Classics: A Review of Metropolitan By Lauren Ennis

 When Tom Townsend is confronted with the reality of his favorite philosopher's failed utopia he retorts 'Everyone ceases to exist. Doesn't mean everyone's a failure'. Over the course of one debutante season Tom and his friends in Manhattan's elite struggle with the inevitable end to the existence of their childhoods, their youthful illusions, and their entire way of life. At once a love letter to a not so distant time and place and a timeless commentary on the agony and exhilaration of growing up, 1990's Metropolitan is sure to resonate with viewers across the social spectrum. Start your New Year with the smart set in Metropolitan.

The story begins between Christmas and New Year's 'not so long ago' with a group of young debutantes and their escorts en route to a seasonal gala. When they mistakenly think that they have stolen a cab ride from passerby Tom the group eagerly attempt to make amends. The group, known as the 'Sally Fowler Rat Pack' proceed take the college freshman under their wing and introduce him to the perks of high society. Despite his vocal objection to everything that his new friends represent, he quickly finds himself caught up in the intrigue and pageantry of the debutante season. The film then follows the group as they maneuver the trials and triumphs of friendship, romance, and growing up with all of the discreet charm of the bourgeoisie.

Through its deceptively simple story this slice of life brilliantly brings that all too brief interlude between adolescence and adulthood to the silver screen. In its efforts to follow the foibles and flirtations of its characters the film offers fascinating insight into the mores and manners that defined the upper crust not so long ago. In this way, the film acts as a love letter to a time and place gone by while still offering gentle critiques of its failings. Simultaneously, even as it explores  a specific time and place the film offers a universal portrait of the young adult experience. Through its unusual blend of heady intellect and petty gossip the script perfectly captures the exchanges between college students first experiencing wider concepts and trying out new belief systems. The depiction of characters' after-party exchanges aptly highlights the ways in which young adults seek to distinguish themselves from their peers all while struggling to fit in with them. As we witness the characters maneuver  fast friendships, unrequited love, existential anxiety, and the looming presence of an uncertain future its impossible not to be drawn in to their daily dramas and remember our own youth. Relive sweep, melodrama, and comedy of growing up in style in Metropolitan.

The film transports viewers to the exclusive salons of New York's elite thanks to the compelling work of its cast of unknowns. Bryan Leder lends comic charm in his turn as ever inebriated Fred. Taylor Nichols conveys insecurity, sincerity, intellect, and humor in his affable turn as Charlie. Ellia Thompson infuses Tom's ex-girlfriend Serena with the perfect blend of sophistication and callousness. Isabel Gillies perfectly captures group adventurer Cynthia's reckless restlessness. Will Kempe makes for an ideal villain as the equal parts alluring and loathsome lothario Rick. Dylan Hundley exudes cool charisma as group leader and namesake Sally. Christopher Eigerman steals each scene in which he appears as wickedly witty cynic Nick. Edward Clements makes for an insider's outsider who would make F. Scott Fitzgerald himself proud as Tom. Carolyn Farina personifies loveliness as bookish but charming wallflower Audrey.

Even as it follows its characters from one penthouse to the next Metropolitan remains a film that will appeal to anyone who remembers the promise, urgency, and sense of possibility of early adulthood. Through its brilliantly witty script the film perfectly captures the earnestness, vulnerability, and intensity that mark the end of adolescence and the beginning of all that lay beyond. The inexperienced cast turn in surprisingly nuanced and compelling performances and bring the world of New York's high society to vibrant life. Keep it classy with the Sally Fowler Rat Pack in Metropolitan

Classics: A Review of True Detective By Lauren Ennis

In 2014 two detectives found a woman's posed corpse in the backwoods of Louisiana and television greatness was born. In the years since its release HBO's first season of its crime drama True Detective has set a standard for television drama that few series have been able to meet, let alone surpass. At once a twisting mystery of mayhem and murder, an in depth character study, and a meditation on the state of modern society True Detective remains nothing short of hypnotic. For some of the best viewing of the new millennium join Matthew McConaughey and Woody Harrelson into the darkest depths of the human soul in True Detective.

The story begins in 2012 Louisiana with former detectives Marty Hart and Rust Cohle undergoing an interrogation about one of the most brutal cases of their careers. The story then flashes back to 1995 when the two are working as partners on a local police force. Their uneasy alliance is put to the test when they investigate the ritualistic murder of drug addict and prostitute Dora Lange. Long after the duo seemingly solve the case, however, new evidence leads them to question whether Lange's killer may still be at large. As they follow each lead they are led ever further down a disturbing trail of murder, abuse, and corruption that seems to spread across the entire state. 

In the years since its release True Detective has become synonymous with television's 'golden age' of the 2010's, and for good reason. With its atmosphere of existential dread, endlessly quotable dialogue, and twisting plot the series contains some of the most intelligent and memorable writing to ever grace the small screen. What easily could have been just another police procedural is instead a study of two flawed men as they search for meaning and hope in a seemingly hopeless world. As a result, the series leads viewers on a winding journey of loss, disillusionment, and ultimately redemption that will resonate long after the closing credits on its stellar finale fade. Similarly, the acting brings each character to such visceral life that even the briefest of roles seems to leap off of the screen. Through its rich writing and powerhouse performances the series weaves a tapestry of mystery as unique as its two leads that continues to leave viewers mesmerized nearly a decade after its release. For a masterclass in modern television follow Marty and Rust through the deepest depths of the bayou and into the darkest corners of the human heart in True Detective.

The series is brought to brilliant life thanks to the work of its star studded cast. Alexandria Daddario makes for a beguiling bad girl as Marty's mistress, court stenographer Lisa. Michelle Monaghan exudes warmth, compassion, and vulnerability as Marty's long suffering wife, Maggie. Erin Moriarty perfectly captures the angst, rebelliousness, and torment of Marty's troubled daughter, Audrey. Glenn Fleshler and Ann Dowd lend by turns pathetic and chilling performance as the disturbed Errol and Betty Childress. Even in the midst of expert supporting performances the series belongs to Woody Harrelson and Matthew McConaughey as Marty and Rust. Harrelson expertly infuses hard drinking, womanizing Marty with humor, humanity, and likeability. McConaughey turns in the performance of his career in his understated portrayal of the tormented Rust, lending power to every syllable of Rust's many nihilistic soliloquies and unflinching emotion in his every glance. Together, the pair form one of the unlikeliest and most iconic teams in all of crime fiction.

Over the course of its eight episodes True Detective treats viewers to some of the most thrilling and thought provoking drama ever to grace the small screen. Through its biting dialogue and enthralling plot the series brilliantly brings its tale of lost innocence, broken communities, and true detective work to vivid life. The cast go beyond merely portraying their roles to fully embodying each and every character. Follow Rust and Marty on the trail of the Yellow King in True Detective.

Classics: A Review of Batman Returns By Lauren Ennis

 Rampant crime, political corruption, corporate greed, and an alienated public; welcome to Gotham City. Following the success of their collaboration in 1989's Batman the dynamic duo of Tim Burton and Michael Keaton reunited for 1992's Batman Returns. Rather than acting as a mere return to form, the film ventured even further into the shadows that haunt Gotham's streets than its predecessor, and is all the better for it. Despite courting controversy amongst audiences and earning the ire of critics, the film has gone on to become a cult classic and set the standard for modern superhero movies along the way. Return to the gritty streets of Gotham City in all of their macabre wonder with Batman Returns.

The story picks up where 1989's Batman ended. In the wake of his break-up with love interest Vickie Vale, Bruce Wayne has fully immersed himself in his alter ego, living for the moment when the bat signal appears in the sky. At the film's start Gotham remains in the grips of a crime wave while its residents are on the lookout for the mysterious penguin-man rumored to be lurking in the city's sewers. Even as Batman attempts to reclaim Gotham's streets, Bruce is left to face its even more sinister threat in form of corrupt tycoon Max Schreck. Schreck has devised a plan to use a power plant to drain the city of its power and then resell it to residents at a higher price. After his plot is accidentally discovered by his secretary, Selina Kyle, he throws her from a window in an effort to ensure his secret remains safe. In a twist of fate his efforts lead to the creation of his own worst nightmare when Selina is resurrected as revenge bent vigilante Catwoman. When Schreck schemes to buy a place in city hall by launching the Penguin as a political candidate, Batman finds himself crossing paths with the Penguin and Catwoman just in time for some holiday hijinks.

