Classics: A Rankin Bass Christmas By Lauren Ennis

With the release of the enduring classic special Rudolph the Red Nosed Reindeer in 1964 animation studio Rankin Bass Productions became synonymous with holiday entertainment. Even decades later, the studio’s stop-motion television specials remain some beloved holiday viewing as they continue to be passed from one generation to the next. In the spirit of the season, this week I’ll be turning the spotlight on three Rankin Bass films that will have you wishing that the holiday season could last all year long.

You better watch out, you better not cry...

Santa Claus is Coming to Town: No Christmas viewing list would be complete without a visit from the man of the hour himself; Santa Claus. This 1970 film functions as a delightful origins story for Santa as it relays how an abandoned infant defied the odds by growing up to become a living legend. The story begins with an elf family, the Kringles, finding a baby on their doorstep. The Kringles, a family of once successful toy-makers, take the child in and give him the name Kris Kringle. When he grows up, Kris takes his place in the family business and becomes determined to restore his family to their former place as the ‘first toymakers to the king’. Along the way he uses his stock of toys to spread joy and hope to those he encounters until he finds himself in Somber Town, where the citizens’ lives are dominated by work and chores and toys have been banned. When he dares to question the town’s despotic mayor, the Burgermeister Meisterburger, Kris soon finds himself on the wrong side of the law and embarks upon an adventure that will transform him from entrepreneur to outlaw to saint. The film expertly utilizes the then innovative technique of stop-motion animation to bring Kris and his whimsical world to life. The engaging voice performances (including performances by screen legends Mickey Rooney and Fred Astaire) and toe tapping tunes ensure that audiences of all ages will find something to love. This Christmas join Kris and the Kringles in Santa Claus is Coming to Town.

Jack Frost nipping at your nose..

Jack Frost: While this film may be less well known than some of its counterparts, Jack Frost is still a prime example of Rankin Bass at its finest. Rather than maintaining a narrow focus upon one holiday or religious tradition, the film celebrates the entire winter season. As a result, the film makes for ideal seasonal viewing for diverse audiences which remains timely for more than just one brief month. The story follows winter sprite Jack Frost, who longs to become human. Jack’s life is further complicated when he finds himself falling for a mortal woman and becomes torn between his dream of a mortal life and his duty as a winter sprite. After Jack pleads his case Father Winter reluctantly relents and allows him to become human on the condition that he will return to his true form unless he can secure a house, a horse, gold, and a wife by spring. The tale then evolves into a fish out of water story reminiscent of The Little Mermaid as Jack struggles to adjust to mortal life while also trying to earn the affection of the woman he loves. The film utilizes the studio’s signature animation to full effect as it transforms the screen into a glittering winter wonderland. The voice actors all turn in amiable and engaging performances and also aptly perform the film’s heartwarming songs. The film’s child-friendly story and songs are sure to engage young viewers while the story’s morally conflicted hero and bittersweet ending lend the film a maturity and emotional weight that are all too rare in family entertainment. For some fun in the snow spend your holiday with Jack Frost.

Never send a man to do a woman's job

The Year Without a Santa Claus: Although Santa’s name may be in the title, it’s his gutsy wife and loyal staff who take center stage in this musical adventure. Easily one of the Rankin Bass’ most unconventional efforts, the film also holds the distinction of standing out as one of the studio’s most beloved releases. Rather than focusing upon Santa himself the story instead turns the spotlight on those around him who help make the magic of Christmas happen from behind the scenes. The story begins with Santa entering a state of depression after learning that many people have ceased to believe in him. Dejected, Santa then takes to his bed determined to cancel Christmas. Fortunately for viewers, however, Mrs. Claus refuses to give in without a fight and hatches a scheme to get Santa out of bed and back into his sleigh by Christmas. The film showcases an array of offbeat characters who break the typical norms of holiday films including well-meaning but bumbling elves Jingle and Jangle, homesick reindeer vixen, the sharp-witted Mother Nature, and the outrageous Miser Brothers (whose endlessly engaging shenanigans have more than earned them their cult following). The film also features a series of toe tapping tunes with the Misers’ Vegas-style numbers and the whimsical title tune particularly standing out. The story is especially noteworthy for its more complex portrayal of Santa and Mrs. Claus, who step outside their usual cheery roles as Santa is confronted with an existential crises which in turn prompts Mrs. Claus to reevaluate her place in the family business. This holiday season don’t go without The Year Without a Santa Claus.

Classics: A Review of the Haunting of Hill House By Lauren Ennis

“There’s no place like home”, is a phrase most often spoken with warmth and nostalgia. For the residents of Hill House, where all who walk there walk alone, however, this nostalgic adage takes on a chilling meaning. In 2018’s hit horror series The Haunting of Hill House an unsuspecting family learns just how unlike any other place their new home is as they are confronted with terrors that will haunt them for years to come. At once an innovative, modern, take on the classic haunted house story and a raw exploration of the inner demons that haunt us all The Haunting of Hill House makes for a viewing experience that is simply to die for.  

The modern dream home

The story cleverly plays with the concepts of time and memory as it shifts between the summer of 1992 and the present day. The flashbacks chronicle the sinister events of the fateful summer that the Crain family spent at the mysterious Hill House while the present day scenes relate the ways in which those events continue to impact the family years later. The family, made up of handyman Hugh (Henry Thomas and Timothy Hutton), his architect wife, Olivia (Carla Gugino), and their five children first arrive at the house with the intention of ‘flipping’ the gilded-age manor and then selling it for a profit. What the family did not plan on, however, was that their new home would have plans of its own. As the series progresses, the family are confronted with ghosts of both the supernatural and metaphorical variety as they struggle to escape the ‘not sane’ Hill House with their sanity and lives intact.

Although haunted house stories seem to invade our televisions each Halloween The Haunting of Hill House earned its status as an instant horror classic by telling a story in which its characters are even more haunted than the titular house. Rather than focusing upon the expected array of scares, the series maintains a tight focus upon the Crain family as it explores the fascinating question of what exactly happens after a horror movie ends and the survivors finally leave a haunted house. As the series progresses, and viewers witness the ways in which the Crains struggle to rebuild their shattered lives, the story evolves into a meditation on trauma. The script’s focus upon family provides additional emotional resonance as the characters reveal the ways in which family can be both our salvation and our own personal curse. Through its focus upon such familiar themes as family and trauma the series transcends the limits of the horror genre and becomes a universal tale of the places, people, and experiences that haunt us and the need to exorcize our own demons. Even as it explores the darkest corners of the human psyche, the series offers plenty of traditional scares including decaying former residents, soul-switching possession, and a certain bent-necked lady that are guaranteed to leave you sleeping with the lights on. For a frighteningly good viewing experience that will have your pulse and mind racing join the Crain family as they experience The Haunting of Hill House.

