Fairy-tales are one of childhood’s most time honored
and universal traditions. It is through these tales that children are exposed
to the traditions of the past while learning vital lessons for their present.
Although these tales are aimed children, they often contain moral messages that
carry even more resonance as children reach adulthood. In the 2007 drama Pan’s Labyrinth, the traditional fairy
tale is used to weave a surreal story that serves as a historical allegory, as
the fairy tale daydreams of an imaginative girl are used to highlight the all
too real horrors of her life in post-Civil War Spain.
One thing's for sure; it can't be any worse than life out there... |
The story begins with ten year old Ofelia (Ivana
Baquero) and her recently remarried and now pregnant mother, Carmen (Ariadna
Gil), arriving at their new home in the Spanish countryside to join Ofelia’s
stepfather, Captain Vidal (Sergi Lopez). While Carmen insists that the
remarriage was the best decision for the entire family, Ofelia quickly learns
otherwise when she meets her stepfather, who proves to be far more ruthless and
terrifying than any of the fictional monsters in her books. A loyal devotee of
Franco’s fascist regime, Vidal takes a sadistic pleasure in hunting down and
exterminating the remaining remnants of the republican rebels. Although he runs
his household with the same tyrannical zeal as his regiment, Carmen remains
convinced that life with her new husband is still a better alternative to the
merciless streets of post-war Spain. As a result, Ofelia’s only true ally in
her new home is kind but resilient housekeeper Mercedes (Maribel Verdu), who
leads a double life as a rebel spy by feeding information to the resistance
group led by her brother. Surrounded by fear and violence, Ofelia retreats to
the fantastic world of her fairy tales, reimagining herself and those around
her as characters in an epic quest.
Released in
Spain in 2006, Pan’s Labyrinth was
met with almost universal acclaim across the globe. While the film’s broad
appeal is surprising considering its historical subject matter, the
electrifying performances and breathtaking effects successfully bring both the
gritty reality of fascist Spain and the surreal world of Ofelia’s imagination
to vibrant life. In its many depictions
of post-war Spain the film portrays the poverty and violence that comprised
life under Franco with an unflinching realism that draws viewers into Ofelia’s
harsh reality. Similarly, the film also keeps viewers engaged in her fictional
journey through spectacular effects that bring the characters and obstacles that
she encounters to life with by turns mystifying and horrifying detail. The cast
turn in uniformly superb performances, as they successfully weave both tales.
Ariadna Gil is appropriately world weary as the defeated Carmen and her
resignation stands in excellent contrast to the determined idealism that Alex
Angulo brings to republican agent Doctor Ferreiro. Maribel Verdu captures the
steely resilience and nurturing kindness of Mercedes in a way that ensures that
she remains a three dimensional character rather than a heroic symbol.
Similarly Sergi Lopez portrays the vile Captain Vidal with a pathos that ensures
he remains a realistic, if despicable, person rather than a caricature of a
villain. Even amongst an immensely talented adult cast, Ivana Baquero steals
the film as she captures Ofelia’s waif-like innocence and maturity that belies
her years. Baquero infuses her performance with an intelligence, depth, and
nuance that many an adult actress could learn, and lends an essential authenticity to both of Ofelia’s storylines.
Remember kids, its not polite to stare |
While the story is brought to life through a
combination of excellent performances and dazzling special effects, the key to
the film’s worldwide success lies largely in its ability to tell that story on
two levels with equal depth and nuance. The scenes involving Ofelia’s daily
life resonate on both a personal and political level as each of its characters
clash over their conflicting vision of a better life, and more crucially a
better Spain. For example, to Vidal and his men their sadistic behavior is
entirely justifiable as a means to achieving a unified nation. Similarly, to
Mercedes and her fellow rebels, their defiance of the fascist government is
part of a heroic effort to regain Spain’s freedom. Finally for war-weary
Carmen, like so many others in post-war Spain, the only option is to resign
herself to the new regime and leave the ideals and memories of the past behind.
It is through this interaction of characters across both the social and
political spectrum that director Guillermo del Toro successfully explores the
political and social unrest that fueled the Spanish Civil War and lingered after
the fascist Nationalists claimed victory. Meanwhile, Ofelia follows the example
of the adults around her by seeking her own vision of a better world, albeit
one that exists entirely in her mind. On the surface, the merging of this
complex historical drama with a children’s fantasy would seem an odd fit at
best and absurd at worst. In del Toro’s skilled hands, however, the two tales
work together to form a more complex and emotionally resonant whole as the
horrors of Ofelia’s daily struggles to survive fuel her imaginary quest. Although
the monsters and obstacles that she faces throughout her fantastic journey
cleverly echo those that she encounters in reality, the defining aspect of her
imaginary journey is its end goal; to achieve redemption for herself and those
around her. In this way, her imaginary struggle directly mirrors that of Spain
as a nation coming to terms with a bloody past and uncertain future and serves
as a reminder of the high cost of war.
Historical drama, fantasy, and political allegory are
just a few phrases to describe the intricate maze that is Pan’s Labyrinth. Through its combined superb cast, visionary
special effects, and captivating script the film tells of a nation engulfed in
the turmoil of poverty and war and a young girl’s struggle to create her own
light amidst the darkness surrounding her. For a journey into the psyche of the
human mind, as well as into one of the most complex eras in modern history,
look no further than the twists and turns of Pan’s Labyrinth.
A girl and her best friend; her imagination |
Great Review! I'm so glad you reviewed this film. This is one of those films that's part fantasy, part whattheheckisthat?! lol
ReplyDeleteThanks so much! Exactly! It's one of those great dormroom debate flicks that make you feel so awesomely psuedo-intellectual
ReplyDelete