval the family also faces threats from within as they struggle to come to terms with personal rivalries and romantic entanglements all while striving to find their place in a rapidly changing Italy.

This sweeping historic tale continues to resonate today largely through its depiction of the paradox of parenthood. Throughout the series Don Fabrizio struggles to do what he believes is best for his family. In this depiction of a father trying to do his best the series ensures that Don Fabrizio is a relatable character viewers rather than a distant elite from an even more distant era. As the series progresses, however, it becomes apparent that father does not always know best. Ultimately, it is his meddling in his daughter's love life, his intercession in his nephew's legal troubles, and his neglect of his wife and son incur irreparable consequences. This depiction of his misguided but well-meaning efforts make him a tragic figure as it is his very attempts to guide and help his family which hurt them the most. Despite his many mistakes, however, it is the lessons that he imparts in and example that he provides to his family that allow them to move forward and find their place in the new Italy. For some fatherly love Italian style, join the Corbera family in The Leopard.

Daddy's home!

The series brings Giuseppe Tomasi di Lampedusa's novel to brilliant life thanks to the work of its cast. Saul Nanni perfectly balances callousness and charm as Don Fabrizio's reckless nephew, Tancredi. Benedetta Porcaroli infuses Don Fabrizio's oldest daughter and right-hand woman, Concetta, with a winning combination of intelligence, warmth, and girl next door charm. Deva Cassel showcases all the smoldering sultriness of a 1940's femme fatale as ambitious socialite, and Concetta's romantic rival, Angelica. Alessandro Sperduti personifies decency as Concetta's idealistic suitor, Colonel Bombello.Roberta Procida infuses Don Fabrizio's mistress, Mariannina with world weariness, wit, and sass. Alberto Rossi captures the passion and frustration of Don Fabrizio's overlooked son, Paulo. Astrid Meloni conveys warmth and wisdom as Don Fabrizio's devoted wife, Stella. Francesco Colella blends humor and cunning as opportunistic politician, Don Calogero. Even in the midst of superior supporting performances, however, the series belongs to Kim Rossi Stuart as Don Fabrizio. In Stuart's hands Don Fabrizio is more than a symbol of a fading era and is instead a complicated man struggling to hold onto his dignity, his family, and his way of life even as they threaten to disappear.

Even as it captures the sweep of Italian history The Leopard is a timeless story of family and fatherhood. The intelligent script transports viewers to the tumult of Risorgimento-era Italy. The dynamic performances bring di Lampedusa's novel to vibrant life. This Father's Day celebrate family and fatherhood with The Leopard.

Like father, like daughter

Classics: A Review of Secondhand Lions By Lauren Ennis

 "Sometimes the things that may or may not be true are the things that a man needs to believe in", aging adventurer Hub McCann instructs his nephew. It is this sentiment that lies at the heart of 2003's coming of age dramedy Secondhand Lions. The film follows a young boy as he learns lessons in life, love, loss, and growing up over the course of one fateful summer. At once a classic coming of age story and a heartwarming family friendly adventure Secondhand Lions is a film the likes of which they just don't make 'em like anymore.

The story begins in 1960's rural Texas with awkward adolescent Walter arriving at the ramshackle farm of his curmudgeonly uncles, the McCann brothers. Despite the brothers' less than warm welcome, Walter's mother, Mae, leaves him with the two aging eccentrics for the summer. When he learns that his mother is not actually at the beauty school she claimed to be attending he realizes that she has abandoned him to pursue her latest boyfriend. Fortunately for Walter, his uncles gradually warm to him and over the course of the summer the unlikely trio become more of a family than Walter and his mother ever were. Their newfound family is soon threatened, however, when Mae returns with her boyfriend in search of the fortune rumored to be hidden somewhere on the farm. Its then up to Walter to put his uncles' lessons into action to keep his new family together.

Secondhand Lions is the rare family film that grows up with its audience. For the youngest viewers the film offers up some of the best swashbuckling action this side of Errol Flynn. For teens the story of Walter's efforts to find his place in an adult world is poignant without becoming overly sentimental. The film captures the experience of growing up with an honesty and bittersweetness that only those who have come of age can fully appreciate. The film also offers a surprisingly mature meditation upon such weighty topics as aging, loss, and regret. Even at is most somber, however, the film maintains a joie de vivre that is nothing short of infectious. For a summer to remember join Walter in Secondhand Lions.

The film brings the whimsical world of the McCann's to vibrant life thanks to the work of its star-studded cast. Kyra Sedgewick expertly blends charm and callousness as Walter's absent mother, Mae. Nicky Katt personifies sleaze as Mae's latest boyfriend, Stan. Emmanuelle Vaugier conveys warmth, wit, and strength in her brief turn as Hub's late wife, Jasmine. Robert Duvall conveys Hub's outward curmudgeonly exterior and inner torment with equal skill. Michael Caine brings his usual wry humor and charm to his role as Garth. Haley Joel Osment proves that he is more than just another one-note child performer as he portrays Walter's journey from awkward, insecure, boy to thoughtful, confident, young man. 