At the time of its release Batman Returns was derided as 'a Tim Burton movie that Batman just happens to be in'. In some ways this assertion is true, and its this very fact that sets Batman Returns apart from the rest of the Batman franchise in all of the best ways. Burton uses his trademark visual style to bring Gotham to vibrant and visceral life with an atmosphere and scope that no other Batman film has. As a result, the film makes viewers feel as though they have been transported to the world of the comic books. Similarly, his use of German Expressionism in his lighting and sets perfectly sets the tone for the bleak world which the characters inhabit.

Perhaps what makes this film stand out the most is its focus upon its characters. While most superhero films are dedicated to action packed plots, Batman Returns acts as a character study of both its hero and its villains. The film follows Bruce as he struggles to come to terms with his double life and highlights the ways in which Batman threatens to fully consume him. Even as it portrays him at his most brooding, the film offers insight into the Bruce that might have been by showing him engage in moments of humor, charm, and vulnerability over the course of his relationship with Selina. Similarly, the film manages to offer up not one but two morally complex villains in the form of the Penguin and Catwoman. While the Penguin engages in truly reprehensible behavior, his tragic backstory of physical deformity, abandonment, and isolation make him both fascinating and sympathetic. As a result, viewers can easily understand his efforts to return to the city and his desire for vengeance on a society that rejected him. The film's depiction of Selina's story is nothing short of a revelation as it takes viewers on a journey that will have them hard pressed not to route for its anti-heroine. The film's depiction of her unfulfilled life that is marked by broken relationships, domineering relatives, and a toxic job is both heartbreaking and relatable. This glimpse into the person she begins as makes her near death at the hands of her abusive boss and subsequent psychotic break all the more devastating. Additionally, her justifiable need for revenge and morally murky actions make her an engaging anti-heroine who will test viewers' own moral gauges. The film even offers a twist in arguably its most straight forward villain, Max, by reminding viewers that all too often the most dangerous villains are not those who reside on society's margins but instead those who hold its levers of power. The film also doubles as an alternative take on the Christmas movie genre by exploring its tale of alienation and moral ambiguity against the backdrop of the holiday season. In this way, the film explores the sense of regret and inadequacy that many feel at the approach of a new year as its characters each struggle with the broken hopes of their pasts and their failed attempts to find their place in the present. Additionally, each of the characters is forced to confront their lost innocence and shattered illusions in the midst of what should be the most innocent and magical time of the year. This Christmas take a walk on the naughty list with Catwoman and Penguin in Batman Returns.

The film transports viewers to the gritty streets of Gotham City thanks to the mesmerizing work of its cast. Michael Gough reprises his role as Alfred and continues to serve as the franchise's conscience in his endearing turn. Christopher Walken is chilling in his performance as the equal parts magnetic and malicious tycoon Max Schreck. Danny Devito is electrifying in his larger than life portrayal of the Penguin and manages to infuse the grotesque villain with wounded humanity. Michelle Pfeiffer defines the role of Catwoman as she slinks through her scenes with an alluring mix of sensuality, steely resolve, and razor sharp wit. Simultaneously, she brilliantly portrays Selina's transformation from insecure, meek, and repressed good girl to assertive, seductive, but hardened woman with nuance and believability. Michael Keaton reminds us all why he was the face of Batman for a generation of moviegoers. In this outing he remains an imposing caped crusader, but lends a refreshing combination of humor, charm, and vulnerability to his depiction of Bruce Wayne. Together, Keaton and Pfeiffer exhibit a chemistry that is nothing short of smoldering.

In his second visit to Gotham City Tim Burton puts the 'dark' in the dark knight. Through his signature wicked sense of whimsy Burton offers up one of the most iconic entries in the entire Batman franchise. The script's blend of emotionally rich characters, moral conflict, and high flying action helped set the standard for adult super hero movies over twenty years before Christopher Nolan's infamously brooding Batman films. The film's star studded cast breathes fresh life into Gotham's infamous rogues' gallery and lends its hero a beating heart. This Christmas steal a kiss under the mistletoe with the caped crusader in Batman Returns. 

Be sure to check out my full length drama published with Off the Wall Plays https://offthewallplays.com/product/peoples-war-drama-about-the-start-of-covid-19-in-wuhan/

An Announcement

 Dear readers, thank you all for your continued support! I'm excited to share my latest project with all of you, my full length stage drama People's War which was just published with Off the Wall Plays. With the Zero Covid policy inspiring protests across China this play is more timely than ever. Happy holidays to all of you! I look forward to continuing to share in the love of storytelling with you all.

Miss E.

https://offthewallplays.com/product/peoples-war-drama-about-the-start-of-covid-19-in-wuhan/

Classics: A Review of Planet of the Apes By Lauren Ennis

Imagine if you will a world in which humanity answers to an animal master...that's just what Rod Serling did when he adapted Pierre Boulle's 1963 novel Planet of the Apes into a screenplay. While Serling's original draft was later reworked by screenwriter Michael Wilson the film maintains the eerie prescience that distinguished the most memorable episodes of Serling's iconic Twilight Zone. Much like its small screen predecessor the film uses the tropes of science fiction to explore difficult questions surrounding technology, religion, war, and human nature itself that continue to resonate today. Enter the the middle ground between light and shadow, between science and superstition...an area which we call The Planet of the Apes.

The story begins when American astronaut George Taylor and his three colleagues land on an alien planet in the year 3978. Upon landing the crew learn that one of their colleagues died during the trip, leaving the remaining three to navigate their new home. Soon after landing, they encounter other humans who are primitive and mute. Worse yet, they are stunned to learn that the humans are hunted and enslaved by an advanced civilization of talking apes. The astronauts are then separated when they are captured by the apes who mistake them for their primitive counterparts. In the ensuing struggle Taylor is shot in his neck, leaving him unable to speak. He is then placed in captivity and studied by chimpanzee scientists Zira and Cornelius, who are attempting to prove their theory that apes evolved from humans. Impressed by Taylor's intelligence, the pair soon become his advocates, but encounter resistance in the form of their superior, authoritarian orangutan Dr. Zaius. When Zira and Cornelius' studies on Taylor call the science and religion that the apes' society is founded upon into question all three are placed into direct conflict with the state and in imminent danger.

With its lurid title and outlandish premise, casual viewers could easily mistake Planet of the Apes for a sci-fi B movie; but what a mistake that would be. The film takes viewers on a dark journey not through the jungles of an alien planet but instead into the darkest depths of human nature. Through its exploration of Taylor's interactions with the apes' society the film casts such pillars of human society as class structure, religion, and politics under unflinching scrutiny. In this way, the film uses the world of the apes to hold up a dark mirror to our own culture, exposing how irrational, tribal, and self-destructive our 'advanced' civilization actually is. The film's depiction of Dr. Zaius' single minded pursuit of accepted science particularly resonates after nearly three years of the populace being subjected to the mantra 'follow the science'. Similarly, his ruthless efforts to stop Zira and Cornelius' research eerily mirrors the ways in which media and governmental agencies colluded to destroy the work and careers of dissenting physicians and scientists. The film's devastating final reveal also proves nothing short of visceral as the threat of nuclear war dominates the headlines. For a sci-fi adventure that will get your pulse racing and your mind reeling book a ticket to the Planet of the Apes.

The film takes viewers on a journey that is out of this world thanks to the stellar work of its cast. Linda Harrison completes the herculean task of conveying innocence, vulnerability, longing, and warmth without uttering a single line of dialogue as Taylor's fellow captive turned love interest, Nova. The actors portraying the apes turn in equally astounding performances, particularly given the demands of their prosthetics and makeup heavy costumes. Roddy McDowell tempers Cornelius' dedication, intelligence, and skepticism with his desire to be accepted within the apes' society. Kim Hunter portrays Zira's determination, idealism, and free spirit with aplomb. Together, the two showcase a chemistry that is nothing short of adorable. Maurice Evans makes for a compelling villain as the ruthless Dr. Zaius, who will stop at nothing in order to protect his society from the threat of mankind. Charlton Heston turns in one of the most iconic performances in his extensive career in his portrayal of the ultimate stranger in a strange land, Taylor.