Wakey Wakey...

The ominous halls of Hill House come to eerie life thanks to the excellent work of the cast. Henry Thomas and Timothy Hutton aptly portray how the traumatic events at Hill House transformed Hugh from a cheery and ambitious family man to the tormented shadow of himself that he has been reduced to in the present. Carla Gugino skillfully conveys the dual nature of Oliva’s personality as she portrays Olivia’s warm and vivacious persona, while still ensuring that she remains an ethereal enigma to viewers. Paxton Singleton and Michiel Huisman create a fascinating contrast in their dual roles as the carefree and fun-loving pre-haunting Steve and the isolated, materialistic, man he has become. Lulu Wilson and Elizabeth Reaser are well cast as responsible older sister Shirley in seamless performances that perfectly complement each other. McKenna Grace and Kate Siegel nearly steal each scene that they appear in as caustic clairvoyant Theodora. Julian Hilliard and Oliver Jackson-Cohen are endlessly endearing as well-meaning but misunderstood Luke. Violet McGraw and Victoria Pedretti are heartbreaking in their portrayals of sensitive Nell, who always seems to be lost amidst her preoccupied family.

We are family, get up everybody and scream!

Through its careful balance between supernatural and real-life horrors The Haunting of Hill House breathes fresh life into the horror genre. The twisting narrative and multi-faceted characters ensure that viewers will remain on the edge of their seats even when there isn’t a jump scare prompting them to leap off. The excellent performances, engrossing cinematography, and stunning visuals ensure that the ten-hour series is a non-stop thrill ride. Part modern family drama and part old-fashioned horror story, The Haunting of Hill House is a wholly original viewing experience and a must-see for horror fans. For a series that is certain to leave you paralyzed with fear pay a visit to Hill House.

Classics: A Review of The Royal Tenenbaums By Lauren Ennis

The holidays are a time for food, fun, and the warm glow of family dysfunction. In keeping with the spirit of the season I’ll be turning this week’s spotlight on a film that features a clan who personify all that we love to hate and hate to admit that we love about family; The Royal Tenenbaums. Through its deft combination of sarcastic wit and heartfelt sentiment the film aptly portrays all the ways in which families can drive each other up the proverbial wall while capturing the love that continues to bring them to the holiday table. Eccentric, outrageous, and royally funny, The Royal Tenenbaums are one family who put the fun in family dysfunction.

I always wanted to be a Tenenbaum...

The story begins with an introduction to Royal (Gene Hackman) and Etheline (Angelica Houston) Tenenbaum and their precocious prodigy children Chas (Ben Stiller), Margot (Gwyneth Paltrow), and Ritchie (Luke Wilson). The family lead charmed lives as Chas becomes a business whiz, Ritchie sets off on the path to tennis stardom, and Margot becomes an award-winning playwright; all before reaching puberty. The children’s idyllic existence comes to a screeching halt, however, when their parents separate and Royal essentially disappears from their lives. Decades later, the siblings are caricatures of their former selves as Ritchie flounders in an existential crises, Chas becomes a neurotic overbearing parent, and Margot spends her days wallowing in the bathtub for hours to escape her loveless marriage. In the midst of this tumult recently evicted Royal returns to the family home claiming that he has six weeks left to live. Antics ensue as the family embarks upon a series of misadventures that ultimately teach them lessons in life, love, and what it means to be a Tenenbaum.

While family dysfunction has become common comedy fare in modern cinema, The Royal Tenenbaums sets itself apart through its original approach. The script touches upon a variety of sobering topics ranging from marital strife, to depression, to drug abuse and unfulfilled dreams, yet somehow manages to keep its tone deceptively light. Rather than focusing upon the trials that the characters are faced with, the film instead emphasizes the absurd yet relateable ways in which the characters cope with their struggles By including these real life topics without dwelling upon them, the script acknowledges the reality of life’s many difficulties and serves to remind viewers that they are not alone in facing these hardships.. The film also succeeds by maintaining a genuine emotional core even in the midst of its most outlandish hijinks.  Regardless of the many ways in which they annoy, alienate, and manipulate one another, the Tenenbaums continue to maintain an understanding of and allegiance to one another with the complexity of a real-life family. It is this sincerity that keeps the film grounded and helps viewers to invest in the characters, who despite their eccentricities are not so very different from us after all. As a result, the film relates a refreshing tale that is at once wildly unique and entirely universal.

The stuff of Kodak moments

The cast bring the wonderfully warped Tenenbaums to life through uniformly excellent performances. Ben Stiller is endlessly engaging in his frenetic turn as tightly-wound Chas. Luke Wilson makes for one of cinema’s most loveable losers as aimless yet admirable Ritchie. Gwyneth Paltrow is delightfully deadpan as the enigmatic Margot. Angelica Houston conveys warmth and wit in her performance as Etheline. Danny Glover’s turns in a nuanced performance as Etheline’s boyfriend/accountant Henry Sherman and makes his character an ideal foil to the eccentric Tenenbaums.   Owen Wilson is uproarious as the family’s tagalong neighbor turned affected bestselling author Eli Cash. Even in the midst of these masterful comic performances, Gene Hackman dominates the film as the gleefully amoral Royal.

Quirky, offbeat, and utterly original, are words that serve as apt descriptions for both The Royal Tenenbaums and its titular family. At once an uproarious portrait of familial chaos and a heartfelt tribute to the bonds which hold that chaos together, The Royal Tenenbaums is a family film befitting the modern family. Through its witty script expert performances the film brings the whimsical world of the Tenenbaums to life in all of its hilarity. For a hysterical start to your holiday season, pay a visit to The Royal Tenenbaums.

Classics: A Review of The Road to Calvary By Lauren Ennis

November 11, 2018 marks the 100^th anniversary of the World War I armistice. Over the course of four years millions of lives were lost, empires were toppled, and a generation was left to pick up the pieces of a shattered world. The 2017 miniseries The Road to Calvary expertly captures both the personal and political toll of World War I through its portrayal of the changing fortunes of two sisters during the last days of the Russian Empire and the rise of the Soviet Union. At once a moving tale of love, loss, family, and fate and an unflinching historical chronicle, The Road to Calvary is essential viewing as we mark the centennial of the end of World War I.

It's written by a Tolstoy...it's gotta be good

The story begins as idealistic Daria Bulavina (Anna Chipovskaya) arrives to study law in St. Petersburg. While in the city, Daria is reunited with her sophisticated older sister, Ekaterina (Yuliya Snigir), who exposes her to the city’s flourishing artistic and philosophical culture. As time wears on, however, Daria sees the rising unrest running rampant through both the halls of her university and the streets of St. Petersburg. When World War I breaks out the sisters begin down the divergent paths that will ultimately place them on opposite sides of the barricades during Russia’s ensuing revolution and civil war.