Few films capture the magic, confusion, tragedy, and triumph of growing up with the charm of Secondhand Lions. The script blends warmth, humor, adventure, and emotion to relate a tale the whole family will love. The performances bring each member of the colorful cast of characters to memorable life. Remember what it means to believe with Walter, Hub, and Garth in Secondhand Lions.

Classics: A Review of The Last Dragon By Lauren Ennis

 From cinema's inception audiences have been enthralled by on-screen action and few films pack the punch of martial arts movies. During the 1970's Hong Kong cinema introduced the world to the films of such film makers and the Shaw Brothers and Golden Harvest and starts like Bruce Lee and Jackie Chan. and a new movie genre was born. By the 1980's Hollywood took notice and started making martial arts movies of their own. While dozens of these films were released in the ensuing decades, none were quite as unique or outrageously entertaining as 1985's The Last Dragon. Merging Kung Fu action with Hollywood blaxploitation The Last Dragon is an all-American original.

He's got the glow

The story begins in New York with martial artist Leroy Green (who insists upon going by Bruce Leroy) ending his training and earning the title of "the last dragon". His master then gives him half of a medallion and instructs him to seek out Master Sum Dum Goy to learn to harness the mystical technique known as "the glow". Unfortunately for Leroy, local master, and self-proclaimed 'shogun of Harlem', Sho 'Nuff also covets the title of last dragon and will stop at nothing to gain it. What follows is a by turns thrilling and hysterical love letter to all things martial arts with a decidedly Motown flare.

The film blends Eastern action with Hollywood hijinks to create an all-American cult classic. The film merges the thrills and mysticism of classic Hong Kong action films with Hollywood humor to relate a classic coming of age story. While the plot showcases an array of villains, Leroy's ultimate enemy is his own insecurity. While he demonstrates formidable martial arts skills in his dojo he fails to apply the principles of those arts into other aspects of his life. As a result, he is regularly pushed around by everyone from his younger brother, to local toughs, to Sho 'Nuff. His lack of self-confidence also prevents him from pursuing a romance with glamorous DJ Laura despite her obvious attraction to him. Through its depiction of Leroy's journey to overcome his insecurities the film acts as an inspiring lesson in the importance of believing in yourself. In this way, the story transcends its roots to relate a universal underdog story that audiences from all walks of life can relate to. For an inspirational and kick-ass-pirational viewing experience get the glow with Leroy in The Last Dragon.

The film brings Leroy's action-packed world to life thanks to the work of its cast. Christopher Murney personifies sleaze as local mob boss Eddie Arkadian. Faith Prince blends slapstick humor and ditzy charm as Eddie's unwitting moll, Angela. Leo O'Brien showcases street-wise swag as Leroy's smooth-talking younger brother, Richie. Glen Eaton lends likability and laughs to his role as Leroy's hapless student, Johnny Yu. Vanity offers up sultriness and sass as Leroy's love interest, Laura. Julius Carry is the perfect mix of slapstick and sinister as Sho 'Nuff, leaving little wonder as to how he became the 'shogun of Harlem'. Taimak Guarriello aptly captures Leroy's martial arts prowess and personal insecurity while still showing off boy next door charm.

While it is far from a perfect film The Last Dragon, much like its hero, has heart. The film blends action and humor to create an outrageous adventure like no other. The performances bring the world of Leroy Green to thrilling and uproarious life. For comedy, adventure, and plenty of kick, enter the ring with The Last Dragon.

Classics: A Review of Changeling By Lauren Ennis

 "Never start a fight but always finish it. I didn't start this fight, but by God I'm going to finish it", Christine Collins declares. The 2008 drama Changeling follows Christine as she fights to find he truth about her son's disappearance. At once a gripping piece of true crime and a gut-wrenching testament to the power of a mother's love the film is one  that will haunt viewers long after its final credits fade. Witness the devastating true story of one mother's journey to Hell and back for her child in Changeling.

The story begins in 1928 Los Angeles with Christine Collins struggling to raise her son as a divorced mother. When Walter fails to return home after an afternoon at the local cinema she becomes panicked and reports him missing. Five months pass and the police face increasing public scrutiny when each lead in the case proves to be a dead end. When a young boy arrives at the police station claiming to be Walter the police seize upon the opportunity to redeem themselves in the public's eyes. They then stage an elaborate press conference reuniting Christine and her supposed son. Much to the police and the press' dismay, she immediately recognizes that the boy is not Walter. The police then force her to bring the boy home to "try him out". Weeks pass and she returns to the police with dental and medical records and witnesses proving that the boy is not Walter. Rather than reopen the case the police instead opt to have Christine deemed an unfit mother and committed to a local mental institution as retaliation for her defiance. With the help of a dogged attorney and a muck-racking preacher she sets out to clear her name and find Walter. What she learns is a truth so devastating that it has the power to shake Los Angeles to its very core.