At once a rousing futuristic adventure and a dire warning for the present, Planet of the Apes makes for viewing that is truly out of this world. Through its at once thrilling and thought provoking script the film spurs the imagination while raising vital questions that continue to resonate today. The uniformly superb performances brilliantly bring the diverse array of characters and the societies in which they live to vibrant life. Go ape with Nova and Taylor in Planet of the Apes.

Be sure to check out my full length drama published with Off the Wall Plays https://offthewallplays.com/product/peoples-war-drama-about-the-start-of-covid-19-in-wuhan/

Classics: A Review of The Outfit By Lauren Ennis

 "You cannot make something good until you understand who you're making it for", insists Savile Row trained cutter Leonard Burling. Within the first few minutes of 2022's The Outfit it's obvious that the film's makers knew exactly who they were making it for. Perfectly capturing the mix of grit and glamour that dominated the streets of 1950's Chicago the film relates a mystery that is every bit as intricate as a well made suit. For a classic crime drama that contemporary cinephiles will love schedule your appointment with The Outfit.

The story begins in 1956 with mild mannered English cutter Leonard Burling running a tailor shop in Chicago with his secretary, Mabel. The pair form a familial bond with Leonard acting as the stable father that Mabel never had and Mabel filling the void left in the wake of his daughter's death. Unfortunately for the duo, the shop is located in a neighborhood controlled by mob boss Roy Boyle. As a result, the pair are forced to work under the constant threat of violence and extortion. In an effort to ensure his and Mabel's safety and the shop's security Leonard allows Boyle's men to use the shop as a stash house to store their ill gotten gains. When Boyle's son, Richie, arrives at the shop after being shot by a rival gang the stage is set for a battle of wills that will determine the fate of Leonard, Mabel, their shop, and the ultimately the neighborhood.

At one point in the film Leonard acknowledges the impossibility of perfection, but maintains that "If you don't aim for perfection you cannot make anything great", and The Outfit does just that. The film deftly blends beloved elements of the gangster genre to relate a tale of family, rivalry, and betrayal that any wise guy would appreciate. The film's attention to historical detail is nothing short of mesmerizing as its use of period costumes, sets, and dialogue transports viewers into the heart of 1950's Chicago. Rather than resigning itself to acting as an homage to past works, however, the film offers something unexpected. By telling its story from Leonard's perspective the film highlights the plight of everyday people forced to live in the crosshairs of organized crime. As a result, the drama lies not in the neighborhood gun fights, but within ordinary citizens' ability to maneuver the bullet riddled streets unscathed. Through this approach the film sheds vital light upon the toll of crime upon individuals and entire cities alike, while inviting viewers to contemplate how they would fare in Leonard and Mabel's positions. In this way the film offers a story that is at once invitingly familiar and exhilaratingly unknown. The film also succeeds in its efforts to combine gangland drama with mystery as it manages to weave an intricate maze of plot twists into the mob action without sacrificing the impact of either.  While the film might not be perfect, it certainly aims for perfection and in doing so achieves something truly great. For a a night to remember try The Outfit on for size.

The film transports viewers to the gritty streets of 1950's Chicago thanks to the brilliant work of its cast. Dylan O'Brien infuses Richie with roguish charm, recklessness, and menace. Johnny Flynn recalls such mob movie greats as James Cagney and Edward G Robinson as the calculating Francis. Simon Russell Beale expertly blends gentlemanly charisma, paternal concern, and visceral brutality as Roy Boyle. Nikki Amuka-Bird is an alluring mix of sultry and sinister as rival mob boss Violet La Fontaine. Zoey Deutch expertly blends girl next door charm and street smarts in her winning turn as Mabel. Even in the midst of outstanding supporting performances the film belongs to Mark Rylance in his magnetic turn as the enigmatic Leonard. 

At once deceptively simple and unexpectedly intricate The Outfit is a film that offers more with every viewing. Through its razor sharp writing the script transports today's viewers to the mean streets of 50's Chicago. The uniformly excellent performances treat viewers to an intimate look at a fascinating array of characters.   For a crime drama that is a cut above, join Leonard and Mabel in The Outfit.

Be sure to check out my full length drama People's War published with Off the Wall Plays https://offthewallplays.com/product/peoples-war-drama-about-the-start-of-covid-19-in-wuhan/

Classics: A Review of Cobra Kai Season Five By Lauren Ennis

 "Just when you think things are going good everything falls apart" Johnny Lawrence warned his students in the first season of Cobra Kai.  Four seasons later Johnny, Daniel, and their students will learn just how valid this lesson was as the series enters its darkest chapter yet. In the wake of the shocking season four finale Daniel, Johnny, and company struggle to move forward even as the machinations of Terry Silver conjure the demons of the past. Even as it offers the highest stakes yet the season continues to offer the knockout combination of humor, nostalgia, emotion, and action that has made the series a hit. Join Johnny and Daniel for their most badass adventure yet in season five of Cobra Kai.

The dream team

The story picks up where season four left off with each of the characters reeling in the wake of the devastating finale. Johnny and Robby attempt to rebuild their relationship while pursuing Miguel after he fled to Mexico in search of his father. Meanwhile, Daniel, Sam, and the students of Miyagi-Do come to terms with their loss at the All Valley Karate Tournament. Even as our heroes face their own struggles, however, a larger threat looms in the form of Terry Silver who has expanded Cobra Kai across the valley after successfully framing John Kreese for attempted murder. With familiar foes, unlikely alliances, and twists that are sure to keep you on your toes, season five kicks Cobra Kai into its highest gear yet.

In its fifth outing Cobra Kai delivers an absolute knock out. The story takes our heroes on their darkest adventure yet as each of them are forced to face adversaries within and without. Golden boy Daniel and his teen queen daughter, Sam, embark upon particularly fascinating journeys. While Daniel has always been the show's voice of reason, he finds himself entering a downward spiral when confronted with the manipulations of his old nemesis, Terry Silver. Similarly, confident Sam is overcome with indecision and uncertainty when she is faced with her deteriorating relationship with Miguel and the closure of Miyagi-Do. Villain John Kreese encounters a similar experience as he is forced to finally confront the demons of his past while in prison. Even as it takes several characters into decidedly gritty territory, this season also sees Johnny and Robby undergo transformations for the better as they use their past mistakes and traumas as motivation to meet new challenges. With the rise of Terry Silver and his new partner in crime, sensei Kim, the series ups its ante once again delivering some of the most high kicking drama and action to ever grace the small screen. For viewing that always packs a punch enter the dojo with Cobra Kai.

The series continues its winning streak thanks to the brilliant work of its cast. Mary Mouse showcases a darker side of Sam as she struggles to find balance after her loss to Tory. Tanner Buchanan infuses Robby with maturity along with his signature charisma in his portrayal of Robby's efforts to come to terms with his past. Xolo Mariduena expertly blends boyish charm, earnestness, and vulnerability in his depiction of Miguel's journey of self discovery. Peyton List proves to be this season's MVP amongst its younger cast members as she ventures beyond Tory's gruff exterior and explores her traumatic past and morally conflicted present. Martin Kove continues to prove why Johnn Kreese is Cobra Kai in his magnetic turn as the merciless sensei. Yuji Okumoto steals each scene in which he appears as Daniel's rival turned ally, Chozen. Sean Kanan offers a nuanced performance as the bad boy who made good Mike Barnes. Thomas Ian Griffith earns his place as the series' most formidable foe yet in a truly chilling turn as the sadistic Terry Silver. Even in the midst of an exemplary supporting cast the series belongs to Ralph Macchio and William Zabka as bitter rivals turned reluctant allies Daniel Larusso and Johnny Lawrence. The duo are at their most mesmerizing yet as Macchio offers a darker, edgier, take on Daniel as he struggles with Silver's manipulations, while Zabka treats viewers to a wiser, more mature, and ultimately heroic Johnny.

After five seasons Cobra Kai continues to kick the competition. Through a script that pays loving homage to The Karate Kid franchise while offering fresh and innovative entertainment the series continues to be a champ amongst long time fans and new viewers alike. The returning cast continue to expand upon their characters while this season's newcomers pack punches of their own. With its signature blend of thrilling action, uproarious comedy, heartfelt emotion, and original storytelling Cobra Kai shows that it still has plenty of bite. For the best viewing around hit the mat with Cobra Kai.