Adapted from Sisters, the first novel in Alexei Tolstoy’s The Road to Calvary trilogy, the miniseries grittily portrays the devastating impact of World War I and its aftermath. While World War I and the Russian Revolution have been portrayed numerous times on-screen, The Road to Calvary stands apart from its predecessors through its balance between the political and the personal. Through its depiction of the triumphs and tragedies experienced by the Bulavina sisters the series relates a compelling universal tale that will resonate even with viewers unfamiliar with its historical context. Even as it aptly portrays the sisters’ tumultuous lives, however, the series never loses sight of the historical events fueling its fictional plot. The series is particularly commendable for its refusal to sanitize or simplify history as it objectively depicts the events of its era, while humanizing all sides and glamorizing none. As a result, the series strikes the ideal balance between entertainment and education as it relates its epic tale of ordinary individuals caught in the sweep of extraordinary events.

The war to end all wars

The talented cast bring both Tolstoy’s characters and the world that they inhabited to vibrant life. The massive cast turns in uniformly superb performances as each actor portrays their role with nuance, depth, and raw emotion. Standout supporting performances include Sergey Koltakov as the sisters’ opportunistic father, and Alexey Kolgan as Ekaterina’s well-meaning but hapless first husband. Svetlana Khodchenkova portrays the downward spiral of Daria’s rival, Liza, with a ferocity and nuance that ensure she steals nearly every scene in which she appears. Andrey Merzilkin takes viewers on an equally fascinating journey in his turn as privileged aristocrat, turned wounded war veteran, turned ruthless criminal Arkady. Anton Shagin personifies the trauma of war as tortured poet Alexey Bessonov. Pavel Trubiner skillfully portrays the internal conflicts of Ekaterina’s second husband, Vadim, as he struggles to find his place in a country that has moved on without him. Leonid Bichevin is equally nuanced in his role as Daria’s husband, idealistic engineer turned world-weary Red Army captain Ivan. Even in the midst of these expert performances, however, the series belongs to Anna Chipovskaya and Yuliya Snigir as the Bulavina sisters. Snigir is captivating in her performance as Ekaterina as she gradually evolves from spoiled socialite to resilient survivor. Chipovskaya is a revelation in her portrayal of Daria’s coming of age as she grows from a naïve girl to an independent and determined woman.

Sisters before misters

War epic, family saga, and romance are just a few of the words that aptly describe The Road to Calvary. Through its intelligent script, excellent performances, and eye-catching scenery and costumes the series transports viewers to the distant worlds of both Czarist Russia and the early Soviet Union. Through its blunt portrayal of the impact of World War I, the Russian Revolution, and the Russian Civil War upon the lives of its characters, the series evokes the devastating ways in which these events impacted people on all sides from all walks of life. For apt insight into World War I and its aftermath and a fitting tribute to the ordinary people who endured these extraordinary events, hitch a ride on The Road to Calvary.

Classics: 3 Halloween Features for the Faint of Heart By Lauren Ennis

The thrills and chills have begun and things are going bump in the night. That bewitching hour is upon us once again. Halloween is the perfect time to celebrate all things spine-tingling, but for some of us the horrors of Halloween are all fright and no fun. This week I’ll be turning the spotlight on three screen favorites that will help even the most faint of heart to get into the spirit of the season.

And you thought you had a weird family...

The Addams Family: They may be creepy, cooky, and altogether ooky, but the only screams you’ll hear with this family are screams of laughter. Adapted from an offbeat comic strip both the 1960’s television series and the 1990’s film franchise chronicle the comic exploits of the monstrously misunderstood Addams’. While the film franchise features the deadpan wit and darker sensibility of the original comic and the television series focuses upon family friendly humor, all adaptations capture the daily absurdity of life for the fiendishly fish out of water family. Through their gothic tendencies and passion for all things macabre the wonderfully warped clan make for a delightfully distorted satire of the modern American family. Even in the midst of family fun, however, the Addams’ deliver plenty of gothic goodies and wicked whimsy to go around. For a frighteningly good time for the whole family spend some time with The Addams Family.

That slight come hither stare, it's witchcraft...

Bell, Book, and Candle: The common complaint that ‘I married to/am dating a real witch’ is taken to a whole new level in this hit romantic comedy. Like its television counterpart Bewitched, Bell, Book, and Candle follows the mismatched romance between a modern-day witch and a hapless mortal. The film begins with sultry witch Gillian lamenting her boredom and desire for a new romance. When Gillian crosses paths with a school days rival out with her fiancé, Shepherd Henderson, Gillian sees her opportunity to enjoy some wicked fun. She then casts a spell to seduce Shepherd out of spite more than genuine attraction. Complications ensue, however, when she breaks the code of witchcraft and begins falling for her spellbound target. Combining Halloween hijinks with all the classic elements of romantic comedy the film is a delightful alternative for couples looking to get into the spirt of the season without the shrieks. The film reunites Vertigo costars James Stewart and Kim Novak, who manage to convey even more chemistry in this second outing. Together the pair create cinema magic with Stewart’s folksy everyman acting as an ideal foil to Novak’s supernatural sophisticate. With scene-stealing supporting performances from Jack Lemmon and Elsa Lanchester the film is guaranteed to have you screaming with laughter. For a bewitching viewing experience spend a spell with Stewart and Novak in Bell, Book, and Candle.

Now that's how you put on the Ritz!

Young Frankenstein: Madcap adventure plus mad science proves the formula for comedy gold in this Mel Brooks classic. The film follows strait-laced scientist Victor Frankenstein (that’s pronounced ‘Fronk-en-steen’) as he reluctantly takes up the family business. The story maintains the framework of the familiar Frankenstein tale with Victor traveling to the ancestral estate and following down his grandfather’s famous path of madness, mayhem, and monsters, but with the crucial addition of Brooks’ signature humor. As a result, the film aptly pays homage to the monster movies of the 1930’s while spoofing the classic horror genre. Led by Brooks’ regular Gene Wilder the film features an expert comedic cast that includes Terri Garr, Peter Boyle, Cloris Leachman, Madeleine Kahn, and Gene Hackman. Easily one of Brooks’ most outstanding efforts, the film has attained iconic status and continues to be referenced across popular culture. Combining classic horror and contemporary comedy this monster mash is a Halloween must.

Classics: A Review of The Talented Mr. Ripley By Lauren Ennis

Is it better to be a real nobody or a false somebody? It is this seemingly simple question that drives the 1999 thriller The Talented Mr. Ripley. Adapted from the 1955 novel of the same name, the film follows a working class young man as he uses his unusual talents to enter 1950's cafe society and the fatal lengths at which he will go to remain there. At once a subtle character study and a Hitchcockian thriller this twisted tale of the American Dream gone wrong is simply to die for.

