Tuesday, April 19, 2022

Classics: A Review of Napoleon Dynamite By Lauren Ennis

 High school is a time marked by first loves, friendships, angst, trials and triumphs. As a result, its little wonder why high school has been a favorite topic of filmmakers since virtually the dawn of cinema. What filmmakers too often forget is that high school is also the most awkward period in many people's lives. The 2004 surprise hit comedy Napoleon Dynamite explores adolescence at its most uncomfortable, offbeat, and ultimately inspiring to hilarious effect. For what is easily the most uproarious, original, and unexpected high school movie ever put to celluloid pull up a desk next to Napoleon Dynamite.


The film follows the misadventures of gawky teen Napoleon Dynamite in rural Idaho. His eccentric interests, awkward manners, and refusal to adhere to social norms makes him a target for the ridicule of his peers. Despite the snickering of his classmates, however, he carries on with his life with total self-assurance and zero self-awareness. Napoleon's life is soon complicated when his grandmother is injured in a moped accident, leaving him and his chat-room addicted older brother, Kip, in the care of their uncle, Rico. After years wasting away in a van and obsessing over his high school glory days Uncle Rico eagerly accepts the opportunity to move in and immediately declares himself head of the household. While Uncle Rico enlists Kip in a series of hilariously unsuccessful 'get rich quick' schemes Napoleon sets about making friends with fellow misfits Deb and Pedro. Together, the terminally uncool trio launch Pedro's bid for class president in a campaign that is nothing short of comedy gold.

Nearly twenty years after its release Napoleon Dynamite remains a cult classic. With its low budget, unknown cast, minimal plot, off beat humor, and small town setting the film seemed destined to flop. Yet it its those same characteristics that would normally work against any film's chances of success that endeared Napoleon Dynamite to audiences. The film's minimal budget and unknown cast lends the central tale of small town life a sense of authenticity. The plot particularly sets the film apart by presenting a high school film that stands in cheerful defiance of all things high school movies stand for. While high school films generally glamorize adolescence Napoleon Dynamite presents a true to life account of teen life in all of its mundane glory. In place of gorgeous teen idols engaging in decadent behavior, the film displays ordinary adolescents doing their best to navigate the everyday struggles of high school. As a result, the antics of Napoleon and his friends prove far more relatable to the average viewer than the films that have come to define the teen film genre. The film also breaks with genre conventions by embracing the awkwardness of adolescence and the eccentricities of small town life through its portrayal of ultimate oddball Napoleon and his equally unusual friends. Instead of striving to be part of the 'in crowd' or keeping up with the latest social trends Napoleon, Deb, Kip, and Pedro take their outsider status in stride. While the film has plenty of fun with its characters' quirks the script's gentle humor ensures that viewers are laughing with the cast rather than at them. As a result, each of the characters' remains the hero in their own (outrageous) story, and none are reduced to punch lines or victims. In this way, the film acts as a love letter to the awkwardness and absurdity of adolescence and the misfit in all of us. "Follow your heart" and "make all of your wildest dreams come true" as only rural America can with Napoleon Dynamite.


The film transports viewers to Napoleon's whimsical world of rural Idaho thanks to the work of its cast. Haylie Duff personifies mean girl as class president favorite Summer Wheatley. Trevor Snarr makes for an ideal villain as the brutish bully Don. Shondrella Avery is a delight in her charming portrayal of Kip's big city love interest, Lafawnduh. Diedrich Bader packs the perfect comedic punch as stereotypical small town karate sensei Rex Kwon-Do. Jon Gries steals each scene in which he appears in his uproarious turn  the by turns hapless, smarmy, and overbearing Uncle Rico. Aaron Ruell perfectly blends slapstick, dry delivery, and sincerity in his portrayal of  Kip. Efren Ramirez is the ultimate fish out of water in his deadpan performance as Pedro. Tina Majorino infuses Deb with an endearing  girl next door charm as she portrays Deb's gradual journey from crippling shyness to confidence. Even in the midst of strong supporting performances the film is dominated by Jon Heder in his titular turn as Napoleon. In Heder's hands nerdy outcast Napoleon is not the victim or wannabe that any other teen film would regulate him to, but is instead the unlikeliest of heroes and the ultimate iconoclast.