Yes, sensei!

Classics: A Review of The Craft By Lauren Ennis

"Relax, its just magic", so goes the tagline of the 1996 cult (or is that occult?) classic The Craft. The film's four lead witches quickly learn, however, just how dark and less than relaxing magic can be. At once a classic warning to be careful what you wish for and a tale of modern girl power the film offers all of the requisite Halloween thrills and chills with a side of 90's nostalgia. This Halloween, curl up with some of that old black magic courtesy of The Craft.

The story begins with Sarah and her widowed father moving to Los Angeles. Her awkward adjustment at her new school is made all the more difficult after the class heartthrob spreads rumors about her when she rejects his sexual advances. Even though the rumors leave her ostracized, she soon draws the attention of class misfits and would be witches Nancy, Rochelle, and Bonnie. When Bonnie witnesses Sarah using telekinesis to balance a pencil the girls welcome Sarah as the fourth member of their witches' coven. What Sarah assumes is harmless fun quickly reveals itself to be something more when the curses that the girls' cast begin coming true. As the girls' magic strengthens, so too does their desire for vengeance and power. Before you can say abrakadabra the coven find themselves in a downward spiral into the depths of dark magic, and its up to Sarah to pull them all out before its too late.

The film aptly blends adolescent drama with supernatural thrills for a Halloween treat that satisfies throughout the year. The film avoids resorting to such clichés as black cats, old crones, and cauldrons and instead offers viewers a foursome that is equal parts formidable and relateable. Rochelle's battles with racist bullies and Bonnie's insecurity and trauma following a disfiguring car accident prove believable and heartfelt. Similarly, Sarah's efforts to overcome survivor's remorse and depression in the wake of her mother's death are nothing short of haunting. Perhaps most devastating is Nancy's hellish home life in which the film implies she suffers emotional, physical, and sexual abuse. The girls' efforts to use their powers to improve their lives speaks to the desire for something better in us all. Even their attempts to use magic to exact revenge on those who have wronged them appeals to our sense of schadenfreude. As the story continue, however, they find that they aren't satisfied with their powers and begin seeking revenge beyond merely righting the wrongs that were exacted on them. In this way the film provides a spooky twist on a classic tale of the corrupting influence of power. This element of the film is particularly resonant in the midst of today's social justice movement in which marginalized groups claim to be seeking justice even as they actively crusade for revenge. Much like the film's witches these 'social justice warriors' cling to their perceived victim status rather than working to improve their lot in life and use this status to wield influence over others. As a result, The Craft is in some ways even more relevant now than it was upon its release nearly thirty years ago. For a devilishly good time join the coven with The Craft.

The film casts a spell thanks to the work of its cast. Christine Taylor is a villain that viewers will love to hate as Rochelle's racist bully, Laura. Skeet Ulrich aptly maneuvers between goofy charm and sinister chauvinism as school heartthrob Chris. Rachel True conveys intelligence and resilience as Rochelle. Neve Campbell perfectly captures Bonnie's vulnerability and yearning to belong. Robin Tunney infuses Sarah with a strength, wisdom, and compassion that will have viewers rooting for her until the film's final twist. Even in the midst of a bewitching ensemble cast Faizura Balk dominates the film as victim turned villain Nancy. In Balk's hands Nancy is more than just another wicked witch and instead is a charismatic, relatable, and complex character certain to tempt viewers to the dark side.

At once an otherworldly cautionary tale and an apt portrait of modern adolescence The Craft makes for wickedly enjoyable viewing. Through its mix of supernatural thrills and teen angst the film relates a spooky tale that will cast a spell throughout the year. The film's performances remain bewitching nearly thirty years after its release. This Halloween, break out your broomstick and take to the skies with Sarah, Nancy, Rochelle, and Bonnie in The Craft.

Relax, it's only magic

Classics: A Review of Gattaca By Lauren Ennis

Is our fate predetermined? If so, is there any way to escape it? These are the questions that lie at the heart of 1997's futuristic dystopia Gattaca. Released on the cusp of the new millennium, the film offered an unnerving look into a future that now seems frighteningly near. At once a warning against the dangers of state control and eugenics and a tribute to the human spirit Gattaca is a drama that is truly out of this world. 

The story begins in the 'not too distant future' in which society is divided between genetically engineered designer babies known as 'valids' and naturally conceived 'invalids'. The valids make up society's elites and rule over the invalids, who are restricted to menial jobs with no hope for self-improvement. The film opens with valid astronaut Jerome preparing for his upcoming mission to space. The story then flashes back to reveal that the astronaut is actually an invalid named Vincent who is posing as Jerome in order to fulfill his life long dream of traveling to space. Vincent's parents chose to conceive him naturally, but soon regretted their decision after he was born with a heart defect and other mental and physical deficiencies. After years of living in the shadow of his younger, valid, brother he becomes determined to take his fate into his own hands. He then concocts a scheme in which he trades identities with valid Jerome, an Olympic swimmer who was recently paralyzed during a failed suicide attempt. After undergoing a grueling transformation, Vincent embarks upon a career at the Gattaca Aerospace Corporation under Jerome's name and is chosen to be part of the crew on an upcoming flight to Saturn. One week before the flight a murder occurs at Gattaca. Over the course of the ensuing investigation Vincent is forced into a race against time as he finds his identity, his career, and freedom under threat.

Blending intimate character study and political drama against a futuristic backdrop, Gattaca stands out from the spaceship and alien stereotypes that dominate modern science fiction. Rather than presenting viewers with a fantastic otherworldly experience the film instead offers a visceral glimpse into what might be a future that is nearer than we think. By presenting viewers with a dystopia that is so strikingly similar to our own world the film forces us to confront the same fundamental questions that its characters are faced with. The ethical questions surrounding genetic engineering particularly resonate given the advent of 'designer babies', the rise of artificial intelligence, and the ascendance of neuro-technology. Even during the era of the film's release, however, its exploration of the lure of eugenics offered a vital warning for the future should we fail to learn from the darkest chapters of our past. The film cleverly uses its eugenics based society to raise questions about meritocracy, self-determination, and the nature of freedom. Through its depiction of Vincent's unlikely rise and Jerome's devastating fall from grace the film acknowledges the ways in which our beginnings shape who we are, while reminding us that only we can ultimately determine who we become. In this way, the film defies the victim mindset that dominates current Western culture and offers an antidote to modern nihilistic malaise. The film's portrayal of a society that is blatantly under state control but too bitterly divided to realize it also offers a social critique that is eerily prescient in today's political climate. Step into the future with Vincent, Irene, and Jerome in Gattaca.

The film brilliantly transports viewers into the future thanks to the stellar work of its cast. Loren Dean aptly portrays the inner conflict of Vincent's valid, law abiding, brother Aton. Uma Thurman radiates cool charisma as Vincent's valid love interest, Irene. Jude Law turns in one of the best performances in his career as Jerome, a valid whose elite status fails to protect him from his own inner torment. Ethan Hawke is nothing short of inspiring in his heartfelt turn as ultimate underdog Vincent and reminds us all of what we can achieve if we only have the drive to pursue it. 

At once a warning for the future and a timeless glimpse into the human condition Gattaca is a film for the ages. Through its intelligent and emotionally raw script the film relates a tale that is at once unique to its futuristic setting and entirely universal. The film's uniformly superb performances bring each of its characters to vibrant, aching, life. Reach for the stars with Vincent in Gattaca. 

Classics: A Review of Kubo and the Two Strings By Lauren Ennis

 "If you must blink, do it now..." so begins the epic tale that is Kubo and the Two Strings. Over the course of its one hour forty minute run time viewers will be hard pressed to look away from this visual and storytelling marvel, even to blink. This 2016 animated adventure marks some of Laika studios'  most moving and dazzling work to date and showcases stop-motion animation at its most vibrant. For an adventure that the entire family won't be able to take their eyes off of strum along with Kubo and the Two Strings.