A portrait of the sociopath as a young social-climber

The story begins with struggling pianist Tom Ripley (Matt Damon) filling in for another musician at a society gala. After the performance tycoon shipping tycoon Herbert Greenleaf (James Rebhorn) mistakes Tom for an acquaintance of his son, Princeton alum turned playboy Dickie. When Tom fails to correct the error Mr. Greenleaf offers to pay Tom to travel to the glamorous Italian Riviera and retrieve the errant Dickie (Jude Law). Tom eagerly seizes the opportunity, but upon arriving is immediately swept up into Dickie's world of fast living and easy money. As the summer draws to a close, however, both Tom's funds and Dickie's friendship are stretched to their limits. Determined not to give up his new lifestyle Tom concocts a scheme that puts his talents to the ultimate test.

Although the film's plot maintains the usual twists and turns of a thriller the film sets itself apart by relating its sordid story of money and manipulation from the villain's perspective. From the outset, Tom is portrayed as cunning, manipulative, and opportunistic; hardly qualities of a likeable protagonist. As the story unfolds, however, viewers experience the world through Tom's eyes and his desire for self-improvement and manipulation become understandable even as his actions escalate to the reprehensible. As a result, audiences are placed in the uncomfortable position of empathizing with a character that they would ordinarily condemn. This perspective lends the proceedings an additional layer of suspense as audiences become emotionally invested in Tom's fate as well as the grim fates of those around him. Less a tale of who done it than why was it done, film raises fundamental questions about identity, success, and society all while weaving a web of deception that will leave viewers guessing until its final frame.

The moment when three becomes a crowd

The world of Tom Ripley in all its gruesomeness and glamour is vividly brought to life by the talented cast. Jude Law charmingly portrays the equal parts carefree and careless Dickie. Gwenyth Paltrow turns in a dynamic performance as Dickie's fiance as she captures Marge's party gilr persona while hinting at the depth that Tom underestimates. Jack Davenport earns sympathy as Tom's deceived love interest, Peter. Philip Seymour Hoffman and Cate Blanchett steal each scene in which they appear as Dickie's charismatic best friend, Freddie, and witty socialite Meredith. Matt Damon proves himself every bit as talented as Tom Ripley as he conveys the easy charm, inner torment, and desperate drive that define the elusive Tom.

The adventures of Tom Ripley make for a thought provoking thriller that will leave viewers questioning even themselves. Through its intricate plot, intelligent script and superior performances the film relates a masterful tale of classic suspense. For a guaranteed thrill ride join the scheming, social climbing, and sociopathic but ever talented Mr. Ripley.

Any requests?

Classics: Three Modern Movies to Cure Your Classic Film Craving By Lauren Ennis

Over the course of the last century cinema has become one of the surest signs of the times through its ability to act as a visual chronicle of changes in fashion, technology, and social norms. Films have related stories that explore a myriad of social and political issues as well as all of the conflicts and emotions of the human experience. In spite of the ways in which cinema brings people together, film fans remain divided as many movie buffs maintain a firm focus upon modern releases while others cling to the classics. Fortunately for film fans everywhere, a number of recent releases have combined the magic of movies past and present to create a uniquely universal viewing experiences that truly have something for everyone.

Move over Fred and Ginger

La La Land: After experiencing a decline in popularity during the 1960's, movie musicals were back on the cinematic map starting in the early 2000's. While the majority of these modern musical films subverted and added twists to the genre, 2016's La La Land used classic musical conventions to tell a thoroughly modern tale. the story follows an aspiring actress and struggling jazz musician (Emma Stone and Ryan Gosling) as they follow the road to both romance and stardom in modern L.A. Even as the couple navigate the pitfalls of life and love in contemporary Tinseltown, they still sing and dance their way into audiences' hearts in a style befitting Ginger Rogers and Fred Astaire. Whether they are sharing a fantasy dance sequence worthy of Gene Kelly or singing jazzy tunes that would be at home in The Umbrellas of Cherbourg, the film's leading couple exude classic cool. The film even includes references to a diverse array of classic films ranging from Funny Face to Jules and Jim. Wile the film pays apt tribute to cinema history, La La Land remains firmly planted in the fast paced and fickle world of modern showbiz. In this way, the film tells a universal tale of the struggle to find love and success that will resonate with audiences of any generation. For a timeless story tat is guaranteed to get your toes tapping pay a visit to La La Land.

Sometimes words just get in the way

The Artist: Cinema's silent era reached its end with the rise of talking pictures in the late 1920's...or did it? In 2012 moviegoers partied like it was 1929 with the release of the surprise critical and commercial hit The Artist. Filmed in glorious black and white with just one line of dialogue, The Artist that a picture is worth a thousand words even in the new millennium. The film chronicles the parallel careers of a fading silent star (Jean Dujardin) and the budding 'talkie' starlet who loves him (Berenice Bejo). The film poignantly explores the struggles of silent stars at the dawn of the sound era with an eye towards the fleeting nature of fame in an industry that is always on the lookout for the next big thing. The vintage cinematography combined with eye-catching costumes and sets transports viewers to the razzle dazzle of the roaring twenties. Simultaneously the intelligent script and nuanced performance ensure that the film has just enough of a modern feel to engage today's viewers. At once a contemporary commentary on aging and celebrity and a celebration of classic cinema The Artist is a silent film with a lot to say.

Round up the usual suspects!

The Good German: Film noir is a genre that while difficult to define is easy to recognize and tempting to imitate. Decades after the genre's heyday in the 1940's and 1950's, studios around the glob have continued to release films that showcase a dark sensibility and grim charm that is directly reminiscent of classic noir. The 2006 film The Good German takes its homage to noir a step further and relates its gritty post-war tale of greed, corruption, and betrayal using authentic post-war production values. The film follows a Humphrey Bogart-esque American war correspondent (George Clooney) as he searches for a former flame (Cate Blanchett) amidst the wreckage of post-war Berlin. The closer that he comes to reuniting with his lost love, however, the further that he is drawn into a convoluted web of state secrets, war crimes, and murder. The film accurately portrays the desperation of a haunted post-war Europe with an added grit that would have been strictly verboten under the restrictions of noir era censors. As a result, the film is able to explore such issues as sexual exploitation, post-war poverty, and the horrors of Nazi Germany with a frankness that films like Casablanca and The Third Man could only hint at. In this way, the film captures both the dark spirit of noir and the bleak reality that fueled it. For a Valentine to vintage noir guaranteed to thrill modern audiences, make a date with The Good German.