Changeling makes for powerful, vital, if not pleasant or easy viewing. The film uses one of the darkest footnotes in American history as an indictment of the corruption of our institutions. Even as the film draws rightful outrage at the abuse that Los Angeles' institutions inflict upon its citizens, however, it is the image of Christine, resolute in the face of unfathomable loss that will haunt viewers. In its depiction of her relentless efforts to find her son the film showcases the agony that a mother will endure for her child. While it may not top most Mothers' Day viewing lists few film have depicted the devotion, strength, selflessness, and dedication contained in a mother's love with the unflinching honesty and raw emotion of Changeling.

The film transports viewers to the gritty streets of Jazz Age Los Angeles thanks to the stellar work of its cast. Jason Butler Harner looms over the film in his brief, unnerving, turn as podophile and child killer Gordon Northcott. Geoff Pierson blends a litigator's charm with steely resolve as Christine's attorney, S. S. Hahn. John Malkovich stelas each scene in which he appears as a preacher who uses his pulpit to crusade against the city's corruption. Angelina Jolie proves that she is more than a pretty face. In Jolie's hands Christine is more than a wronged woman or grieving mother and is instead the personification of righteous outrage.

In its depictions of devastating real life events Changeling serves as a searing indictment of corruption and a powerful testament to the power of a mother's love. The script relates its tale with unflinching honesty while still honoring the gravity of the events it is portraying. The performances bring Christine and Walter's story to an aching, visceral, life that will resonate for viewers long after its final frame. Discover the depths of one city's corruption and the even deeper depth of a mother's love in Changeling.

Classics: A Review of Jesus Christ Superstar By Lauren Ennis

 In 1971 Broadway rocked by the arrival of Jesus Christ Superstar. The rock opera utilized contemporary rock music to relate the events leading up the Christ's crucifixion. The show set Broadway on fire and introduced a new generation to the power of theater. Just two years later Hollywood came calling and the movie musical was transformed. This Easter rock out with Jesus Christ Superstar.

The film begins with the framing device of a group of traveling players preparing for a performance. The story then transports viewers to ancient Israel as Jesus' disciple, Judas, reflects upon his friend's rise and both popularity and polarity. He expresses his fear that Jesus' teachings have become too radical and could draw the ire of both the local high priests and occupying forces from Rome. The film then follows Judas and Jesus as both men find their faith tested and face their inevitable fates. What ensues is a powerful retelling of Christ's final week that will appeal to the faithful and non-believers alike.

Over fifty years after its release Jesus Christ Superstar remains one of the most unique and compelling depictions of the passion in all of cinema. The film blends a classic rock score and dynamic performances to take the passion beyond religious dogma to timeless universality. The film's humanist approach allows viewers to actively engage with the story by raising vital questions about faith, forgiveness, and redemption that hold true in our own lives. While firmly set first century Jerusalem, the film depicts personal conflicts, political machinations, and existential questions could be at home in any time or place. As a a result, while the story remains a tale of Christ it not strictly a Christian film. If you've ever wondered what if God was one of us experience the power, passion, and star quality of Jesus Christ Superstar.

The film brings the story of the passion to rocking life thanks to the work of its cast. Philip Toubus captures the conflict of Jesus' disciple turned denier, Peter. Kurt Yaghijan makes for a villain viewers will love to hate as High Priest Annas. Larry Marshall personified political fervor s Simon. Josh Mostel serves up flamboyant fun worthy of Liberace himself as King Herod. Bob Bingham infuses high priest Caiaphas with the perfect blend of the sinister and the self-righteous. Barry Dennen aptly conveys Pilate's inner conflict in the face of the power of the mob. Yvonne Elliman blends sultriness and sincerity to expert effect as reformed prostitute Mary Magdalene. Carl Anderson nearly steals the show in his charismatic turn as Jesus' self-described right-hand man turned betrayer, Judas. Ted Neeley takes on arguably the most iconic and difficult role in all of cinema as the son of God himself. Neeley proves himself more than up to the task as he portrays not as a distant deity but instead a complex, conflicted, relatable, and all too human man.

Jesus Christ Superstar maintains its star quality through what is easily one of the most human portrayals of Jesus ever put to celluloid. The film maintains the counter-culture influence of the original show while relating a timeless tale of betrayal and redemption. The performances bring every note of Tim Rice and Andrew Lloyd Webber's score to by turns infections, soaring, and gut-wrenching life. This Easter find out what is so super about Jesus Christ Superstar.

