Today marks the 240th anniversary of the
signing of the Declaration of Independence. In honor of this milestone, I will
be reviewing three films that capture the innovative and pioneering spirit that
the United States was founded upon. Happy Independence Day!
The
Man Who Shot Liberty Valance: Few genres are as unique
to American culture as the Western and few actors are as synonymous with
America as John Wayne. This 1961 film provided a unique take on the western that
exposed the grit and lawlessness that made up life in the early West and left
the genre forever altered. The film begins with US Senator Ransom “Ranse”
Stoddard (James Stewart) traveling from Washington with his wife, Hallie (Vera
Miles), to attend the funeral of rancher Tom Doniphon (John Wayne) in Shinbone
(a fictional town in an unnamed state). When a reporter questions why a senator
would go to so much trouble to pay respects to a rancher the film launches into
a flashback of the incident that put Ranse on the path to political success. The film then chronicles law-abiding Ranse’s
efforts to rid Shinbone of local gunslinger Liberty Valance (Lee Marvin), while
still remaining within the boundaries of the law. What begins as a simple story
of citizens versus gunslingers quickly spirals into a masterfully told tale of
a region coming to grips with its place in an emerging nation, as the citizens
of Shinbone contemplate impending statehood. The film excellently depicts the
democratic process at work through its portrayal of town hall meetings, political
debates, and a free press. While the plot focuses upon the benefits of
statehood and the American political system, it reveals the resistance that
statehood was often met with and the ways in which the political system is all
too often manipulated. The film also examines the meaning of bravery and grit
through its focus upon the initially pacifist Ranse rather than his macho
counterpart, Tom. Furthermore, the film turns the typical structure of the
Western on its head as it argues in favor of restraint and rule of law and only
shifts its focus to genre staple Wayne after his character defies genre
expectations and sacrifices both the glory and the girl for the greater good.
While the film does not shy away from America’s gritty past, it does highlight
the principles that this nation was founded upon through its emphasis upon the
best aspects of our legal and political system and reminds us of the hope and
promise which those systems were founded upon.
Moscow
on the Hudson: This 1984 film portrays modern America
from the perspective of a newly arrived immigrant. The film begins with musician
Vladimir Ivanov (Robin Williams) trying to eke out a living amidst the
financial hardships and political repression of 1980’s Moscow. Eventually he
tours the world with a circus, and after his first glimpse of life beyond the
iron curtain, he realizes that he can no longer stand the deprivations and
repression of Soviet life. In a scene that is at once heartfelt, suspenseful,
and comical Vladimir ultimately defects to the US in the middle of a Manhattan
Macy’s. The film then chronicles his efforts to assimilate to US life and
struggles to make a new life in a strange land. While the film does offer
commentary on democracy vs. communism and is very much of the Cold War era in which
it is set, Vladimir’s tale of immigration and assimilation is one that both
recalls the immigrants who founded this country and those who continue to
arrive today. The film realistically portrays the struggles with language and
culture that many immigrants face as such simple activities as shopping at a
supermarket inspire culture shock and Vladimir struggles to understand the
slang used by his coworkers and roommates. Although the film is perforated with
fish-out-of-water shenanigans, it also provides a serious look at the immigrant
experience as Vladimir faces prejudice, isolation, and financial hardship and ultimately
begins to question if defecting was the right decision after all. Throughout
his various ups and downs, however, the film maintains an infectious sense of optimism
and a central message that the freedom to live your own life, regardless of how
difficult that life may be, is something to be cherished.
Who says tough guys can't dance?! |
Yankee
Doodle Dandy: No Independence Day film list would be
complete without this 1942 musical biography. The film chronicles the life and
work of turn of the century composer George M. Cohan (James Cagney), best known
for such patriotic standards as “You’re a Fine Old Flag”, Over There”, and of
course “Yankee Doodle Boy”. The films begins towards the end of Cohan’s career
as he meets President Franklin Roosevelt and is awarded the Congressional Medal
of Honor in recognition of his contribution to American music. The film then
launches into a flashback starting with Cohan’s birth to Irish immigrant
vaudeville performers (Walter Huston and Mary Decamp) on, of all days, the
fourth of July. The film then chronicles his years as part of the family vaudeville
act alongside his parents and sister (Cagney’s real-life sister Jeanne) and the
trouble the family faces when his adolescent arrogance gets them blacklisted by
producers and directors. Eventually he sets out on his own and attempts to sell
his songs while courting a struggling chorus girl (Joan Leslie), before finding
success and humbly asking his family to rejoin him onstage. While the film’s
focus is upon Cohan’s life and career, it is permeated with the same patriotic
spirit found in Cohan’s music in its celebration of both American music and the
American Dream. Interestingly, the film’s emphasis upon Cohan’s patriotism was
in part inspired by Cagney’s efforts to highlight his own patriotism after the
House on Un-American Activities Committee unjustly accused Cagney of being a
communist. In an effort to redeem his public image, it is reported that Cagney
overcame his personal dislike for Cohan, who had sided with producers during a
1919 Actors Equity Strike, and set out to make the “goddamnest patriotic
picture ever made”. One viewing of Cagney and company’s stellar performances,
and it is there is no doubt that Cagney succeeded in doing just that.
Moscow on the Hudson sounds like a really good film. Great review :)
ReplyDeleteThanks so much!!
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