Classics: A Review of Camille By Lauren Ennis

What is love worth? Is its value so great that it can compensate for the loss of one's social standing, family, friends, and even one's physical well-being? Or is it just one more thing to be measured in dollars and cents? These are the questions that lie at the heart of the 1937 romantic drama Camille. Adapted from the play of the same name, which was in turn adapted from the novel La Dame Aux Camelias, the film chronicles the doomed romance between a consumptive courtesan and her naive young suitor. After numerous retellings this film remains the best remembered and one of the best renditions of the timeless tale of love, loss, and redemption.

Positively swoon worthy

The story begins in 1800's Paris as the always generous and ever in debt courtesan Marguerite Gautier (Greta Garbo)searches for a new patron. While at the opera a fellow courtesan arranges for Marguerite to meet Baron de Varville (Henry Daniell), whose fortune could easily finance her mounting debts and medical bills. Fate intervenes, however, when she mistakes handsome young Armand Duvall for the Baron. Although the two are immediately drawn to one another, she refuses Armand's attentions and begins an affair with the more financially stable Baron. The pair are eventually reunited, however, and Marguerite realizes that the Baron's wealth cannot fill the void in her life. She then retreats the the country with Armand for an idyllic summer during which happiness finally appears within her reach. The couple are not able to hold reality at bay forever, however, and soon find themselves haunted by the same social pressures and threat of illness that they had fled in Paris. Events are then set in motion that determine the fates of both Marguerite and Armand.

The film sets itself apart from many other romantic dramas through its realistic portrayal of romance. while many romances present flawless couples overcoming overwhelming odds, Camille idealizes neither its protagonists nor the circumstances surrounding their relationship. From the outset, Marguerite and Armand are faced with such hazards as jealousy, financial difficulties, to insecurity, and physical illness; all of which are problems which couples continue to face today. both are also shown to be grappling with their own flaws as Marguerite struggles to overcome her bitter cynicism while Armand tries to conquer his jealousy. As a result, the pair, while likeable, are also all too relateable. The film also makes no attempt to glamorize Marguerite's profession, instead focusing upon the emotional, social, and physical toll that life as a courtesan has taken upon her. The story even extends its realism a step further by showing the ways in which her past threaten not only her own hopes for the future but Armand's as well.  As a result, the film presents a balanced view of its romance which, while idealistic and passionate, remains firmly grounded in a less than ideal reality. It is this same realism that elevates Camille beyond the confines of a standard period romance to the universal tale of self-sacrifice, and redemption that continues to resonate today.

The by turns glittering and gritty world of nineteenth century Paris is vividly brought to life by the exemplary work of the cast. Lenore Ulric perfectly captures the spitefulness of Marguerite's chief rival, viperish courtesan Olympe. Laura Hope Crews, in a stark departure from her more famous role as prudish Aunt Pittypatt in Gone With the Wind, is hilariously vulgar in her performance as aging courtesan Prudence. Jessie Ralph and Rex O'Malley are endearing in their roles as Marguerite's dedicated maid, Nanine, and Armand's playboy best friend, Gaston. Lionel Barrymore and Henry Daniell turn in complex performances as the calculating Baron and Armand's disapproving father. Contemporary reviews called Greta Garbo the greatest Camille since Sarah Bernhardt and it is easy to see why. Garbo brings the Marguerite of the original novel to the screen with all of her contradictions fully intact. Throughout her layered performance she shifts from Marguerite's carefree and mercenary persona to her damaged but still idealistic true self without striking a false note. Similarly, Robert Taylor turns in a performance that equals his leading lady's as he conveys Armand's naivete and devotion without allowing himself to be reduced to a secondary love interest or plot device. Together, the two light up the screen with a dazzling chemistry and raw emotion that places them among the most memorable pairings in cinematic history.

Greta Garbo's first talking picture, Anna Christie, was released with the tagline "Garbo Talks!"; Camille could have been billed with the tagline "Garbo Transcends". Through the performances of Garbo, Taylor, and the rest of the stellar cast and an intelligent script Camille puts the classic in classic Hollywood. Join Greta Garbo and Robert Taylor for an affair to remember in Camille.

Classics: A Review of Vice Principals By Lauren Ennis

The backpacks are out and the buses are in gear; it must be that back to school time of year. To commemorate this bane to teachers and students everywhere I'll be turning the spotlight not on teachers or students but school administrations. To honor those unsung hallway heroes I'll be reviewing the hit HBO comedy series Vice Principals. Easily one of the most outrageously funny things on television the series sends up all things high school with enough shenanigans of its own to ensure that it more than makes the grade.

Setting an example

The story begins with vice principals and polar opposites Neal Gamby (Danny McBride) and Lee Russell (Walton Goggins) vying for the position of principal following the retirement of their boss. Misanthropic Gamby assumes that his years of experience will guarantee him the position while charismatic Russell relies upon his con-man's charm to lead him to victory. Both are shocked, however, when they learn that neither of them will become principal, and the school board instead hired district outsider Doctor Belinda Brown (Kimberly Hebert Gregory). Confronted with an adversary that neither can conquer alone Gamby and Russell form an unholy alliance that marks the beginning of a hilarious if not exactly beautiful friendship.

After decades of draining high school dramas, Vice Principals' darkly comedic approach earns the series an 'A' for originality. Through the over the top hijinks of Gamby, Russell, and company the series aptly captures the modern public school system at its most absurd. From the inefficiencies of PBIS, to easily outmaneuvered standardized tests, to school spirit run amok, nothing in the school system is safe from the script's scathing wit. even in the midst of its wonderfully warped plot the series greatest strength lies within its characters which allow the script to subvert such tired stock types as the overzealous dean, the charismatic 'cool' teacher, and out of touch Vice Principal and transform them into the stuff of comedy gold. With an anarchic spirit that gleefully tramples over every rule of political correctness the series breathes new life into dusty classroom cliches and sets a new standard for school comedy.

Through two seasons the series delivers countless laughs thanks to the expert work of its cast. Susan Park earns sympathy in her role as Russell's put upon wife, Christine, while Busy Philipps is appropriately snarky as Gamby's ex-wife. Maya G Love and Shea Wigham are endearing in their portrayals of Gamby's awkward teen daughter and his ex-wife's too good to be true new husband. Georgia King personifies the girl next door as idealistic English teacher Amanda Snodgrass. June Kyoto Lu is a force of nature as Russell's viscous mother-in-law, Mi-Cha. Edi Patterson is pure dynamite as unstable math teacher, Miss Abbott. Kimberly Hebert Gregory portrays Doctor Brown with a charisma and comedic timing that ensure she is every bit Gamby and Russell's match. Even in the midst of stellar supporting performances, the series belongs to Danny McBride and Walton Goggins as Gamby and Russell. McBride is riotous in his turn as socially inept curmudgeon Gamby and the perfect foil to Goggins' hilarious performance as charming sociopath Russell. Together, the two form a pairing to rival the greatest of comedy duos.