The story begins in feudal Japan with Sariatu attempting to escape the supernatural wrath of her tyrannical father, the Moon King. After a visually stunning battle in which she suffers a head injury, Sariatu and her infant son, Kubo, narrowly escape. Years later, Kubo cares for his mother, whose trauma has left her catatonic during the day and suffering increasing memory loss. In order to support himself and his ailing mother he works as a street performer, entertaining crowds with his magical shamisen and regaling them with the tales that his mother tells to him each night. Before he can finish his stories he must return home each night by nightfall, when the Moon King is at his most powerful. During the annual Obon festival Kubo pays tribute to and attempts to communicate with his deceased father, legendary samurai Hanzo. Before he can make contact with his father's spirit, however, the sun sets and he is ambushed by his two witchlike aunts Karasu and Washi. His mother arrives just in time to rescue him, but gives her life in the process. He then finds himself on a journey to complete his father's quest, avenge his parents, and finally defeat the Moon King.

Kubo and the Two Strings combines tradition and innovation to relate an epic tale that is at once universal and unique. Through its portrayal of Kubo's quest the film depicts the time honored hero's journey to tell a coming of age story that young viewers will continue to draw lessons from as they grow older. The film explores such mature themes as life, death, memory, and what it means to be human in a way that will resonate with parents and older children alike. Simultaneously, the film offers plenty of action, adventure, and humor to ensure that younger children will be entertained. The film draws upon Japanese mythology to create a sense of authenticity and combines it with standard fairytale conventions to create an experience that is at once comfortingly familiar and entirely original. Perhaps the film's greatest strength lies in its refusal to talk down to its young audiences. The film thankfully avoids the formulaic plot, forced moral messaging, and low brow humor that family entertainment is too often relegated to. Instead, the film provides a more mature movie going experience that acknowledges such harsh truths as the existence of evil and the inevitability of death. In this way the film offers vital insight that will help young viewers cope with grief and trauma. Similarly, the film's deeper questions will keep young viewers returning for more as they grow up alongside Kubo. Hit the road with  Kubo and the Two Strings for the adventure that is nothing short of cinema magic.

The film transports viewers to feudal Japan thanks to its sweeping score, engaging voice performances, and brilliant animation. The voice performances ensure that audiences will empathize with Kubo, Monkey, and Beetle and root for them along every step of their fantastic journey. Roomey Mara is nothing short of haunting as Sariatu's wicked sisters, Karasu and Washi. Ralph Fiennes makes for a cunning, manipulative, and larger than life villain as Matthew Mcconaughey imbues Beetle with his signature charm and steals each scene in which he appears. Charlize Theron particularly shines in her dual roles as Kubo's warm and courageous mother, Sariatu, and his no-nonsense sardonic mentor, Monkey. Art Parkinson more than holds his own amongst the star-studded cast as he turns in a performance that balances humor, innocence, and raw emotion in a way that could eclipse many live action performances. The film's score makes ample use of its setting by utilizing authentic Japanese instruments to maximum thematic effect. Even as its script and performances take viewers on an unforgettable adventure the film's greatest strength remains its dazzling animation. The film's lush setting, expressive characters, and thrilling action sequences showcase stop motion animation at its most breathtaking. 

At once a traditional epic and an innovative piece of modern storytelling Kubo and the Two Strings is a is must see viewing for the whole family. Through its thought provoking script the film explores such complex themes as death, rebirth, memory, and the power of storytelling in a way that will resonate with adults. Simultaneously, the film offers plenty of action, humor, and adventure that is sure to satisfy young audiences. The film's voice performances, score, and animation combine to take viewers on a mesmerizing journey through Japanese mythology. For a film that will leave the whole family begging for an encore set out for the adventure of a lifetime with Kubo and the Two Strings.

Classics: A Review of Mr. Holland's Opus By Lauren Ennis

 As the bell signals the start of another school year many of us will be recalling memories of the classmates and teachers who defined our educational experience. Since the dawn of cinema Hollywood has produced innumerable movies relating the inspiring tales of teachers and the vital impact that teachers have upon their students' lives. One movie stands apart from the genre, however, through the depth, complexity, and honesty with which it depicts teachers and the teaching profession; 1995's Mr. Holland's Opus. Through its unflinching portrayal of one man's journey through the teaching profession the film relates a tale of life and learning that is truly a cinematic opus.

The story begins in 1964 as financial difficulties force musician and aspiring composer Glenn Holland to find more stable work. He then reluctantly takes a position as a music teacher at a local high school, which he hopes will allow him to pay his bills while still affording him time to work on his symphony. What begins as a temporary detour proves to be a fateful decision, however, as he finds himself inspiring and being inspired by his students in equal measure. Over the course of thirty years he endures tragedy and triumph with his students and the music that he shares with them guiding him through every note in the symphony of his life.

The film sets itself apart from other inspiring education dramas by refusing to idealize either its titular teacher or his profession. Rather than devoting himself to a lifelong calling Holland instead enters teaching as a temporary solution to his financial problems. Similarly, he is employed by a local suburban school rather than a struggling inner city school. As a result, Holland is an entirely practical and relatable protagonist who is doing his best to get through the work day rather than a savior devoting himself to rescuing at risk youths. The film particularly succeeds in its portrayal of his evolving feelings towards his profession and his students as he slowly stops seeing his work as a 'day job' that is an obstacle to his real work and begins to view it as his true calling. In one of the film's most moving story arcs it depicts the ways in which his dedication to his work threatens both his marriage and his relationship with his son. It is this storyline that  highlights his humanity by exploring his flaws as well as his failure to invest in his family the same way that he invests in his class. As a result, viewers are presented with an all too human protagonist in the form of Glenn Holland rather than just another unattainable Hollywood inspirational teacher. This inversion of the genre's cliches provides viewers with insight into both the realities of life as a teacher and a glimpse of the subtle ways in which students and teachers influence one another. The script lends the film further realism by showing Holland's interactions with a diverse array of colleagues as well as generations of students. In this way the film highlights both the ways in which he changes in response to the lessons that he learns and the ways in which those around him are impacted through the lessons that he teaches. At once heartbreaking, heart warming, and all too true to life Mr. Holland's Opus might just be the magnum opus of the inspirational teacher genre.

"You love music and you made us kids love it with you"

The film brings Mr. Holland's career to brilliant life thanks to the outstanding work of its cast. Alicia Witt is achingly vulnerable as Holland's awkward but earnest student, Gertrude. Olympia Dukakis conveys steely resolve and affable charm as his no nonsense boss, Principal Jacobs. Terrance Howard is a delight as tone-deaf but determined student, Louis. Jay Thomas personifies laid back likability as Holland's friend and colleague, Coach Meister. William H Macy makes for an excellent foil to Holland's passion for education as tyrannical bureaucrat Vice Principal Wolters. Jean Louisa Kelly balances charm and naivete as dedicated student and aspiring Broadway actress, Rowena. Anthony Natale and Joseph Anderson expertly portrays Holland's deaf son, Cole's, yearning for his his father's acceptance at varying ages. Glenne Headley imbues her performance as his long suffering wife, Iris, with intelligence, warmth, and vulnerability. Even in the midst of superb supporting performances the film belongs to Richard Dreyfuss as Glenn Holland. In Dreyfuss' hands Holland is not just a formulaic ideal that so many teachers are relegated to in cinema. Instead, his depiction of Holland presents a portrait of a complicated man in moments triumph, trials, and tragedy that is a once heartbreaking, humorous, frustrating, and ultimately inspiring.

At once a portrait of one teacher's career and a tribute to the entire teaching profession Mr. Holland's Opus is a film that remains at the head of its class. Through its intelligent and emotionally engaging script the film portrays the life of a teacher with a nuance and complexity that are rarely found in inspirational teacher films. The film's superior performances ensure that it never misses an emotional beat and keep viewers rooting for Mr. Holland and his students until his final performance. As school gets back in session hit the books with Mr. Holland's Opus.

"We are your symphony"

Classics: A Review of Touch of Evil By Lauren Ennis

 Crime, corruption, poverty, and desperation are just another part of life along the US' southern border. 1958's noir classic Touch of Evil follows a criminal investigation in a Mexican border town and takes viewers on an unforgettable journey into the darkest depths of the human soul in the process. At once a classic tale of crime and punishment and an exploration of race relations, corruption, and abuse of power that was decades ahead of its time Touch of Evil is easily one of the most challenging and fascinating films of its era. For a touch of life on the wild side follow the clues in Touch of Evil.

