The winter winds continue to blow and the television
is alight with a warm and fuzzy glow; Valentine’s Day is upon us once again.
That means that television and cinema screens will be flooded with the same
familiar faces, well-worn odds, and time-honored plots. For those craving more
than the same tired and true love stories, this week I’ll be turning the
spotlight on three of cinema’s most outrageous, outlandish, and loveably
eccentric couples. For Valentine’s Day viewing to remember, be sure to cuddle
up with these unconventional classics.
Harold
and Maude: Perhaps the most obvious and famous of cinema’s odd
couples are the title pair from this 1971 cult classic. The story explores the
unusual friendship that blossoms into an even more unlikely romance between a
morbid twenty-something and an irrepressible seventy-nine year old. Harold is a
wealthy young man who uses his obsession with death as both a means of
rebelling against, and crying out for attention from his self-absorbed mother.
He meets Maude while both are attending a stranger’s funeral; she in an effort
to ease the suffering of the deceased’s loved ones, and he out of macabre
fascination. The two eccentrics become fast friends with the two sharing each
other’s unusual interests and eventually bringing out the best in one another.
As he spends time with the ever enthusiastic Maude, Harold begins to realize
that there is far more to life than waiting for death. Through her infectious
influence he finally finds the courage to break free from his repressive
existence and becomes determined to live life on his own terms. Over the course
of the film it becomes apparent that the two are kindred spirits as they
inspire and learn from one another; creating not only one of film’s most
unorthodox but also most heartfelt romances. Through its portrayal of its lovably
eccentric lovers the film reminds us all that it’s never too late to lead the
life that you want and that age is only a number. Equal parts quirky and
touching, Harold and Maude remains a
fan favorite not for its temporary novelty, but for its timeless message that a
life without love, whether love for oneself, one’s partner, or life itself, is
no life at all.
Ninotchka:
Sometimes a couple’s differences are more political than personal. Such is the
case in the 1939 classic romantic comedy Ninotchka.
The story follows a stern Soviet envoy and a suave Parisian attorney as they
cross legal and ideological lines to heat up the Cold War. The film begins with
French aristocrat Leon easily outsmarting a bumbling Soviet delegation as they
attempt to sell the state-confiscated jewels of his sometimes lover. Just when he
thinks that he has legally stopped the sale, however, Moscow sends the
beautiful but formidable Nina Ivanovna Yakushova, aka Ninotchka, to finish what
her comrades started. When the two opponents meet by chance without realizing the
other’s connection to the case romantic antics ensue that have even Garbo
laughing. Through their affair the care-free capitalist and hard-boiled
Bolshevik learn to see life from the other side of the wall and are ultimately
the better for it. When politics threaten to separate the two a case of
affection and defection occurs that proves that love, like comedy, knows no
time, place, or party affiliation. For the finest in romance and comedy spend your
Valentine’s Day with Ninotchka.
Along
Came Polly: Romance by nature is full of risks as it
forces us to trust our most vulnerable selves with another person. Risk analyst
Reuben Pfeffer thinks that he has finally beat love at its own risky game when
he marries arguably the most reliable and predictable woman that he knows. Love
bounces back, however, when he discovers his new bride in the arms of her scuba
instructor during their honeymoon. While recovering from the devastation of his
ensuing divorce, he encounters his former school crush, Polly Prince. Although
he is stunned to learn that the diligent mathlete he once knew grew up to be a
flighty bohemian, he soon finds himself falling under her free-thinking spell.
Before long he begins following Polly’s lead and engaging in some risky
business of his own. When his ex-wife returns seeking to reconcile he is forced
to choose between playing it safe and taking a chance on what just might be
love. While the film follows the familiar formula of opposites attracting, its
emphasis upon the ways in which we could all enrich our lives with small, every
day, risks lends the proceedings emotional weight. The various subplots
surrounding Rueben’s work and his former child-star best friend’s attempts at a
comeback also add unexpected comedic twists that infuses the script with
surprising originality. For a charmingly offbeat take on the romantic comedy
genre take a chance on Along Came Polly.
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