Part buddy comedy and part school satire, Vice Principals is one hundred percent wickedly witty. Through its uproarious script and expertly comedic performances the series is guaranteed to have students and teachers laughing their way into a new school year. For a lesson in comedy join Gamby and Russell in Vice Principals.

Classics: A Review of the Guernsey Literary and Potato Peel Pie Society By Lauren Ennis

Throughout the ages stories have brought people together, even as everything around them threatens to tear them apart. In the recently released The Guernsey Literary and Potato Peel Pie Society, it is the shared passion for books that binds a local club together and provides them with strength and solace as they endure enemy occupation. Over the course of the film, the characters find friendship, love, courage, and redemption all between the covers of the books that they share with one another. The Guernsey Literary and Potato Peel Pie Society, is an uplifting tale of the importance of stories and the power that they hold when we share them with one another.

I don't think we're at Downton anymore, Toto

The story begins with writer Juliet Ashton (Lily James) enjoying literary success in post-World War II London. Despite her new found wealth and commercial popularity, however, she yearns to write something serious that will address the war-time traumas that she and those around her continue to cope with. she soon finds a kindred spirit with the arrival of a chance letter from Dawsey Adams (Michiel Huisman), a pig farmer living on the island of Guernsey and fellow book lover. Inspired by the tales of her new pen pal's struggles during the German occupation of Guernsey she travels to the island with the hope of meeting Dawsey and the colorful members of his local book club, the Guernsey Literary and Potato Peel Pie Society. Upon arriving she is dismayed by the guarded reception she receives from the society and the ways in which the island remains haunted by the impact of war. In an effort t shed light upon the trials and resilience of the people of Guernsey she resolves to write about the occupation. During her research she stumbles upon the disappearance of the society's founding member, Elizabeth McKenna (Jessica Findlay Brown). As she becomes embroiled in the mystery surrounding Elizabeth's disappearance Juliet becomes drawn into the lives of Elizabeth's fellow society members, in whom she finds a community of both fellow book lovers and fellow survivors. By the end of her visit Juliet learns invaluable lessons in life, love, and literature that allow her to move forward with a life in which she neither forgets the toll of war nor allows herself to be defined by it.

Through its portrayal of the fictional Guernsey Literary and Potato Peel Pie Society, the film showcases the all too real tragedy of the occupation of Guernsey while reminding us all of the universal power of books to shed light even in the darkest of times. Through the experiences of its eclectic cast of characters the film explores both the immediate and lasting effects of World War II in England ranging from poverty and wreckage to broken families and shattered lives. While the film conveys the horrors of both the London blitz and the occupation of Guernsey the script remains firmly focused upon not upon the atrocities committed by the Nazis but instead upon the resilience and courage of the British people. As a result, the film acts not as a bleak chronicle of the traumas of war, but instead as an inspiring testament to the ability of the human spirit to rise above that trauma.

Now that's my idea of a book club!

The film also compellingly relates the power of books. For both Londoner Juliet and the residents of Guernsey books provide a refuge and a community. During the war both Juliet and the society look to literature for an escape from the outside world that is crumbling all around them. It is within the pages of books that they each find the hope, strength, and courage to carry on. For the society, books also provide a crucial sense of camaraderie and community amidst the isolation of occupation, which continues to bring them together after the war. It is this same community spirit that draws Juliet out of her solitude in London. Through the simple act of enjoying and sharing stories each of the characters is able to sustain their own inner light while inspiring one another to stand in solidarity against the darkness surrounding them. At once a tribute to the resilience of one group of people in the face of war and a universal tale of the power of literature, The Guernsey Literary and Potato Peel Pie Society is an inspiring story to share with your own community.

The film brings the best-selling novel it is based upon to vibrant life through the uniformly excellent performances of its ensemble cast. Lily James personifies loveliness as she aptly captures Juliet's warmth and intelligence. Michiel Huisman makes for an admirable hero as morally upright and self-sacrificing Dawsey. Jessica Findlay Brown is nothing short of inspiring as the passionate and courageous Elizabeth. Penelope Wilton movingly conveys the toll of war as the steely but damaged Amelia. Tom Courtenay and Katherine Parkinson are delightful in their comic turns as irreverent Eben and eccentric Isola.

The Guernsey Literary and Potato Peel Pie Society is compelling testament to the power of sharing both written and personal stories to bring and keep people together even in the most adverse of circumstances. A historical film with lessons that hold resonance today, the film takes viewers onto an enlightening journey into the hearts of its characters. Through an intelligent and emotionally resonant script and superb performances, the film weaves a masterful tale tat will remain with viewers long after the final credits fade. For an uplifting journey with inspiration to spare, enroll in The Guernsey Literary and Potato Peel Pie Society.

Classics: A Review of Lust for Life By Lauren Ennis

One of popular culture’s most enduring images is that of the tormented artist. As a result, it comes as little surprise that one of Hollywood’s best biographies chronicles the life of one of the most iconic tortured artists; nineteenth century painter Vincent van Gogh. Famous for his art and infamous for his struggles with mental illness, van Gogh’s tragic life is brilliantly brought to the screen in the 1956 Oscar winning film Lust for Life. A true feast for the eyes, Lust for Life is at once a testament to the artistic spirit and an apt portrait of one of the men who personified it.

Now where have I seen that face before?

The film begins not with van Gogh’s art, but instead with his early efforts to resist becoming an artist. After suffering a humiliating failure when he attempts to follow in his clergyman father’s footsteps as a minster he finally becomes determined to serve humanity through his art. The film then chronicles his efforts to establish himself as a painter and his introduction to the dazzling world of the belle époque art scene. As his skill on the canvass increases, however, his personal life deteriorates into a downward spiral of mental illness. Throughout the tumultuous phases of his life, however, one constant remains; his fundamental belief in the beauty of the world around him and his inherent need to capture that beauty on canvass.

Although the film follows the standard biography format it stands apart from other biopics in its complex approach to its subject. While many biopics will glorify a subject and minimize their flaws Lust for Life maintains a firm focus upon van Gogh the man rather than van Gogh the artistic icon. As a result, the script’s van Gogh is a man audiences can immediately relate to and sympathize with as he struggles against everyday obstacles ranging from unrequited love, to mounting debt, to his inability to launch a successful career. The portrayal of the artist’s often fraught personal relationships particularly resonate in their refusal to present him as either a victim or a villain. Similarly, his struggles with mental illness are rendered with a surprisingly modern sensitivity and nuance. Perhaps the script’s greatest strength is its emphasis upon van Gogh’s work and the dazzling visuals which highlight the sources of inspiration surrounding him. In this way, the film brings the world of the artist to vivid life while reminding viewers why his work has continued to endure into the twenty-first century.