Classics: A Review of My Brilliant Friend: The Story of the Lost Child By Lauren Ennis

 In 2018 HBO introduced viewers to Lila Cerullo and Elena Greco in its first season of My Brilliant Friend. Over the course of four seasons viewers witnessed the two girls come of age amidst the backdrop of a rapidly changing Naples. The series spanned six decades in the paris' life, treating viewers to reach of their trials and triumphs. The series concluded in 2024 with what might be its most brilliant season yet. Return to Naples with Lila and Lenu in My Brilliant Friend :The Story of the Lost Child.

The series continues where its third season left off in the months following Lenu leaving her husband and two daughters to pursue an affair with her married lover, Nino. Her romantic flight of fancy is soon grounded, however, when she is faced with the inevitable consequences of her affair. As she struggles to adjust to life as a divorced single mother Lenu finds solace in her friendship with Lila. In Lenu's absence Lila has built a successful business while working to undermine the Solara crime family's iron grip over their neighborhood. The series then follows the friends as their lives intersect once again amidst the turmoil, tragedy, and change of modern Italy.

The series' final season succeeds through its ability to explore and build upon the themes explored in prior seasons. For example, this season begins with Lila and Lenu finally seeming to escape the poverty and violence of their childhoods only to be haunted by the ghosts of their pasts. While Lenu's literary success has brough her wealth, celebrity, and freedom she remains a prisoner of her own insecurities. Similarly, Lila's business and efforts to improve the neighborhood only serve to draw her back into the neighborhood's web of corruption and violence. Viewers also witness both women grapple with the tangled family dynamics of a rapidly changing society, even as they struggle to make peace with their own childhood traumas. This season also delves even deeper into the series' extensive cast of characters as they each come to terms with the flaws and strengths that marked them from the series' very first episode. As a result, each of the expansive tale's interlocking storylines reaches a bittersweet, inevitable, conclusion that while ranging from inspiring to devastating is never less than satisfying. Rediscover the power of friendship and the brilliance of My Brilliant Friend.

The film transports viewers back to the gritty streets of twentieth century Naples thanks to the stellar work of its cast. Anna Rita Vitolo returns for a formidable turn as Lenu's gruff but loving mother, Immacolata. Pier Giorgio Bellocchio aptly captures the pain and bitterness of Lenu's husband, Pietro. Renato Desimone lends a heartbreaking turn as Lila's gender bending brother in law, Alphonso. Pio Stellaccio is a portrait of decency as Lila's business and romantic partner, Enzo. Fabrizio Gifuni adeptly blends sleaze and charm as lothario Nino. Lino Musella and Eduardo Pesce make for compelling villains as the ruthless Solara brothers. Alba Rohrwacher picks up right where Margarita Mazzucco left off as Lenu. Rohrwacher captures Lenu in all of her contradictions and frustrations to create a compelling portrait of the artist as a modern woman. Irene Maiorino inhabits Lila with such a fierce authenticity that she could easily be mistaken for an older version of Gaia Girace who portrayed Lila in the series prior three seasons. Maiorino walks away with the entire season in her by turns inspiring, heartbreaking, and never less than mesmerizing performance as Lila.

My Brilliant Friend began as a simple story of tow girls living in twentieth century Naples. Over the course of four seasons and six decades in its heroine's lives, however, the series evolved into a rich, complex, and uncannily real portrait of female friendship. The script brings Elena Ferrante's novel to visceral life, leaving viewers enthralled until its final frame. The performances bring each of the characters to vivid, bold, life. Follow Lenu and Lila for the final chapters of their unforgettable story in My Brilliant Friend: The Story of the Lost Child.

Classics: A Review of The Rescuers By Lauren Ennis

 Following the death of Walt Disney in 1966 Walt Disney Studios entered what is commonly referred to as its 'dark age'. Without its founder's influence the studio's output fell into a state of decay with each release seemingly featuring weaker stories and more lackluster animation than the last. Fortunately, even in the dark days the studio still saw some bright spots, one of which is 1977's animated adventure The Rescuers. Blending fresh storytelling with classic animation the often overlooked film holds its own even when compared to the studio's more celebrated works. For viewing that is guaranteed to charm the young and young at heart alike answer the call to adventure with The Rescuers.

The story begins in the Louisiana bayou with a young girl sending a message in a bottle. The film then shifts to New York City as the Rescue Aid Society, a global charity organization entirely made up of mice, hold their annual meeting. During the meeting it is revealed that the society has been alerted to the bottle and read its message begging for help. The society discusses how the message was written by a kidnapped orphan girl named Penny and agree to send out a team to rescue her. The society's most popular member, glamorous socialite Bianca, is unsurprisingly their first choice for the assignment. To their surprise, however, she chooses anxious, unassuming, janitor Bernard rather than an actual society member to accompany her. The unlikely pair then set off of an adventure the likes of which animation was made for.