Napoleon Dynamite is a comedy that is every bit as outrageous and original as its hero. Through its sly satire of high school movies and small town life the film offers dry humor that is guaranteed to leave even the most hardened of critics cracking a smile. Similarly, the by turns mundane and outlandish plot provide enough slapstick to leave comedy connoisseurs laughing out loud. The cast display expert comedic skill and sincerity which ensure that each of the film's oddball characters endear themselves to audiences. Put on your best moonboots and dance to the beat of your own drum with Napoleon Dynamite.












Saturday, April 9, 2022

Classics: A Review of Miracles from Heaven By Lauren Ennis

 Can you believe in something that defies explanation? How do you keep faith in a world that seems to test it every day? These are the questions that lie at the heart of 2016's Miracles from Heaven. This drama expertly balances faith and family to relate the true story of Annabel Beam, a terminally ill child who was miraculously cured by a near-death experience. As Easter approaches this tale of healing, hope, and renewal is a cinematic treat for the whole family.


The story begins with in Burleson, Texas in 2007. Ten year old Annabel "Anna" Beam is living an ordinary life on her family's farm with her parents and two sisters. Her life is suddenly turned upside down when she begins experiencing digestive troubles. After years of surgeries, treatments, and constant pain she is finally diagnosed with intestinal pseudo-obstruction, a rare and sometimes fatal digestive disorder. Complications of her illness leave her unable to eat without a feeding tube or engage in many normal activities, as well as suffering from excruciating pain. Her mother, Christy, then embarks upon a quest to find a physician who can treat Anna in a journey that takes the duo across the country to Boston Children's Hospital. After Anna's treatments stop working Christy resolves to take her home to spend what are likely her final days surrounded by family. Upon her return, Anna endures a harrowing near-death experience that alters the course of her life and leaves everyone around her questioning whether maybe miracles might be real after all.

Miracles from Heaven sets itself apart from other faith based films by telling a story that speaks to the devout and non-believers alike. Many films in the genre prioritize  message over story, leaving viewers feeling as though they are attending a sermon rather than immersed in a cinematic experience. As a result, mainstream audiences often find it difficult to engage in these films and leave the theater feeling alienated rather than inspired. By focusing upon the many ways in which the Beam family's faith is tested Miracles from Heaven acknowledges how easy it is to question or lose your faith. The film avoids presenting itself as patronizing or preachy as it invites viewers to reflect upon their own trials and the ways in which their own beliefs have been shaken. While the Beams' story is truly unique, their struggles remain entirely relatable. As a result, viewers from all walks of life will be hard pressed not to become invested in Anna and Christie's story. Through its at once heartbreaking, heartwarming, and ultimately uplifting story Miracles from Heaven takes viewers onto an unforgettable journey that will have the whole family believing in miracles.


Annabel Beam's miraculous true story is vividly brought to life thanks to the work of the film's stellar cast. Queen Latifah lends her signature wit and heartfelt charm to her portrayal of Angela, the Boston waitress who befriends Anna and Christy and offers them a tour of the city. Eugenio Derbez showcases a perfect bedside manner as Anna's gastroenterologist Dr. Nurko. Brighton Sharbino and Courtney Fansler lend realism, depth, and charm to their turns as Anna's sisters, Abbie and Adelynn. Martin Henderson imbues his performance as Anna's father with warmth and humility. Hannah Alligood conveys innocence and resilience with equal skill in her heartbreaking performance as Anna's hospital roommate, Haley. Wayne Pere captures the torment and eventual redemption of Hayley's skeptical father with eerie realism.  Even in the midst of excellent supporting performances, the film belongs to Jennifer Garner and Kylie Rogers as Christy and Anna. Garner personifies the term 'mama bear' in a portrayal that blends maternal warmth, steely resolve, and sacrifice as Christy. Rogers turns in a performance that belies her young years as she captures Anna's journey from carefree child, to terminally ill patient, to survivor with depth, sincerity, and realism.

At once a unique account of one family's experience to the brink and back again and a universal and a tale of faith and family Miracles from Heaven is Easter viewing for the whole family. Through its well written script the film avoids the clichés and pitfalls associated with faith based films and relates one family's trials and triumphs in a way that will engage the devout and non-believers alike. The uniformly superb performances bring the story to life in by turns wrenching and uplifting performances that viewers will be sure to relate to. This Easter have a little faith with Christy and Anna in Miracles from Heaven.