No one paints the town red quite like an artist

The uniformly excellent work of the film’s cast brings the world of van Gogh to vibrant life. Kirk Douglas is a revelation in his layered portrayal of the complex, contradictory, and all too human artist. Anthony Quinn is a force of nature as van Gogh’s brash colleague and rival Paul Gaugin. Pamela Brown perfectly captures the world weariness that has hardened van Gogh’s prostitute love interest, Christine. James Donald and Toni Gerry keep the often larger than life van Gogh grounded as his understanding brother and sister-in-law.

Through its subtle portrayal of the complex personal and professional tapestry of van Gogh’s tumultuous existence Lust for Life breathes vital life into its historical subject. As an apt portrait of both van Gogh the artist and van Gogh the man the film is a true work of art. Through its compelling script and engaging performances the film brings the life and times of van Gogh to the screen with all the vibrancy and emotion of one of his paintings. For a true cinematic masterpiece look no further than Lust for Life.

Studios are for slackers

Classics: A Review of To Wong Foo, Thanks for Everything! Julie Newmar By Lauren Ennis

Three friends, thousands of miles, and one national drag competition; what could possibly go wrong? It is this very question that is the premise of the 1995 cult classic To Wong Foo, Thanks For Everything! Julie Newmar. The film hilariously follows the hijinks that three very different New York drag queens find themselves in when they hit the open road only to be stranded in the heart of the midwest. While time has made the story’s shenanigans more sweet than subversive, the film’s humor remains every bit as infectious as the day that it reached number one at the box office. For a frothy cocktail of friendship, laughter, and compassion viewers can thank the film’s stars, Patrick Swayze, Wesley Snipes, and John Leguizamo…and maybe Wong Foo.

The story begins with drag queens Vida Boheme (Patrick Swayze) and Noxeema Jackson (Wesley Snipes) tying for first place in the “Drag Queen of the Year” competition, winning a trip to Hollywood to compete in the “Miss Drag Queen of America” pageant. Along the way they meet inexperienced and despondent would-be drag queen Chi Chi Rodriguez (John Leguizamo). Vida, determined to help Chi Chi reach her full drag queen potential, takes Chi Chi under her wing and persuades Noxeema to let the newcomer join them on their trip. The three form a fast friendship that is quickly tested when their car breaks down, stranding them in an ultra-conservative Midwestern town. The trio then embark upon an adventure that is equal parts hilarious and heartwarming as they teach the residents lessons in tolerance, empowerment, and pizzazz.

Through its fish out of water tale the film confronts viewers with vital lessons in tolerance and empowerment without missing a single comedic beat. The focus upon its three heroines provided 1990’s viewers with an, empathetic if exaggerated, glimpse into the LBGT community. While the film was a far cry from the heavy hitting dramas that would tackle this subject in the future, it still succeeded in shedding light upon a community that film and television had largely ignored. The film particularly stands out for the depth with which each of its very different leading ladies is portrayed, as each struggles with her own search for her place in the world without falling into stereotypes or caricature. As a result, the film’s portrayal of its leads as admirable, likeable, and relatable characters acts as an apt call to tolerance without reducing the script to heavy-handedness or lecturing. Similarly, the film aptly portrays the struggle of modern women as the local ladies that our heroines encounter are continually faced with the limits of gender roles, sexual harassment, and domestic abuse. While the inclusion of these obstacles highlighted vital social issues, the film is at its most empowering when Vida, Noxeema, and Chi Chi embrace their own unique selves and inspire their new friends to do the same. In this way, the film encourages viewers to not only strive beyond their own limits but to also help those around them do the same. Thus, while its story may be slapstick on the surface, To Wong Foo, Thanks for Everything! Julie Newmar is a film with crucial messages that will resonate long after the laughs fade.

The films shines thanks to the brilliant work of its cast. Jason London is endearing in his chivalrous turn as Chi Chi’s small-town admirer, Bobby Ray. Stockard Channing imbues her role as abused housewife Carol Anne with an essential resilience and sympathy. Jennifer Milmore is a delight as Carol Anne’s sheltered daughter, Bobbie Leigh. Chris Penn is an ideal villain in his equal parts bumbling and brutal portrayal of bigoted Sheriff Dollard. Even in the midst of stellar supporting performances, however, the film’s crowning achievements belong to Swayze, Snipes, and Leguizamo who carry their unusual roles with infectious charm. Wesley Snipes is superb in his role as sassy Noxeema as he plays her cynical persona and inner idealism with equal aplomb. John Leguizamo infuses sultry Chi Chi with particular depth as he portrays her struggles to navigate both the drag subculture, and her fraught love life. Patrick Swayze brings Vida to vibrant life as he imbues her every larger than life action and gesture with just the right dash of 1990s girl power.

As one of the most wonderfully whimsical films of the 1990’s To Wong Foo, Thanks for Everything! Julie Newmar more than earns its status as a cult classic. Through its by turns slapstick and heartfelt script and engaging performances the film is guaranteed to leave you with a smile on your face. Hit the road with Vida, Noxeema, and Chi Chi for a viewing experience that you will be sure to thank yourself for.

Classics: A Review of Lilo and Stitch By Lauren Ennis

After nearly a century of animated adventures Walt Disney Studios has become synonymous with the magic of childhood. While the studio is best remembered for its beloved, but often formulaic tales of larger than life heroes and beautiful princesses the studio has also released numerous more original, if less renowned, efforts. One of the studio’s most unique but unfortunately unsung releases is the endearingly offbeat tale of an eccentric girl and her unusual pet; 2002’s Lilo and Stitch. At once a break with the conventions that the studio is best known for and a return to its roots, Lilo and Stitch is an ode to childhood that puts the ‘family’ in ‘family film’.

Ohana means family; family means nobody gets left behind or forgotten

The story starts with a truly out of this world beginning as an inter-galactic council decides the fate of genetic experiment number 626; a furry weapon of mass destruction gone adorably awry. The council ultimately sentences 626’s creator to prison while 626 himself is placed on death row. Fortunately for viewers if not for the council, 626 is far more resourceful than his wide eyes would suggest, and he quickly escapes to the distant planet earth.  After crash landing in Hawaii, 626 bides his time hiding in an animal shelter where he is mistaken for a dog. Meanwhile, unconventional young Lilo and her older sister, Nani, struggle to cope with the recent deaths of their parents. When Lilo’s oddball behavior derails the pair’s interview with a street-smart social worker, Nani desperately searches for a way to manage her sister and make their empty house back into a home. This search ultimately leads the sisters to the local animal shelter where Lilo immediately attaches herself to its most notorious animal; none other than 626 whom she dubs ‘Stitch’. The unlikely trio then embark upon an series of madcap adventures as Stitch tries to stay one step ahead of galactic bounty-hunters while Lilo and Nani struggle to win over their social worker. Over the course of the film both Lilo and Stitch take a journey into the deepest depths of the human heart as they learn the true meaning of family.