The Rescuers abandons Disney's tried and true formula and is all the better for it. Rather than telling an epic fairytale the film instead relates the story of a group of underdogs trying to help others. Through its straight-forward approach the film ensures that the story remains grounded in reality in spite of its animated animal cast. Similarly, the characters' unassuming personalities make them and their struggles endearingly relatable. Bernard and Bianca's motives particularly stand out amongst the studio's larger than life heroes as they risk everything to help Penny not for glory or to fulfill some grand purpose, but simply because it is the right thing to do. In its depiction of the duo's efforts to save Penny the film serves as an apt reminder that even the most seemingly insignificant amongst us has the power to make a difference in the world. As a result, the film lends young viewers a vital lesson in selflessness while offering them fictional role models to aspire to. The film also sets itself apart from its fairytale counterparts through its willingness to explore real life dangers that children around the world face. Rather than being locked in a dungeon or placed under a curse, Penny is lured from her orphanage, kidnapped, and forced into slave labor mining diamonds for Medusa. This decidedly dark plot sheds light on the all too real horrors of child trafficking and offers young viewers a view into the real life dangers that lie in the outside world. The darker elements are tempered, however, with the characters' steadfast optimism and resolve in the face of adversity, reminding viewers that with determination, ingenuity, and a helping hand we can overcome any obstacles that we face. In an era in which Disney increasingly relies upon formulas, sequels, and remakes, The Rescuers serves as a vital reminder of the originality that the studio was once known for. For a glimpse of the creativity, imagination, and beauty that family entertainment was once synonymous with, join Bernard and Bianca in The Rescuers.

The film brings its story to whimsical life thanks to the work of its star studded cast. Jim Jordan lends apt comic relief as hapless albatross and pilot, Orville. John McIntire conveys grandfatherly warmth and wisdom as Penny's elderly cat, Rufus. Joe Flynn blends smarmy with slapstick as inept henchman Snoops. Michelle Stacy more than holds her own against her adult costars in a performance that is at once humorous, heartfelt, and heartbreaking as Penny. In Geraldine Page's hands Medusa is one of the most deliciously wicked villains in all of Disney. Bob Newhart and Eva Gabor make for a winning team as Bernard and Bianca. Newhart plays up his neurotic persona to full effect while still approaching credibility to Bernard's journey from reluctant rescuer to hero. Similarly, Gabor earns plenty of laughs in a turn that recalls her work in Green Acres but still infuses Bianca with warmth and quiet strength. Together, the two make for one of the most wholesome and wholly lovable pairings in all of animation.

At once a refreshing break from Disney's tired fairytale formula and a return to the studio's classic animation, The Rescuers is easily one of its most underrated works. The script expertly balances thrilling adventure and heartfelt lessons to create a story that truly is for the whole family. The voice performances and animation bring the story to daring and dazzling life. Seize the day with Bernard and Bianca in The Rescuers.

Classics: A Review of The Neverending Story By Lauren Ennis

 Since humanity began we have relied upon the power of storytelling. It is through stories that we make sense of our present, learn about our past, and contemplate our future. Even in our darkest moments stories light up our imagination with the hope and inspiration to go on. Few films capture the wonder of storytelling with the power of The Neverending Story. This 1984 adventure takes viewers on a fantastic journey to a faraway land into the depths of the human soul. Let your imagination soar with The Neverending Story.

The film begins with ten year-old Sebastian attempting to come to terms with the recent death of his mother. Rather than supporting the grieving boy, his father chastises him for his falling grades and daydreaming in class. On his way to school he is harassed by bullies who demand his lunch money. In the ensuing struggle he hides in a nearby bookstore. He then sees the store owner reading a mysterious book called The Neverending Story. After the store owner says that the book is not for sale because it is 'too dangerous' Sebastian waits for him to be distracted by a phone call and steals the book. He then cuts class, retreats to his school's attic, and begins reading, unlocking a world of fantasy and adventure. So begins a his quest to defeat the misery and despair that are engulfing the magical land of Fantasia and maybe even confront his own demons along the way.

The film sets itself apart from other fantasy movies of its era by using the adventures of its fantastic world to explore real life issues and the ways in which stories help us cope with them. The film begins with Sebastian confronted with his cold father and hostile classmates. Rather than face his problems, however, he retreats further into his fantasy, further feeding into his isolation and depression. Simultaneously, the land of Fantasia is slowly disappearing as its citizens give in to apathy and despair until the finally vanish. It is only through the efforts of optimistic and brave Atreyu that hope and life return to both Sebastian's world and Fantasia. Each time that Atreyu defeats a monster or comes to terms with a personal loss Sebastian becomes more inspired to face the adversity in his own life. In this way the film highlights the ways in which stories can motivate us to keep going even in our darkest moments. In the ultimate meta twist it is revealed that all of Atreyu's accomplishments will not be enough to revive Fantasia, and it is only through the inner strength, courage, and resilience of Sebastian that the land will survive. As a result, the film demonstrates how the powerful lessons and inspiration that we find in stories are not enough to change our lives if we do not act upon that inspiration. Through its dual depictions of Atreyu and Sebastian's stories The Neverending Story acts as a meditation upon the power of storytelling while reminding viewers that with courage, hope, and inspiration we can overcome anything.