The story starts in the gritty Mexican town of Los Robles. What begins as just another night of debauchery soon takes a darker turn when two unsuspecting tourists drive across the border into the US only for their vehicle to explode in a car bombing. The ensuing investigation enlists an international team including Mexican drug enforcement officer Miguel 'Mike' Vargas and American detective Hank Quinlan. Over the course of the investigation Vargas and Quinlan find themselves on opposite sides of the law as they search for two very different versions of justice. When Vargas' American wife finds herself between Quinlan's manipulations and the crosshairs of a vicious street gang the case becomes a matter of life and death and good versus evil.

Though dismissed as 'B-movie' that prioritized style over substance Touch of Evil has since gained belated acclaim from fans and critics alike. The film departs from classic noir by taking audiences out of the back alley and forcing them to face the darkness lurking in plain sight. The films explores such uncomfortable topics as race relations, border security, and police corruption in a way that exposes the rot lying at the core of our most trusted institutions and the darkness within ourselves. The film inverts the popular tradition of the genre by casting veteran detective Hank Quinlan as its villain. The focus upon Quinlan's trauma induced descent into corruption and vigilantism makes for a compelling tragedy that raises vital questions concerning the meaning of justice and the nature of evil. The film offers plenty of the requisite noir elements including dazzling cinematography, morally murky characters, and a plot that will leave viewers guessing until its final frame. Even as it adheres to genre conventions, however, the film challenges viewers expectations by taking them on a nightmarish journey into the full brutality of life in a border town. In this way, the film highlights the ways in which border towns all too often "bring out the worst in a country" and fall prey to the dangers of gang violence, addiction, and human trafficking. In this way the film eerily predicts the turmoil that is dominating the southern border of the US and border communities across the world. Similarly, the film's depiction of the warped sense of justice that drives Quinlan into the depths of personal and professional corruption is uncannily prescient as headlines concerning politically motivated policing dominate the news cycle. At once a classic of bygone cinema and a vital warning for today Touch of Evil continues to make for wickedly good viewing.

The film sets the standard for classic noir thanks to the stellar work of its star-studded cast. Akim Tamiroff exudes sinister smarm as local crime boss Joe Grandi. Joseph Calleia aptly portrays the disillusionment of Quinlan's devoted friend turned betrayer, Sergeant Menzies. Marlene Dietrich steals each scene in which she appears in her brief role as Quinlan's former flame, street wise madam Tana. Janet Leigh expertly balances vulnerability, intelligence, innocence, and resilience as Vargas' devoted wife, Susie. Even in the midst of superb supporting performances the film belongs to Charlton Heston and Orson Welles as Vargas and Quinlan. Heston personifies the strength, integrity, and self-sacrifice that we hope to find in our police while still infusing his performance with depth and nuance. Welles turns in one of the best performances of his legendary career as he acts as a dark foil to Vargas' 'good cop' while compellingly relating Quinlan's tragic fall. 

Over sixty years after its release Touch of Evil has more than earned its place amongst cinema's classics. Through its equal parts gritty and gripping script the film relates a harrowing tale of corruption and desperation that continues to resonate today. The film's stars turn in some of the greatest performances of their storied careers as they bring each of the colorful cast of characters to visceral life. Step across the border of good and evil with Orson Welles and Charlton Heston in Touch of Evil.

Classics: A Review of Shadow of Doubt By Lauren Ennis

"I don't like to be an average girl in an average family" laments Charlie Newton in Alfred Hitchcock's noir classic Shadow of a Doubt. With the arrival of her enigmatic uncle, however, she makes the terrifying realization that her family might not be so average after all. Reportedly Hitchcock's personal favorite of all of his films, this 1943 drama marks one of the director's most subversive, cynical, and ultimately satisfying outings. Follow Charlie on a thrilling journey into the shadows lurking within every town and every heart in Shadow of a Doubt.

The story begins with small town teen Charlotte "Charlie" Newton preparing for the impending arrival of her beloved uncle Charles. When Charles arrives Charlie and her family are impressed by his wealth, worldliness, and charisma. As time goes on, however, Charlie starts noticing unusual things about him that neither he nor the rest of the family can fully explain. When a pair of alleged census workers arrive at the home asking to profile the 'typical American family' Charles' behavior becomes increasingly erratic. When Charlie learns that the census workers are actually detectives pursuing the notorious 'Merry Widow Murderer' she is forced to confront the possibility that the person she admires most could be a killer. When Charles' own suspicions are raised a thrilling game of cat and mouse ensues the likes of which only Alfred Hitchcock could concoct.

The film offers plenty of Hitchcock's signature suspense while setting itself apart as perhaps the director's only true entry in the noir genre. The film discards the convoluted plots that the director is most associated with, instead offering a straightforward mystery that remains firmly focused upon its morally murky characters. Similarly, the film avoids the glamour and action sequences of his later work by relating a tale of ordinary people faced with an extraordinary threat from within. The film particularly succeeds through the strength of its villain. Rather than merely menacing, Charles is presented with a mysterious charisma that leaves little wonder as to how he beguiles both his victims and family. As a result, the film subverts audience expectations and highlights the dangers that all too often lie beneath a charming surface. Even as it offers the thrills and moral ambiguity associated with noir the film inverts genre conventions by taking its villain out of the shadows of the back alley into the sunlit streets of small town America. The film additionally utilizes its setting to defy genre expectations and argues for the wholesome strength of small town values by pitting worldly, corrupted, city dweller Charles against innocent Charlie. Join Hitchcock on a journey into the shadowy realm of film noir in Shadow of a Doubt.

The film continues to keep viewers on the edge of their seats nearly eighty years after its' release thanks to the stellar work of its cast. MacDonald Carey acts as an ideal hero and excellent foil to Cotton's Charles as Detective Jack Graham. Patricia Colligne is delightfully daffy as Charlie's sheltered mother, Emmy. Ann Newton lends smart aleck humor as Charlie's precocious sister, Ann. Henry Travers offers an enjoyable and understated performance as Charlie's well meaning father. Hume Cronyn conveys nerdy charm as Joseph's true crime obsessed best friend, Herb. Even in the midst of ample supporting performances the film is dominated by Joseph Cotton and Theresa Wright as Charles and Charlie. Wright infuses Charlie with an innocence, vulnerability, resilience, and charm that will keep audiences rooting for her until the film's final frame. In Cotton's hands Charles is more than a mere villain as he provides viewers with a portrait of a killer while holding up a mirror to the darkness lurking within us all.

At once a twisting crime drama and a subversive exploration of the rot lurking just beneath society's surface Shadow of a Doubt is easily one of Alfred Hitchcock's most mesmerizing films. The film's script utilizes razor-sharp dialogue to maximal effect and offers a twisting plot that will leave viewers begging for more. Through its standout turns from Cotton and Wright the film presents a fascinating character study that serves as an expose of the American family and a glimpse into the mind of a sociopath. Take it from the man himself, Shadow of a Doubt is doubtlessly one of the greatest films that Hitchcock ever made.

Classics: A Review of Last Night in Soho By Lauren Ennis

When you're alone and life is making you lonely you can always go downtown. But what happens when you find that the lights aren't necessarily brighter there? Sixties obsessed fashion student Eloise faces this very question in the 2021 psychological thriller Last Night in Soho. At once a supernatural suspense story in the vein of Alfred Hitchcock and a cautionary tale of exploitation and obsession the film relates a twisting tale that will haunt viewers on multiple levels. For a classic thriller with a modern twist follow Eloise through the darkest corners of Soho...if you dare.

The story begins by introducing viewers to aspiring fashion designer, Eloise. After losing her mother to suicide Eloise finds solace by retreating into the past through her infatuation with all things swinging sixties. It is also revealed that she possesses a psychic gift that allows her to see her mother's ghost. She is overjoyed when she learns that she has been accepted to a prestigious fashion school in London. Upon arriving, however, she is dismayed to learn that neither her school nor London are what she imagined. After suffering bullying at the hands of her caustic roommate she opts to move off campus into her own apartment. She is elated to find an apartment straight out of the vintage movies that she loves. She soon learns that her new home is not all that it seems, however, when she begins dreaming of Sandie, the glamorous woman who lived there decades earlier. While initially enchanted with these visions that seem straight out of old Hollywood her dreams soon descend into a nightmare that threatens to consume her.