Released between the end of the ‘Disney Renaissance’ of the 1990’s and the rise of Pixar’s now dominant computer animation, Lilo and Stitch arrived at a time when Disney had reached a crucial crossroads. When the fairytale formula that the studio had come to rely upon began to lose its luster the studio was forced to re-evaluate its position in a changing market. During this period of transition the studio needed to find a way to break new ground without alienating its established fan base. In an effort to strike this difficult balance the studio looked both ahead to the futuristic adventures of sci-fi while simultaneously seeking inspiration from some of its own pre-1990’s classics. The result was a film that remains unlike anything else in the Disney cannon.



I bet Lassie doesn't have those moves

The film’s greatest strength lies in the way in which it takes the familiar Disney elements that fans know and love and subverts them into something entirely unique. For example the use of traditional watercolor animation brilliantly captures the lush landscapes of modern Hawaii, while harkening back to such pre-computer studio classics as Dumbo. Simultaneously, however, the animators also lend the visuals a refreshingly modern twist through the character designs, with heroines who have realistic proportions and curves that are a stark departure from the studio’s Barbie-esque princesses. Similarly, the plot merges both the old and new by juxtaposing the science fiction action of Stitch’s adventure with the timeless tale of a lonely child and her pet to create a story that will have something for the entire family. Even the film’s soundtrack, a toe-tapping blend of modern Hawaiian and classic Elvis, adds a unique dynamic as it transports viewers into the characters’ world and mentality (grieving Lilo seeks solace in the music of her hero, Elvis), while breaking with Disney’s tradition of Broadway style show-tunes. The script’s greatest departure from studio tradition lends the film its most endearing aspect; the depth and realism of its characters. Unlike traditional Disney characters who were designed to provide young viewers with idealized role models, Lilo, Stitch, and Nani are characters who children can relate to rather than merely aspire to. While all of the characters prove likeable, each possesses flaws and quirks, which in turn keeps their often outlandish journey grounded in realism. As a result, viewers will be bound to see many of their own experiences reflected in misunderstood Lilo, stressed-out Nani, and destructive Stitch, and can easily find inspiration in the characters’ eventual triumphs. Originally advertised as Disney’s ‘black sheep’, this story of a girl and her ‘dog’ gleefully dances to the beat of its own ukulele, earning it a place amongst the best in American animation.

Easily one of the most original films released by Disney, Lilo and Stitch is an ode to anyone who couldn’t fit in because they were born to stand out. Through its breathtaking animation, infectious music, and engaging voice performances, the film weaves a fantastic tale that pays apt tribute to the best Disney classics while still breaking new ground in family animation. For an animated adventure with a little more action, join Lilo and Stitch for a truly out of this world animation experience that is guaranteed to satisfy.

Now that is what I call a rockin' soundtrack

Classics: A Review of Sons of Liberty By Lauren Ennis

This July 4^th will mark two-hundred and forty two years since the Declaration of Independence was signed and a new republic was born. In recognition and celebration of the innovations and sacrifices of our founders, this week I’ll be turning the spotlight on a miniseries that puts the rebel in rebellion; 2015’s Sons of Liberty. Easily one of the grittiest portrayals of colonial America, the series chronicles the events leading up to the American Revolution with all of the suspense, romance, and raw emotion that your history class left out.

The original Boston Strong

The story begins with Boston in a state of upheaval as the streets descend into poverty, gang violence, and a crime epidemic under the by turns indifferent and brutal rule of colonial England. Amidst this tumult, local tax collector Sam Adams (Ben Barnes) attempts to help those in need by using his own limited funds to pay the tax debts of friends and local business owners. Despite his good intentions, Adams’ attempts at philanthropy leave him unable to pay his own taxes, leading the British authorities to issue a warrant for his arrest. When his failed arrest prompts a riot that destroys the governor’s mansion, he quickly finds himself the unlikely center of a local movement. Meanwhile, local businessman John Hancock (Rafe Spall), Sam’s cousin, lawyer John Adams (Henry Thomas), and Doctor Joseph Warren (Ryan Eggold) each find themselves at a crossroads as events unfold that force each of them to question the status quo and choose which side of history they want to be on.

When the series debuted, the History Channel promoted it with the tagline; “there’s the revolution you know. And the one that’s about to begin”. Through its unique approach the series more than lived up to its promotion by providing an insider’s look at the conflicted and complicated men behind the American Revolution. In this way, the series helps breathe new life into the events of 1776 in a way that highlights just what was so revolutionary about the ideals that the colonists were fighting for. Critics and historians rightly cited the series’ tendency to place entertainment value above historical accuracy. The series’ makers defended their work by insisting that their primary goal was to capture the spirit of the era rather than document it; a goal that they certainly achieved. Although the series more aptly serves as an engaging overview than a history lesson, it aptly portrays brings colonial America to gritty life for a new generation. For a viewing thrill ride that will teach you a few things along the way, ship up to Boston with the Sons of Liberty.

Don't tread on me!

  The cast bring colonial America to vibrant life through their stellar performances. Ben Barnes’ roguishly charming performance transforms Sam Adams into a colonial Robin Hood as he rises up against the British ruling class for his fellow colonists. Rafe Squall is an ideal underdog as reluctant rebel John Hancock, and portrays Hancock’s surprising journey with a nuance that ensures his performance is as believable as it is entertaining. Henry Thomas is a perfect foil to Barnes’ reckless Sam in his turn as Sam’s upright but conflicted cousin, John. Ryan Eggold is a story-book worthy hero in his portrayal of noble Doctor Warren. Martin Csokas is an ideal villain in his portrayal of chillingly brutal British general Thomas Gage. Emily Berrington infuses her role as Gage’s battered wife turned Warren’s illicit love interest, Margaret, with an intelligence and spunk that will endear her to audiences as much as they do to the good doctor.

Sons of Liberty aptly brings the American Revolution to life with a modern flair. Through its gritty portrayal of the events leading up to the revolution the series provides viewers with essential insight into the founding fathers’ motives, sacrifices, and truly revolutionary ideas. The series’ combination of an intelligent script and engaging performances will leave even those who hated history class wanting more. For a mini-series that puts the drama in historical drama settle down for a Boston-style tea party with the Sons of Liberty.

Oh say does that star-spangled banner yet wave...