The film brings the world of Fantasia to magical life thanks to the work of its cast. Tami Stronach perfectly captures the ethereal mystique of Fantasia's ailing empress. Thomas Hill aptly conveys the curmudgeonly exterior and inner warmth of bookstore owner Carl Conrad Coreander. Alan Oppenheimer steals the show in unforgettable voice performances as the dim-witted Rockbiter, the benevolent luck dragon Falkor, and the menacing monster Gmork. Noah Hathaway personifies heroism as the fearless and self-sacrificing warrior Atreyu. Barrett Oliver turns in a mature performance that belies his young years as  he portrays Sebastian's loneliness and grief while still maintaining a childlike innocence and sense of wonder.

Easily one of the most awesomely iconic films of the 1980's The Neverending Story continues to enthrall the young young at heart. The script strikes an impressive balance between introspection and adventure through its parallel quests against the fictional threat of 'the nothing' and the real world devastation of grief. The performances bring Michael Ende's novel in all of its magic to life. Reach the stars, fly a fantasy, and dream a dream in The Neverending Story.

Classics: A Review of Dolores Claiborne By Lauren Ennis

 Are some secrets best left hidden? Can we ever really escape out past? What does it take to survive in an unforgiving world? These are the questions that lie at the heart of the 1995 drama Dolores Claiborne. Part twisting whodunnit and part gritty character study Dolores Claiborne is wholly gripping viewing. Exploring such weighty topics as domestic violence, trauma, and the meaning of justice the film remains as resonant and relevant now as it was upon its release. Join Dolores Claiborne for a mystery in which who done it is just one of its devastating secrets. 

The film begins in 1990's Bangor Maine with elderly Vera Donovan being found dead at the bottom of her staircase. Complicating matters is the fact that Vera's caretaker and housekeeper, Dolores was found hovering over her dead body wielding a rolling pin.  After failing to indict Dolores in the suspicious death of her husband decades earlier lead investigator Detective Mackey makes it his personal mission to see her charged for Vera's murder. Meanwhile, Dolores' estranged daughter, professionally successful but personally tormented journalist Selina, returns home after fifteen years. In the ensuing days mother and daughter are confronted with long buried secrets and ghosts of their pasts, all leading up to a final reveal that is nothing short of devastating.

Dolores Claiborne may begin as a straight-forward mystery, but it soon becomes apparent that the film is every bit as complicated as its titular heroine. The film starts as as standard whodunit, but then uses that premise to explore deeper questions surrounding truth, justice, and trauma. While the story's two deaths give viewers plenty of questions to ponder it is the characters' efforts to grapple with those deaths that lead to the story's greatest revelations. In this way, the film functions as more of a 'why done it' than a 'whodunnit'. Through this subversion of genre expectations the film offers an unflinching portrait of two very different women and the tragedies that shaped them. In this way the film places audiences in each of its heroines' minds and forces us to consider what we would do in their position. As a result, the film raises vital questions that will haunt viewers long after its final mystery is solved, making it one of the most provocative, poignant, and engrossing entries in the thriller genre. 

The film transports viewers into the dark world of Stephen King thanks to the stellar performances of its star-studded cast. Christopher Plummer makes for a worthy adversary as dogged Detective Mackey. David Strathairn portrays Dolores' abusive husband, Joe, with the ideal blend of sinister and pathetic. Judith Parfitt proves to be a scene stealer as Dolores' formidable employer, Vera. Ellen Muth turns in a mature and nuanced performance in which she aptly captures childhood Selina's torment. Jennifer Jason Leigh personifies repressed trauma in her by turns gruff, cold, and ultimately gut-wrenching performance as Selina. Kathy Bates manages to outdo her iconic performance in Misery in her portrayal of Dolores' journey from helpless battered wife to self-proclaimed "high-riding bitch" in a role that King specifically wrote for her.

Even as it forgoes the scares and gore of horror Dolores Claiborne is easily one of the darkest and most haunting films adapted from the work of Stephen King. The script bring the novel's wrenching reveals and twisting plot to visceral life. The cast bring each of the characters to the screen with raw emotion and New England grit. Discover the cold hard truth with Dolores Claiborne.

Classics: A Review of Dangerous Liaisons By Lauren Ennis

 It is often said that all if fair in love and war. It is this sentiment that lovers and co-conspirators Marquis de Mertuil and Vicomte de Valmont live by. In 1988's Dangerous Liaisons the vicious pair conquer pre-revolutionary France using charm and lust as their weapons of choice. Nearly forty years after its release the film remains the gold standard for adaptation of of Pierre Choderlos de Laclos' 1782 novel. At once an apt portrait of pre-revolutionary France and a startlingly relevant exploration of sexual politics Dangerous Liaisons cuts every bit as deep as upon its initial release. 