At once a supernatural thriller, backstage drama, and coming of age story Last Night in Soho blends and bends genres to brilliant effect. In many ways the film acts as an antidote to such nostalgia focused stories as Midnight in Paris by highlighting the failings and even horrors of previous eras. Even as it showcases gorgeous sixties costumes and an addictive mod pop soundtrack the film expertly depicts both the glamour of the era and the rot lurking beneath its gilded surface. Whereas the hero in Midnight in Paris finds inspiration and a renewed lease on life through his time travelling, Eloise is faced with a bleak reality that stands in stark contrast to her vision of the 1960's. As she is confronted with Sandie's sixties experiences Eloise is forced to reevaluate her entire world view and redefine herself. In this way the film offers an apt warning against the dangers of nostalgia and a fresh interpretation of the coming of age story.

The script also stands out through its unique approach to horror. Perhaps the script's greatest strength lies in its exploration of the horrors lurking around the corners of everyday life. While the film does offer more traditional scares in its third act, the most visceral moments are those chronicling Sandie's descent into an abusive relationship and prostitution. In this way the film takes viewers on a terrifying journey into a personal hell more frightening than any monster or jump scare. The final twist in particular offers lasting and original thrills that challenge viewers' preconceptions and blur the line between victim and villain. Embark upon a night to remember with Eloise and Sandy in Last Night in Soho.

The film transports viewers to both the gritty streets of modern Soho and the swinging sixties thanks to the stellar work of its cast. Synnove Karlsen is a mean girl that viewers will love to hate as Eloise's vindictive roommate Jocasta. Michael Ajao personifies decency as Eloise's classmate and love interest, John. Former sixties starlet Rita Tushingham conveys warmth and understanding as Eloise's loving grandmother, Peggy. Terence Stamp lends mystery and menace in his enigmatic turn as policeman Lindsey. Diana Rigg perfectly captures the duality of her role as Eloise's curmudgeonly landlady Miss Collins. Matt Smith expertly balances the suave and the sinister as Sandie's boyfriend, Jack. Even in the midst of ample supporting performances the film belongs to Thomasin McKenzie and Anya Taylor-Joy as Eloise and Sandie. McKenzie portrays Eloise with an infectious blend of innocence, charm, and quirkiness that recall ultimate sixties 'it girl' Audrey Hepburn. Joy blends vampish sensuality and aching vulnerability in a performance that is nothing short of mesmerizing.

At once a cautionary tale of the dangers of nostalgia and a love letter to the sixties Last Night in Soho is a ghost story that is sure to haunt viewers long after the closing credits fade. Through its innovative, twisting, plot the film offers a unique thriller that will keep viewers guessing until its final reveal. The magnetic work of the cast masterfully transports viewers to the streets of Soho past and present. Forget all your troubles and forget all your cares with Eloise and Sandie downtown where everyone's waiting for you in Last Night in Soho.

Classics: A Review of Stranger Things Season 4 By Lauren Ennis

 Secretive government labs, political corruption, media hysteria, and a growing communist threat all add up to just another day in Hawkins, Indiana. After three years the wait is finally over and fans have been treated to the most explosive season yet of Netflix's hit series Stranger Things. In its fourth outing the series expands beyond Hawkins' borders and offers a transcontinental adventure that is nothing short of epic. Through an inventive plot, a decidedly darker tone, and exemplary performances this latest season breathes fresh life into the series and recaptures the magic that made Stranger Things a worldwide phenomenon. Join Eleven and company for an unforgettable journey into the darkest corners of the Upside Down in the fourth installment of Stranger Things.

Welcome back to Hawkins

The story picks up eight months after the end of season three. Eleven has moved to California with the Byers's and struggles to fit in at school as she grapples with understanding who she is without either her powers or her adoptive father. Hopper is revealed to have survived the explosion at the Starcourt mall, but is now in a fight for his life in a remote Soviet prison. Dustin and Mike adjust to high school and their estrangement from newly popular Lucas. Max remains haunted by Billy's death and distances herself from her friends as she copes with her grief. Hawkins seems to be finally beginning to heal from its recent tragedies until the community is shaken to its core by a series of gruesome murders targeting local teens. When Dustin and Mike's new friend, Eddie, is blamed for the murders the gang set out to prove his innocence and embark upon a mystery that leads them to the all too familiar horrors of the Upside Down.

In its fourth installment Stranger Things manages to top its previous successes to offer its most thrilling season yet. After three seasons of pitting its heroes against assorted inter-dimensional monsters the series presents viewers with what is sure to become an iconic villain in Vecna. Unlike the animalistic Demogorgon and Mindflayer, Vecna is akin to a supernatural antagonist in the vein of Freddy Kreuger. While the Demogorgon brutally devoured its victims and the Mindflayer consumed their minds Vecna feeds off of his victims inner turmoil. His weaponization of his victims' minds is eerily reminiscent of the devastating effects of depression and trauma and offers unsettling insight into the ways in which our own thoughts can be twisted against us. This disturbing ability paired with his gruesome killing method sets him apart from the series' other villains and will leave many viewers sleeping with the lights on.

While the series continues to offer plenty of action this season's greatest strength is the way in which it enriches each of the characters' individual stories by forcing them to face internal as well as external battles. Over the course of its nine episodes fans are able to see the ways in which each of the characters must cope with the devastating events of season three and adapt to this season's challenges. Lucas is provided one of the season's most relatable character arcs as he finds himself torn between his new, conventional and popular, friends on the school basketball team and his childhood friendships. Similarly, Steve adjusts to life in the 'real world' and struggles to find meaning beyond his empty romances and dead end job. Hopper undergoes a transformation as he comes to term with the loss and regrets of his past in the midst of his struggle to survive the tortures of the gulag. Unfortunately, however, Will and Jonathan's stories leave them floundering for the majority of the season with Jonathan reduced to a caricature of a stoner and Will left with little to do beyond lashing out at Eleven and pining for Mike. The Byers' brothers lack of development is particularly disappointing when compared with the rich storytelling that the other characters are afforded.

Even in the midst of the series' many memorable stories the most profound character arcs are reserved for Max and Eleven. While Max was one of the more grating characters in season three, this installment sees her blossom into one of the the series' most complex and compelling characters. Her efforts to cope with her contradicting feelings regarding the death of her abusive step-brother earn viewers' sympathy and place her in a relatable position. When combined with her ongoing battle against Vecna's manipulations, however, Max's grief becomes a harrowing struggle between life and death as she fights for her very soul. Similarly, Eleven's attempts to navigate life without her powers infuses her character with a humanity and vulnerability which ensure that she is more than just another 'superhero'. Along with learning to function without use of her powers she is forced to define herself beyond the telekinetic ability that her entire identity was based around. As a result, she must grapple with who she is and reconcile with the demons of her past in order to begin her journey to become who she wants to be. In this way, the series presents a unique twist upon the traditional coming of age story, while also offering vital insight into its enigmatic protagonist. Through its nuanced portrayal of both of its heroines the series challenges viewers along with its characters and presents some of the most compelling television in recent memory. Fall under the masterful spell of Eleven, Max, Vecna and the Hawkins' gang in the fourth season of Stranger Things.

This season offers some of the most complex, charismatic, and engaging performances of the entire series thanks to the brilliant work of the cast. Sadie Sink and Joseph Quinn easily earn the titles of season MVP's in their magnetic portrayals of tormented Max and social outcast and series newcomer Eddie Munson. Winona Ryder and Brett Gelman make for a surprisingly ideal team as they lend comedy, grit, and emotional depth to Joyce and Murray's Russian adventures. Nikola Duricko perfectly balances comedy and sleaze as duplicitous Russian smuggler, Yuri. Tom Vlaschiha infuses street smart Soviet guard Dmitry with world weariness and roguish charm. David Harbour continues to remind viewers why you don't mess around with Jim as Hawkins' tortured police chief, Jim Hopper. Joe Keery turns on the charm as television's favorite babysitter and Hawkins' ultimate heartthrob, Steve Harrington. Maya Hawke combines wit, vulnerability and charisma as lovably neurotic Robin. Natalia Dyer lends a mature performance in her portrayal of Nancy's struggles to come to terms with the demons of her past as well as her present relationships. Caleb McLaughlin knocks it out of the park in what is easily his best season as he chronicles' Lucas' efforts to grapple with estranged relationships with both his friends and Max. Gaten Matarazzo infuses his performance as Dustin with raw emotion along with his usual laughs. Mason Dye perfectly balances righteousness and menace as Hawkins' fallen golden boy, Jason. Eduardo Franco might be this season's king of comedy as offbeat stoner Argyle. Charlie Heaton offers plenty of laughs in this season's surprisingly light hearted portrayal of Jonathan. Noah Schnapp aptly portrays Will's emotional conflicts, but the script leaves him underutilized throughout the season. Jamie Campbell Bower combines charisma, menace, intelligence, and viciousness in his hypnotic performance as Henry Creel. Millie Bobbie Brown lends her most nuanced and layered performance yet in her portrayal of Eleven's search for acceptance and identity. 