The story begins in 1780's Paris. Scorned Marquis de Mertuil enlists the aid of her own on-again, off-again paramour Viscount de Valmont in a scheme to enact revenge against her most recent lover. This latest romance ended after her lover ended their relationship to pursue marriage with respectable, sheltered, socialite, Cecile. In an effort to disgrace Cecil the Marquis arranges for Valmont to seduce the young woman before her wedding night. To her frustration Valmont initially refuses, saying that he is already preoccupied with his own plot to seduce the virtuous Madame de Torval in retaliation against her politician husband. The Marquis then presents him with an offer he cannot refuse; one final night with her if he succeeds in seducing both Madame de Torval and Cecile. All goes according to the duo's devious plan until love threatens to get in the way.

The film brings de Laclos' novel to visceral life in all of its seductiveness, grit, and unabashed brutality. In its depiction of Valmont and the Marquis' pettiness and casual cruelty the film brilliantly portrays the banality of evil. Unlike most cinematic villains the pair pursue their vicious plans not for any grand purpose, but instead out of spite, vanity, and boredom. This matter of fact approach to the duo's duplicity makes their promiscuity depraved rather than glamorous. The blunt portrayal of their callousness also ensures that the havoc they leave in their wake is all the more devastating. As a result, the film avoids both glamorizing it leads' misdeeds and moralizing against them. In this way, the film raises difficult questions about love, lust, power, and personal responsibility without offering easy answers. The film's unflinching portrayal of a society grappling with hypocritical sexual politics and changing norms particularly resonates in our own society caught between such extremes as the rise of only fans and the 'trad-wife' trend. On this cold Valentine's Day feel the heat of Dangerous Liaisons.

The film transports viewers to the splendor of pre-revolutionary Paris thanks to the work of its star-studded cast. Uma Thurman perfectly captures Cecile's naivete and sensuality. Keanu Reeves conveys boy next door charm as Cecil's sincere but gullible music teacher and suitor, La Chavalier Danceny. Michelle Pfieffer turns in one of the best performances of her career as she blends decency, integrity, vulnerability, and resilience in her tragic turn as Madame de Torval. John Malkovich and Glen Close make for a legendary pairing as the equal parts devious and debauched Marquis de Mertuil and Viscount de Valmont. Malkovich combines calculation with cool charisma as the mercenary Valmont, while still portraying his crisis of conscience with pathos. Close is nothing short of iconic as the tactical, brutal, hypnotic, and never less than fascinating Marquis.

At once, a scathing critique of eighteenth century aristocracy and an apt warning for modern society Dangerous Liaisons remains dangerously good viewing. Through its biting script the film brings pre-revolutionary France to life in all of its sordidness and splendor. The performances are nothing short of iconic with Malkovich, Close, and Pfeiffer showcasing masterful performances. This Valentine's Day take a walk on the wild side with Dangerous Liaisons.

Classics: A Review of I Capture the Castle By Lauren Ennis

 Adolescence is a time associated with angst, confusion, and awkwardness. Rarely has the adolescent experience been captured with the heart and hilarity of 2003's I Capture the Castle. The film brings Dodie Smith's 1949 classic novel to vibrant, joyful life for a whole new generation. At once a slice of British life between the wars and a universal coming of age story I Capture the Castle is sure to capture viewers' hearts.

The story begins in the English countryside during the 1930's. Teenage aspiring writer Cassandra is living with her family in a decrepit castle. Even as the eccentric family enjoys the bohemian life in the castle they continue to sink ever deeper into poverty. After years of writer's block her famous author father's fortune has finally run out, leaving the family unable to pay their rent. When their landlord dies his two American grandsons arrive to collect the rent. Cassandra's older sister, Rose, sees the pair's arrival as the solution to the family's problems and sets to work trying to win the older son's heart. The sisters then embark upon a series of misadventures in life and love that is equal parts hilarious and heartbreaking.

The film sets itself apart from other coming of age stories through its winning combination of heart and humor. The script makes the most of the story's absurd premise as it highlights both the castle's decrepit state and the family's obliviousness to it. The film also shows the family's eccentricities by contrasting their oddball antics with the proper reserved behavior of those around them. Even as it revels in the characters' outlandishness, however, it is always careful to laugh with rather than at them. For example, while the film portrays the family's outrageous lifestyle it is also careful to portray the consequences of that lifestyle.. Similarly, the film champions the family's integrity in the face of artifice and conformity even as it plays the contrast for laughs. Through its unflinching portrait of its characters and its tongue in cheek view of their situation the film strikes the ideal balance between comedy and drama. In its loving depiction of the Mortmain family's misadventures the film captures the hijinks and heartache of growing up. Recapture the the and laughter of youth with Cassandra in I Capture the Castle.

The film transports viewers to Britain between the wars thanks to its endearingly eccentric performances. Rose Byrne embodies Rose's charm and cunning with equal skill. Henry Cavil exudes boy next door charm and sincerity as Cassandra's would-be suitor, Stephen. Henry Thomas aptly portrays American arrival Simon's culture shock and inner conflict. Mac Blucas is the ultimate brash American as Simon's obstinate brother, Neil. Bill Nighy portrays family patriarch James' bravado and pitifulness with realism and sympathy. Tara Fitzgerald is a delight as Cassandra's free-spirited stepmother, artists' model, Topaz. Even in the midst of apt supporting performances the film belongs to Romola Garai as Cassandra. Garai turns in a performance that captures all of the idealism, confusion, vulnerability, and romanticism of a girl on the verge of womanhood.

This deceptively simple slice of life drama encompasses the adolescent experience in all of its tragedy and triumph. The script brings Dodie Smith's beloved novel leaping onto the screen. The case brings each of their characters to life in all of their eccentricity and relatability. It is little wonder why generations of the young and young at heart continue to have their hearts captured by Cassandra and Rose in I Capture the Castle.

Classics: A Review of Gladiator By Lauren Ennis

 "Are you not entertained?!" gladiator Maximus famously asked the bloodthirsty crowd. Nearly a quarter century after its release Gladiator remains every bit as entertaining today as it was when it first arrived in theaters. After over two decades of cinematic innovation the film's combination of visceral action and poignant themes continues to pack a formidable punch. At once calling back to classic sword and sandals epics and offering pointed commentary upon the corrupt nature of government and the power of celebrity, Gladiator is a film for the ages. For viewing hat is sure to earn a thumbs up every time step into the ring with Gladiator.

The story begins in the twilight of the Roman Empire. General Maximums enjoys the brief glory of a victorious battle against the tribes of Germania. Following the battle's success he is chosen to succeed his mentor, Emperor Marcus Aurelius. When the emperor's wayward son, Commodus, learns that his place on the throne has been given to Maximus he schemes to assassinate his father. He then demands that Maximus pledge loyalty to him as the new emperor. When Maximus refuses Commodus orders that he be arrested and his wife and son be executed. Maximus escapes arrest only to later be captured by slave traders and sold as a gladiator. So begins a journey from general to slave to legend the likes of which cinema was made for.

The film's sincere exploration of timeless themes ensures that it remains a crowd please over two decades after its release. Even as the film aptly utilizes its historical setting, its portrayal of loss, revenge, and redemption feel at once both personal and universal. Regardless of viewers knowledge of or interest in ancient Rome, viewers will be hard pressed not to empathize with Maximus; tragic loss. As a result, his quest for revenge becomes a search for justice for which viewers will be rooting every bloody step of the way. Similarly, the film's depiction of political corruption and celebrity culture remain startlingly relevant. The film's depiction of the ways in which the power players of the empire make and break alliances on a whim particularly resonates in today's fraught political climate. Similarly, the way in which the empire's elites focus upon the circuses of the coliseum while their subjects suffer could be ripped from today's headlines. The film also brilliantly explores the power of celebrity with Maximus' meteoric rise eerily mirroring the ascension of today's celebrities and influencers. Even as it shows the ways in which he uses his newfound fame to his advantage, however, the film is careful to highlight the fickle nature of celebrity in a scathing critique that serves as an apt warning for our own fame obsessed culture. Even as it contemplates weighty themes, the film delivers pule-pounding action and gritty realism that will make even today's cynical viewers squirm. Forget the sequels and imitators and let Maximus entertain you in Gladiator.

The film transports viewers to the splendor and squalor of ancient Rome thanks to the work of its cast. Spencer Treat Clark captures the innocence and enthusiasm of childhood as Commodus' nephew, Lucius. Connie Nielsen is at once alluring and formidable as Commodus' sister and Maximus' former lover, Lucilla. Richard Harris personifies leadership in his brief turn as Marcus Aurelius. Joaquin Phoenix makes for one of the most memorable villains in modern cinema in a performance that blends menace, madness, and pitifulness as Commodus. Russell Crowe turns in a career defining performance as Maximus. In Crowe's hands Maximus is neither a historical figure nor a larger than life hero but instead an ordinary, believable, and all too relateable man. As a result, viewers will be certain to root just as hard as the Coliseum's crowds for his success in the face of overwhelming adversity.

In its depiction of one man's quest for justice Gladiator captures the grandeur of classic epics and the raw emotion of modern cinema. The script offers up plenty of bloody action while still tackling weighty themes that continue to resonate today. The star-studded cast bring the Roman Empire to vibrant and visceral life. For a truly epic entertainment experience step into the arena with Gladiator.

"Now you are free"