After a three year wait Hawkins offers fans a more than warm welcome. Season 4's blend of supernatural horror, personal demons, and real life oppression make for some of the series' richest storytelling to date. In the midst of the script's dark content the cast manage to shine their brightest and lend some of their most engaging performances to date. After four thrilling seasons Stranger Things continues to mystify and mesmerize as it breaks new ground yet again. Turn your television viewing up to an Eleven with the fourth season of Stranger Things.

Most metal season ever

Classics: A Review of Harriet the Spy By Lauren Ennis

 "I want to learn everything I can and write down everything I see. If I want to be a writer someday I better start now, and that is why I am a spy" so says would be writer and full time spy Harriet. 1996's Harriet the Spy follows the adventures of its young heroine as she pursues her dream of becoming a writer and finds herself along the way. Every bit as feisty as its protagonist, the film presents an unflinching portrayal of the pain of growing up and the joys of discovering who you are and who you want to be. Join Harriet for a tale of the betrayals, intrigues, friendships, and lessons that define adolescence in Harriet the Spy.

The story follows precocious eleven year old Harriet Welsch over the course of a tumultuous school year.  Aspiring writer and self-professed 'spy' Harriet spends her days watching the eccentrics who populate her neighborhood and writing down her observations. With her parents engrossed in their careers and social lives she finds solace in the encouragement of her devoted nanny, Golly. After a misunderstanding leads to her parents firing Golly, Harriet enters a deep depression and retreats into her writing. When bully Marion discovers Harriet's notebook the young spy's brutally blunt observations are shared with their entire class. Separated from Golly and outcast at school she begins lashing out, leading her parents to ban her from writing. Just when she is certain that there is nowhere she can turn, however, she finds the inspiration to use her writing to "put beauty in this world" and learns valuable lessons about friendship, forgiveness, and the importance of giving people a second look.

Harriet the Spy brilliantly brings one of the most iconic characters in children's literature to life in all of her inspiring and infuriating glory. The film relates its tale from Harriet's viewpoint, allowing viewers  to see the world through the at once innocent and brutal eyes of a child on the verge of adolescence. As a result, the film refuses to speak down to young viewers and offers a refreshingly honest depiction of childhood that is rarely seen in family entertainment. The film follows Harriet through a series of misadventures in which she faces bullying from her classmates, and a lack of understanding from the adults in her life. Even as she finds herself outcast both at school and at home, however, the greatest struggle that she endures is the one within herself. Through its depiction of her efforts to come to terms with the person she is and attempts to become the person she wants to be the film offers a coming of age tale that is equally inspiring and relatable. Even as it maintains a firm focus upon its quirky heroine the film offers a colorful cast of engaging characters who highlight Golly's lesson that "there are as many ways to live in this world as their are people in this world and each one deserves a closer look". Gear up for an unforgettable adventure into adolescence and espionage with Harriet the Spy.

The film brings the characters from Louise Fitzhugh's 1964 classic novel to brilliant life thanks to the work of its cast. J. Smith Cameron and Robert Joy aptly portray the journey of Violetta and Ben Welsch from absent adults to involved parents. Vanessa Lee Chester is an eccentric delight as Harriet's aspiring scientist friend, Janie. Gregory Smith portrays Harriet's struggling friend, Sport, with a subtlety and skill that belies his years. Charlotte Sullivan earns her place amongst cinema's greatest mean girls as Marion. Rosie O'Donnell steals each scene in which she appears in her inspiring turn as Golly. Even in the midst of excellent supporting performances the film belongs to Michelle Trachtenberg in a performance that balances vulnerability, bravado, and pathos as the indomitable Harriet.

This portrait of the artist as a young spy is certain to delight young viewers and the young at heart. The film's intelligent script maintains the wit of the original novel while adding a dose of '90's attitude. The endearing performances bring each of the colorful characters to vibrant life. At once a tribute to childhood and a chronicle of the pain of growing up this film serves as an apt ode to the adventures of adolescence. For intrigue that the whole family can enjoy grab your binoculars and hit the spy route with Harriet the Spy.

Classics: A Review of The House on Carroll Street By Lauren Ennis

Corrupt federal agencies, government show trials, and political persecution are just democracy in progress according to the House on Un-American Activities Committee. 1988's The House on Carroll Street explores the impact of government overreach, the consequences of leaving federal agencies unchecked, and the need for dissenting voices all while relating one of the best thrillers that Hitchcock never made. At once an indictment of one of the darkest chapters in American history and a classic suspense story, the film raises provocative questions that continue to resonate today. For a thriller that is guaranteed to get your pulse and mind racing pay a visit to The House on Carroll Street.

The story begins in 1951 as Life magazine photo editor Emily Crane is forced to testify during a House on Un-American Activities Committee hearing. When she refuses to cooperate with the committee and name friends and colleagues she is fired and later finds employment as a companion to an elderly woman. Soon after starting her new job she notices strange things happening at the house next door. She tries to begin a friendship with a young refugee living in the house, but their brief acquaintance is brutally ended when he is murdered. Blaming herself for his death, she sets out to solve his murder and see that his killer is brought to justice. In her ensuing investigation she stumbles upon a devastating revelation that puts her at the center of a dangerous conspiracy that extends far beyond the confines of The House on Carroll Street.

The House on Carroll Street is in many ways more pertinent viewing now than at the time of its release over thirty years ago. Inspired by two of the darkest chapters in America's history the film offers vital lessons for our own politically fraught era. The story begins with Emily testifying in one the infamous House on Un-American Activities 'red scare' hearings and highlights the ways in which political overreach and forced consensus allowed the government to discredit, prosecute, and effectively blacklist citizens who held dissenting beliefs. Similarly, her ongoing harrassment at the hands of federal agents reveals the ways in which citizens were stripped of their rights and dignity. These elements of the film offer valid insight into the hysteria of the McCarthy era and bear an uncanny resemblance to the blacklisting efforts of  'cancel culture' and the increasing persecution of political opponents and dissenting voices in modern America. The film also draws ample inspiration from Operation Paperclip, the real-life CIA operation in which US intelligence relocated Nazi scientists and war criminals in an effort to combat the rising threat of the Soviet Union. The depiction of nefarious top secret operations and the lengths at which federal agencies go to conceal them serve as an apt warning against the dangers of unchecked government power and contain striking similarities to events dominating today's headlines. Even as it offers a vital political critique the film never resorts to heavy handedness and instead allows the actions of its characters and the ramifications of those actions to speak for themselves. In the midst of its provocative political and ethical questions the film never sacrifices any of its thrills or suspense and offers a twisting plot that would have made even Hitchcock himself proud. For a thriller that will get your heart racing and your mind reeling stop by The House on Carroll Street.

The film transports viewers to 1950's New York thanks to the brilliant work of its cast. Jessica Tandy proves an entertaining curmudgeon as Emily's elderly employer, Miss Venable. Christopher Buchholz personifies torment in his brief appearance as war refugee Stefan. Jeff Daniels conveys decency and charm as morally conflicted FBI agent Cochran. Mandy Patinkin steals each scene in which he appears as callous federal prosecutor Ray Salwen. Kelly McGillis shines in a multi-faceted performance worthy of Old Hollywood's leading ladies as the determined Emily.

The House on Carroll Street is an old school Hollywood thriller that remains eerily relevant today. The film's exploration of a largely hidden part of America's past sheds much needed light on one of the nation's darkest secrets and raises vital questions that we continue to wrestle with today. Through its uniformly engrossing performances the film weaves a twisting plot that is certain to have viewers on the edge of their seats. For a thriller that will keep you guessing until its final review and asking questions long after its final credits fade step inside The House on Carroll Street.